Gummo tells it like it was. Zeppo tells it like it was. About each other, about the people they worked with, about the years in vaudeville, stage and films. And the people they worked with tell it like it was. Occasionally contradictory, frequently devastatingly unflattering, often hilarious, and always totally engrossing. For the first time, the real Marx Bros. And adding to this historic record, are more than 300 professional and family photos which poignantly depict the times as well as the players."

    Forming their band 'Anvil' they went on to become the 'demi-gods of Canadian metal', releasing one of the heaviest albums in metal history, 1982's Metal on Metal. The album influenced a musical generation including the world-dominating bands Metallica, Slayer and Anthrax, all of whom went on to sell millions of records. Anvil's career would take a different path, however, as they slipped straight into obscurity...Almost thirty years later Lips and Robb, our unlikely musical heroes, are still chasing their dream. Anvil! The Story of Anvil, their autobiography, follows the ups and down of their career and their volatile friendship (which has now spanned almost four decades), reveals their dedication and unadulterated passion for their music, and carries us along on their last-ditch quest for fame and fortune. Based on Sacha Gervasi's award-winning film of the same name, and published to coincide with its worldwide release, this hilarious yet poignant book reminds us that if you believe in yourself, stick by your friends and never give up, you really can make your dreams come true. You cannot fail to be moved by this story. Anvil rock!

    Audrey: The 60s is a landmark photographic chronicle of her film and fashion career during those tumultuous years. Regarded as one of the most beautiful and best-dressed women in the world, Audrey Hepburn had timeless appeal—and this breathtaking photographic collection compiled by David Wills, author of Marilyn Monroe: Metamorphosis, captures this legendary star at the height of her career—from Breakfast at Tiffany’s to the Vogue fashion shoots with world-class photographers that captured her unique, trendsetting style.

    François Truffaut called him “an infallible filmmaker . . . Renoir has succeeded in creating the most alive films in the history of cinema, films which still breathe forty years after they were made.” In this book, Jean Renoir(1894-1979)presents his world, from his father’s Montemarte studio to his own travels in Paris, Hollywood, and India. Here are tantalizing secrets about his greatest films—The Rules of the Game, The Grand Illusion, The River, A Day in the Country, La Bête Humaine, Toni. But most of all, Renoir shows us himself: a man if dazzling simplicity, immense creativity, and profound humanity.

    I was on my toes towards the final chapters." - Mrutyunjaya J"Puts you on the edge of your seat with mind blowing action sequences" - Ruchika M"Just thought to read a chapter. Honestly I didn't leave a single word until it was finished. In fact every chapter has a new suspense waiting to be unfolded." - Dipesh B"Finished reading it at 4 a.m." - Deepak A"Wow.. what a book. Thrilling from the beginning till the end." - Amazon Customer ___________________________________When the Aadhaar database containing the biometric and financial details of 1.2 Billion Indians is hacked in a ransomware attack, everyone is stunned by the audacity of the crime.Who could have done this? Why? And how?The cyber-terrorists soon send a message. They demand One Billion dollars to unlock the encrypted database. If the demands are not met, the database will be wiped out in seventy-two hours.With the ransom deadline ticking down, the Prime Minister sends a Covert Ops team to China to trace the culprits. But when the team reaches China, they find something shocking.From the rugged mountains of Iran to the teeming crowds of Istanbul to an underwater cat-and-mouse chase below the Straits of Malacca, Operation Dragon Strike is a gripping, breakneck adventure that will leave action thriller fans gasping for breath.Please scroll up and grab your copy now or continue reading below.Armaan slammed on the brakes. The jeep screeched to a stop in front the truck. Nitin leapt out on the move. Armaan flung the jeep door open and flipped off the safety switch of his Glock 17 handgun. The cold steel felt good in his palm. His trigger finger stroked familiar metal. He had been itching for revenge since the moment the terrorists had shot him. Nitin raced to the now stationary truck cockpit. He took in one glance and turned to Armaan."The driver's dead."Armaan swore. These terrorists were goners. He ignored the throbbing in his wounded shoulder and crouched behind the chassis of the truck. The terrorists would be going after the rest of the trucks. He had to stop them. The sound of the terrorists' van increased as it came alongside the truck.Now!Armaan rose out of his hiding place as the van came into view. He kept his hand outstretched and pointed his Glock square at the terrorist driving the van and squeezed the trigger twice. He watched the van driver jerk back as he got hit in the chest, and then slumped down the seat, dead.The van rolled past the truck and came to a stop twenty metres ahead. He had stopped the terrorists from attacking the convoy. But now he faced a serious threat.Armaan watched the masked terrorists barge out of the van, their machine guns glinting under the hot sun. He had just made his day worse. With the van stopping ahead of his position, the truck no longer offered him protection. He was completely exposed. There were six of them, all getting their AK-47s ready to pump him full of lead.Armaan was a split-second away from death...Please scroll up and grab your copy now.

    Since its release in 1971, this epic musical has endured as a favorite of children from around the world with a fan base that encompasses generations of movie goers. With its unforgettable characters, chocolatey landscapes and everlasting music, this charming fairy-tale mixes these ingredients into what has been become a cinematic classic from literary legend Roald Dahl. Praised by critics worldwide and often featured in broadcasts with other masterpiece musicals, it remains a timeless treasure. Acclaimed film critic Robert Ebert wrote: "Willy Wonka and the Chocolate Factory is probably the best film of its sort since The Wizard of Oz. It is everything that family movies usually claim to be, but aren't: Delightful, funny, scary, exciting, and, most of all, a genuine work of imagination." Julie Dawn Cole has written an enchanting and richly illustrated memoir that offers a rare look behind the stage curtain to this ageless film. Splendidly illustrated with personal letters, never-seen-before photographs and documents; her mesmerizing story chronicles the entire production experience and tells of the remarkable journey of how she became known worldwide as a really bad egg. Filled with countless funny and touching memories, her story takes readers behind-the-scenes of Willy Wonka and the resulting coming of age journey that brought the cast together again after nearly a quarter century. I Want it Now! takes readers beyond the world of pure imagination and behind the scenes to this universally cherished motion picture. A true-to-life Charlie Bucket tale, Julie's story is unforgettable...

    Hailed by the New York Times as the "godmother to the politically committed film" and by Interview as a true "auteur producer," Christine Vachon has made her name with such bold, controversial, and commercially successful films as "Poison," "Swoon," Kids," "Safe," "I Shot Andy Warhol," and "Velvet Goldmine."Over the last decade, she has become a driving force behind the most daring and strikingly original independent filmmakers-from Todd Haynes to Tom Kalin and Mary Harron-and helped put them on the map.So what do producers do? "What don't they do?" she responds. In this savagely witty and straight-shooting guide, Vachon reveals trheguts of the filmmaking process--rom developing a script, nurturing a director's vision, getting financed, and drafting talent to holding hands, stoking egos, stretching every resource to the limit and pushing that limit. Along the way, she offers shrewd practical insights and troubleshooting tips on handling everything from hysterical actors and disgruntled teamsters to obtuse marketing executives.Complete with behind-the-scenes diary entries from the sets of Vachon's best-known films, Shooting To Kill offers all the satisfactions of an intimate memoir from the frontlines of independent filmmaking, from one of its most successful agent provocateurs-and survivors.

    This work also covers various political and social subtexts of the movies.

    The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film.Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.

    Little did Humphrey Bogart know when he uttered the final line - "This could be the beginning of a beautiful friendship" - that he had just closed what would be one of the most enduring and popular movies ever. Aljean Harmetz believes that "every movie is a creature built from accidents and blind choices - a mechanical monster constructed of camera angles, the chemistry between actors, too little money or too much and a thousand unintended moments." Her portrait of the making of an unmatched classic reveals some of the accidents: how the stars of the movie almost weren't Humphrey Bogart and Ingrid Bergman; how "As Time Goes By" nearly didn't make it to the final cut.

    Along the way, she also became an award-winning actress, without training or theory, without teachers or counsel, ultimately dazzling audiences everywhere with spectacular performances. Elizabeth Taylor has lived nothing less than an extraordinarily remarkable life. With an abundance of new information, internationally acclaimed biographer Donald Spoto explores the gripping story of her brutalizing six-month marriage to compulsive gambler and hotel heir Nicky Hilton, her romances with top Hollywood directors, and her marriage to the ailing Michael Wilding. Four years later, she would be swept off her feet by showman Mike Todd, into an alternately violent and loving marriage that would end after a year with Todd's death in a plane crash, leaving Taylor, at the age of twenty-six, a twice-divorced widow with three children. Here are Taylor's years with Eddie Fisher, Republican Senator John Warner and Richard Burton, with whom she would share a hedonistic, brash lifestyle that would virtually define the 1960s jet set. These years are at last fully and richly explored with mines of fresh material, some of it shocking, some of it funny, all of it shedding new light on the complexities of the most beguiling star in movie history. Spoto candidly explores all the highs and lows of Taylor's exploits both in front of the camera and behind the scenes. Throughout the course of her tumultuous marriages, Taylor never stopped making movies, and from Cat on a Hot Tin Roof to Cleopatra to Who's Afraid of Virginia Woolf?, Taylor dazzled audiences with performances that won her two Academy Awards. The cast of supporting players in her life is unparalleled and never less than fascinating: here are Louis B. Mayer and Jack Warner, Montgomery Clift and James Dean, Tennessee Williams and Franco Zeffirelli, Malcolm Forb

    

    Groucho, Harpo, Chico and Sometimes Zeppo: A History of the Marx Brothers and a Satire on the Rest of the World

    His experiences and thoughts on screenwriting, adapting novels, adapting one's own novels (a bad idea), and on the craft itself contain more useful information than a pile of how-to manuals. As in his novels, McMurtry is by turns witty, acerbic, and thoughtful; the pieces are surprisingly stylish in that the bulk of them (17 out of 21) were spun off on monthly deadlines (for American Film magazine, in 1975-77), and McMurtry admittedly can't remember writing most of them. A fine collection, from a fine writer.No Clue: Or Learning to Write for the Movies. --The Hired Pen. --The Deadline Syndrome. --The Telephone Booth Screenwriter. --The Fun of It All. --All the President's Men, Seven Beauties, History, Innocence, Guilt, Redemption, and the Star System. --The Screenplay as Non-Book: A Consideration. --Pencils West: Or a Theory for the Shoot-'Em Up. --"Mary Hartman, Mary Hartman" and the Movie-Less Novelists. --O Ragged Time Knit Up Thy Ravell'd Sleave. --The Situation in Criticism: Reviewers, Critics, Professors. --Character, the Tube, and the Death of Movies. --The Disappearance of Love. --Woody Allen, Keith Carradine, Lily Tomlin, and the Disappearance of Grace. --The Last Picture Shows. --The Seasons of L.A.. --The Last Movie Column. --The Last Picture Show: A Last Word. --Approaching Cheyenne ... Leaving Lumet. Oh, Pshaw!. --Movie-Tripping: My Own Rotten Film Festival. --A Walk in Pasadena with Di-Annie and Mary Alice