In turn, Ahasverus was cursed to roam the earth until the Second Coming. Stefan Heym's novel re-creates and expands this myth to propose that the right synthesis of love and rebellion can bring humankind to the Kingdom of Heaven.Heym introduces both Ahasverus and Lucifer as angels cast out of heaven for their opinions on God's order. Their respective oppositions continue throughout the rest of time: Ahasverus remains defiant through protest rooted in love and a faith in progress, while Lucifer is rebellious by means of his old, familiar methods. In a funny eternity of run-ins, debates, and meddling with characters such as Christ, a disciple of Luther, and a Marxist professor in East Germany, Ahasverus and Lucifer struggle on, awaiting the Second Coming.

    The ship vanishes without a trace.In present day Manhattan, four masked horsemen dressed as Templar Knights emerge from Central Park and ride up the Fifth Avenue steps of the Metropolitan Museum of Art during the blacktie opening of a Treasures of the Vatican exhibit. Storming through the crowds, the horsemen brutally attack anyone standing between them and their prize. Attending the gala, archaeologist Tess Chaykin watches in silent terror as the leader of the horsemen hones in on one piece in particular, a strange geared device. He utters a few cryptic Latin words as he takes hold of it with reverence before leading the horsemen out and disappearing into the night.In the aftermath, an FBI investigation is led by anti-terrorist specialist Sean Reilly. Soon, he and Tess are drawn into the dark, hidden history of the crusading Knights, plunging them into a deadly game of cat and mouse with ruthless killers as they race across three continents to recover the lost secret of the Templars.

    The highly-regarded but unpredictable ex-commando Pierre NiTmans is sent from Paris to the French Alps to investigate. Meanwhile, Karim Abdouf, a young Arab policeman, is trying to find out why the tomb of a young child has been desecrated. When a second body is found, high up in a glacier, the paths of the two policemen are joined in their search for the killers, a trail that embroils them with the mysterioius cult of the Crimson Rivers.

    And she knows that she's one of the lucky ones. She loves her life, ordinary as it is. And she loves the extraordinary people in it: her spirited daughter, Juliet; her colorful, unruly family; the only man in her big heart, Johnny Faye. Rabbit has big ideas, full of music and love and so much life. She has plans for the world. But the world, it turns out, has other plans for Rabbit: a devastating diagnosis. Rabbit is feisty. And with every ounce of love and strength in her, she promises that she will overcome. She will fight fight fight. She will be with those who love her for as long as she can, and she will live as long as she can with music and love and so much life. And as her friends and family rally round to celebrate Rabbit's last days, they look to her for strength, support, and her unyielding zest for life. Because she is Rabbit Hayes and she will live until she dies.

    From the author of Schopenhauer's Telescope comes a beautiful and haunting novel of vengeance, literature, love, isolation, and man's tenuous grasp on reason.

     Over the past few thousand years, Fabio has come to hate his job. As Fate, he's in charge of assigning the fortunes and misfortunes that befall most of the human race-the 83% who keep screwing things up. Frustrated with his endless parade of drug addicts and career politicians, Fate has to watch Destiny guide her people to Nobel Peace Prizes and Super Bowl MVPs. To make matters worse, he has a five- hundred-year-old feud with Death, and his best friends are Sloth and Gluttony. And worst of all? He's fallen in love with a human. Getting involved with a human breaks Rule #1, and about ten others, setting off some cosmic-sized repercussions that could strip him of his immortality-or lead to a fate worse than death.

    Finding each other's voice attractive, they soon switch to a private, "one-to-one" connection. Their seduction-through-conversation begins hesitantly and then becomes erotic.

    It was in order to balance clock time with the movement of the earth. Byron Hemming knew this because James Lowe had told him and James was the cleverest boy at school. But how could time change? The steady movement of hands around a clock was as certain as their golden futures.Then Byron's mother, late for the school run, makes a devastating mistake. Byron's perfect world is shattered. Were those two extra seconds to blame? Can what follows ever be set right?

    In it he captures the Isherwood-like atmosphere of Nazi Germany while telling a satiric story about the rise to power of one man - a thinly veiled caricature of his own brother-in-law. The man is Hendrik Hofgen, a character actor who in his own life plays a bizarre part in the elite circle of the Third Reich. Hofgen is publicly a revolutionary, but secretly he is a man driven by an obsessive need for power and fame. Although he benefits from the prestige of being married to the daughter of an eminent politician, he endangers his rise in Nazi society by his compulsive involvement with ‘a black Venus.’ His brilliant success as Mephisto in FAUST brings him the support of the Führer’s prime minister, who appoints him head of the State Theater. His dreams are finally realized, but the story ends on a note of despair as Hofgen is forced to confront the emptiness of his life. Mann weaves his tale with amazing skill. The result is a fascinating novel of decadence and evil.Klaus Mann, the second child of Thomas Mann, was born in Munich in 1906. He began writing short stories and articles in 1924, and within a year was a theatrical critic for a Berlin newspaper. In 1925 both a volume of short stories and his first novel, THE PIOUS DANCE, were published. His sister, Erika, to whom he was very close, was in the cast of his first play, ANJA AND ESTHER. Mann left Germany in 1933 and lived in Amsterdam until 1936, during which time he became a Czechoslovakian citizen, having been deprived of his German citizenship by the Nazis. He moved to America in 1936, living in Princeton, New Jersey, and New York City. He became a U.S. citizen in 1943. He died at the age of forty-two in Cannes, France. Robin Smyth was a European correspondent for the London Observer.