Perfectly timed for Father's Day, this collection of hilarious stories by some of the brightest and most outrageous bloggers celebrates the joys (and otherwise) of fatherhood.

    The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    Naipaul); masters of the short story (Raymond Carver, Mavis Gallant, William Trevor); and a younger generation of late twentieth-century writers on their way to establishing international reputations (Ana Menendez, Zadie Smith).   Each story is introduced by a photographic and biographic portrait of its author". Contents:The ultimate safari by Nadine GordimerIn Cuba I was a German shepherd by Ana MenéndezThe joy luck club by Amy TanWhat do you do in San Francisco? by Raymond CarverMr Sumarsono by Roxana RobinsonThe last Mohican by Bernard MalamudThe end of the world by Mavis GallantThe distant past by William TrevorAmerican dreams by Peter CareyBella makes life by Lorna GoodisonMartha, Martha by Zadie SmithPit strike by Alan SillitoeStorm Petrel by Romesh GunesekeraSquatter by Rohinton MistryOne out of many by V.S. Naipaul

    She puts the English national character under her anthropological microscope, and finds a strange and fascinating culture, governed by complex sets of unspoken rules and byzantine codes of behaviour. The rules of weather-speak. The ironic-gnome rule. The reflex apology rule. The paranoid-pantomime rule. Class indicators and class anxiety tests. The money-talk taboo and many more ...Through a mixture of anthropological analysis and her own unorthodox experiments (using herself as a reluctant guinea-pig), Kate Fox discovers what these unwritten behaviour codes tell us about Englishness.

    The book's first two parts, "Recollections" and "Interviews," provide autobiographical glimpses of the very private Larkin's childhood, his youth at Oxford, the genesis of his forty-year career as a librarian, and the influences that initially steered his poetry. The second half of the book reflects Larkin's literary standards and opinions in often witty and surprising, always beautifully wrought, essays and reviews. His subjects range from Emily Dickinson (were her first lines her best?) to the contemporary mystery novel. Required Writing concludes with a selection of pieces on jazz music."Larkin is a punctilious, honest critic. He prefers good clear writing to pretentious eyewash; he prefers tunes to discordant wailing; and he prefers home to abroad. Unlike the majority of critics, he is clear-sighted enough to say so." --A. N. Wilson, Sunday Telegraph"I read the collection with growing excitement, agreement and admiration. It is the best contemporary account of the writer's true aims I have encountered." --John Mortimer, Sunday Times (London)"Subtle, supple, craftily at ease, Required Writing is on a par with Larkin's poetry--which is just about as high as praise can go." --Clive James, Observer Philip Larkin was the author of poetry collections, including High Windows, The Whitsun Weddings, and The Less Deceived; a book of essays entitled All What Jazz: A Record Diary; and two novels, Jill, and A Girl in Winter, published early in his career. Required Reading was originally published by Farrar, Straus & Giroux.

    Brown, Samuel Holt Monk, Allan Bloom, Nigel Dennis, Edward W. Rosenheim, Jr., A. E. Dyson, William Frost, C. J. Rawson, Kathleen Williams, Martin Price, Robert M. Adams, and Jay Arnold Levine An Annotated Bibliography guides the reader to important works for further study.

    . . yet. Here, for the first time, current twentysomethings come together on their own terms, in their own words, and begin to define this remarkably diverse and self-aware generation. Tackling an array of subjects–career, family, sex, religion, technology, art–they form a vibrant, unified community while simultaneously proving that there is no typical twentysomething experience.In this collection, a young father works the late-night shift at Wendy’s, learning the finer points of status, teamwork, and french fries. An artist’s nude model explains why she’s happy to be viewed as an object. An international relief worker wrestles with his choices as he starts to resent the very people who need his help the most. A devout follower of Joan Didion explains what New York means to her. And a young army engineer spends his time in Kuwait futilely trying to grow a mustache like his dad’s.With grace, wit, humor, and urgency, these writers invite us into their lives and into their heads. Twentysomething Essays by Twentysomething Writers is a rich, provocative read as well as a bold statement from a generation just now coming into its own.Praise for Twentysomething Essays by Twentysomething Writers“Being in your twenties is weird. The world tells you you’re a grown-up, but damn if you feel like one. With 29 sharply observant and well-written snapshots of life between the ages of 19 and 30, Twentysomething Essays by Twentysomething Writers couldn’t have captured this more perfectly.”–Nylon“You’ll devour this compilation of essays by funny, smart, insightful young writers in just a few hours.”–Jane Magazine “[Twentysomething Essays by Twentysomething Writers offers] a wide variety of experience. . . . If we are still looking for a voice for this generation, I’d nominate this eclectic choir instead.”–Orlando Sentinel“[Ranging] from playful and absurd to poignant and earnest . . . [Twentysomething Essays by Twentysomething Writers is] a bold reminder that this generation is extremely diverse and very capable. . . . These essays will speak to you no matter your age.”–Austinist.com “Delightful . . . Whether admitting they are only just beginning to see their own parents as people or struggling to balance graduate study and parenthood, the essayists blend morbid irony and idealism. . . . This highly readable collection of voices is more assured and memorable than one might have expected from such a venture.”–Publishers Weekly “Earnest, honest, and well-written . . . a propitious look at writers coming of age right now, and it’s a pleasant surprise.”–The Phoenix (Boston)“A slice of Gen Y life: everything from OCD, rape, and depression to a nude-art-class model, online communities, and how to find (and keep) a drummer. Pick up your copy.”–stuff@night (Boston)“The essays . . . have an urgency, an immediacy, even as the subject matter runs the gamut from sex to death.”–Los Angeles Times Book Review

    A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.

    "A Curtain of Green and Other Stories" (1941), her first book, includes many of her most popular stories, such as "A Worn Path, " "Powerhouse, " and the farcical "Why I Live at the P.O." "The Wide Net and Other Stories" (1943), in which historical figures such as Aaron Burr ("First Love") and John James Audubon ("A Still Moment") appear as characters, shows her evolving mastery as a regional chronicler. "The Golden Apples" (1949) is a series of interrelated stories about the inhabitants of the fictional town of Morgana, Mississippi. It was Welty's favorite among her books. The stories of "The Bride of the Innisfallen and Other Stories" (1955) are set both in the South and in Europe. Also included are two stories from the 1960s, "Where Is the Voice Coming From?," based on the shooting of Medgar Evers, and "The Demonstrators." A selection of nine literary and personal essays includes evocations of the Jackson of her youth that is essential to her work and cogent discussions of literary form.

    A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

    Already an award-winning writer, ZZ Packer now shares with us her debut, Drinking Coffee Elsewhere. Her impressive range and talent are abundantly evident: Packer dazzles with her command of language, surprising and delighting us with unexpected turns and indelible images, as she takes us into the lives of characters on the periphery, unsure of where they belong. We meet a Brownie troop of black girls who are confronted with a troop of white girls; a young man who goes with his father to the Million Man March and must decides where his allegiance lies; an international group of drifters in Japan, who are starving, unable to find work; a girl in a Baltimore ghetto who has dreams of the larger world she has seen only on the screens in the television store nearby, where the Lithuanian shopkeeper holds out hope for attaining his own American Dream.With penetrating insight that belies her youth—she was only nineteen years old when Seventeen magazine printed her first published story—ZZ Packer helps us see the world with a clearer vision. Drinking Coffee Elsewhere is a striking performance—fresh, versatile, and captivating. It introduces us to an arresting and unforgettable new voice.Brownies --Every tongue shall confess --Our Lady of Peace --The ant of the self --Drinking coffee elsewhere --Speaking in tongues --Geese --Doris is coming

    Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.

    Selected and introduced by Cheryl Strayed, the New York Times best-selling author of Wild and the writer of the celebrated column “Dear Sugar,” this collection is a treasure trove of fine writing and thought-provoking essays.

    Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein's Three Lives, with an unyielding imagination in the lovely/ugly architecture of his stories.Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volume Into (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journal Correspondence. He lives in Bed-Stuy, Brooklyn.

    Taking on the boorish behavior that for some has become a point of pride, Talk to the Hand is a rallying cry for courtesy. Like Eats, Shoots & Leaves, Talk to the Hand is not a stuffy guidebook, and is sure to inspire spirited conversation. For anyone who’s fed up with the brutality inflicted by modern manners (or lack thereof), Talk to the Hand is a colorful call to arms—from the wittiest defender of the civilized world.