Most parents would be delighted; his were shocked. After all, Oto was born with no arms and no legs. But as this extraordinary young man has proven again and again, hard work, humor, versatility, and an upbeat approach to life are as valuable as limbs. No One's Perfect is his true account of how he slam-dunked one challenge after another, including basketball.In a style purposefully meant to reach all ages, Oto writes about his unique childhood in Japan, a country that traditionally has shielded the disabled from the public eye. But hide Oto? Try hiding the sun! From his earliest days, he brought such a winning optimism into the crowds around him-curious kindergartners, skeptical members of the public school board, gaping passersby-that it was hard to resist him.Now, as a young adult, Oto has taken on the work of establishing a barrier-free environment for others, in the government, in the media, in the eyes of all he meets. His book has sold over four million copies in Japan, where he has utterly changed the way people view the disabled.Unsentimental and understated (you know the day-to-day routine can't have been as easy as he makes it sound), Oto's message nonetheless hits the heart. And though you need bravery and constant energy to overcome disabilities, you also need the understanding of those around you. Strong parents and unconventional teachers bucked the rigid status quo to give Oto a chance at a normal life, and he took it from there. Running races, learning to swim, even getting into fights, he made his classmates feel He's one of us, so they were willing to join forces with him to help break down the barriers he faced.

    

    In search of the most unusual and wildest festivities, the author was pelted with beans, amazed by giant snow cows, stampeded in a temple full of men wearing nothing but "nappies," befriended by alien abductees, and much more while attending a Hogmanay in Scotland, a Tomato Festival in Ripley, Tennesee, a Bean Throwing Festival in Tokyo, and a Vodou Festival in Haiti. The side-splitting stories will inspire readers to attend—or create—peculiar festivals of their own, and on a more serious note, explore and appreciate other cultures.

    Against a history of relative inattention on the part of Western translators to modern Asian critical theory, this first English publication is sure to have a profound effect on current cultural criticism in the West. It is both the boldest critique of modern Japanese literary history to appear in the post-war era and a major theoretical intervention, which calls into question the idea of modernity that informs Western consciousness.In a sweeping reinterpretation of nineteenth-and twentieth-century Japanese literature, Karatani Kojin forces a reconsideration of the very assumptions underlying our concepts of modernity. In his analysis, such familiar terms as origin, modern, literature, and the state reveal themselves to be ideological constructs. Karatani weaves many separate strands into an argument that exposes what has been hidden in both Japanese and Western accounts of the development of modern culture. Among these strands are: the "discovery" of landscape in painting and literature and its relation to the inwardness of individual consciousness; the similar "discovery" in Japanese drama of the naked face as another kind of landscape produced by interiority; the challenge to the dominance of Chinese characters in writing; the emergence of confessional literature as an outgrowth of the repression of sexuality and the body; the conversion of the samurai class to Christianity; the mythologizing of tuberculosis, cancer, and illness in general as a producer of meaning; and the "discovery" of "the child" as an independent category of human being.A work that will be important beyond the confines of literary studies, Karatani's analysis challenges basic Western presumptions of theoretical centrality and originality and disturbs the binary opposition of the "West" to its so-called "other." Origins of Modern Japanese Literature should be read by all those with an interest in the development of cultural concepts and in the interrelating factors that have determined modernity.

    An outgrowth of a doctoral dissertation submitted to Stanford University in December 1965.

    A touching portrait of one cat's lives and deaths, owners and lovers.An arrogant cat is reincarnated many times to many loving owners, but he cannot reciprocate until he learns to love another more than himself.

    The novel follows the (mis)adventures of its travel-addicted protagonist Zack, and in that respect is similar thematically to Alex Garland's 'The Beach' or Gregory David Roberts' 'Shantaram.' Accordingly, the reader is viscerally transported into the surreal realms of Roppongi, as Zack attempts to come to terms with a series of life-changing events unfolding at rapid pace. In the process, the novel punches through the impossibly glamorous surface of Roppongi and plunges the reader deep into its seedy underbelly ... showing a disturbing side of Japan not often written about in the English language.

    He was on top of his house roof with nothing to shield him at only 3/4 of a mile (1,200m) from the epicenter in Hiroshima on August 6, 1945 toward the end of the World War II. But what made Shinji stand out from most of the survivors of Hiroshima and Nagasaki, or even of many other man-made disasters in our history, he never hated Americans as aggressors. He somehow saw things from a much bigger perspective even in the very strict Japanese military government's mind control of civilians during the war. As one of his three legacy-carrying daughters, Dr. Akiko Mikamo wrote his story to send out the messages of human love and power of forgiveness to remind the world our worst enemies of yesterday could become the best friends of tomorrow.

    Here are the haiku that Keroauc, Saijo, and Welch jotted down in notebooks, along with a recollection of the trip written by Saijo in 1973, a section from Welch's unfinished novel that describes the trip and the return, and Welch's early 1960 letters to Keroauc that continue the bond forged during those days on the road together.Jack Kerouac (1922-1969) was a principal actor in the Beat Generation, a companion of Allen Ginsberg and Neal Cassady in that great adventure. His books include On the Road, The Dharma Bums, Mexico City Blues, Lonesome Traveler, Visions of Cody, Pomes All Sizes (City Lights), Scattered Poems (City Lights), and Scripture of the Golden Eternity (City Lights).Lew Welch (1926-1971?) was an American poet and active participant in the Beat generation literary movement. From 1965 to 1970, he taught a poetry workshop. His works, which were published by City Lights/Grey Fox, include Trip Trap: Haiku on the Road, Selected Poems, and Ring of Bone.Albert Saijo (1929-2011) was a Japanese-American poet and active participant in the Beat Generation literary movement. He and his family were imprisoned, along with many other Japanese-American families, as part of the internment of Japanese Americans during World War II. During this time he wrote about his internment experience for his high school newspaper. After joining the US Army and studying at University of Southern California, he became friends with Jack Keroauc and other influential Beat Generation figures. His famous works include The Backpacker (1972) and Outspeaks: A Rhapsody (1997). A collection of his works from the 80s and 90s, Woodrat Flat, was published posthumously in 2014.

    But the bombing of Pearl Harbor strains the newly formed family as U.S. government mandates and Tom’s growing discomfort with all things Japanese force Mitsuko and young Bill to leave Seattle and Tom behind for the Minidoka Internment Camp, unsure if they will ever return.Two decades later, memories of Minidoka and long-lost Mitsuko haunt Bill, sparking an arduous journey that leads him from Seattle’s International District to newly reconstructed Japan to find his Japanese mother and learn the truth about their shared past.Jay Rubin is one of the foremost English-language translators of Japanese literature. He is best known for his numerous translations of works by Haruki Murakami, Japan’s leading contemporary novelist, and the study Haruki Murakami and the Music of Words. Most recently, he has translated the first two books of Murakami’s bestselling novel, 1Q84. In addition, Rubin’s Making Sense of Japanese remains one the widely used guides to Japanese language studies.Jay Rubin received his PhD in Japanese literature from the University of Chicago and taught at Harvard University and the University of Washington. He lives near Seattle with his wife.

    This clearly written history explains how a country embedded in the traditions of Shinto, Shoguns and Samurai has achieved stupendous economic growth and dominance in this century.

    Collected in this 128-page volume is the two-issue series Appleseed Databook, containing detailed descriptions of the people, places, machines, and organizations that populate this fascinating world, plus a previously unreleased twenty-five-page story featuring all of those people, places, machines, and organizations! Appleseed Databook is an absolute must for established fans of the Appleseed saga!

    After more than fifty years of national pacifism and isolation including the "lost decade" of the 1990s, Japan is quietly, stealthily awakening. As Japan prepares to become a major player in the strategic struggles of the 21st century, critical questions arise about its motivations. What are the driving forces that influence how Japan will act in the international system? Are there recurrent patterns that will help explain how Japan will respond to the emerging environment of world politics? American understanding of Japanese character and purpose has been tenuous at best. We have repeatedly underestimated Japan in the realm of foreign policy. Now as Japan shows signs of vitality and international engagement, it is more important than ever that we understand the forces that drive Japan. In Japan Rising, renowned expert Kenneth Pyle identities the common threads that bind the divergent strategies of modern Japan, providing essential reading for anyone seeking to understand how Japan arrived at this moment--and what to expect in the future.

    For one thousand years, the Empire of Rokugan has stood as a bastion of nobility, honor, and virtue. These lands are ruled by the samurai, powerful heroes who carry the katana and wakizashi as their badge of rank. Eight Great Clans vie with one another for supremacy over these lands, all under the eye of the mighty Emperor. And to the south, the Shadowlands, the eternal enemy of Rokugan, waits for the next opportunity to disrupt all that these foolish mortals have built. It is a land of intrigue, wonder, and adventure. Welcome to the third iteration of the Legend of the Five Rings Role-Playing Game. This player's guide will provide players and GM's with all of the setting, culture, and rules needed to create characters in the Legend of the Five Rings world and stage ongoing campaigns in Rokugan. While this book contains an updated version of the familiar rules, conversion rules will be included so that none of the many previous volumes set in this world will ever be obsolete. The best Asian style fantasy setting roleplaying game of this generation returns to its roots with its release this summer. Legend of the Five Rings 3rd Edition returns focus to the Roll and Keep(R&K) system originally released in 1996. Conveying a deeper sense of realism, the R&K system best simulates the tension, reality, and lethality of Samurai drama. Look for it more information in the coming weeks here at L5R.com. * Thrilling fantasy setting based on the myths and culture of Japan, China, and other Asian nations * A new generation of the beloved Legend of the Five Rings roll and keep system.* Streamlines existing rules without making previous products obsolete.* Excellent sourcebook for Rokugani culture and history

    The main storyline follows Zack Hara, a young Japanese American searching for an emotional life while traveling in Japan. Zack finds an ally in a professor and underground poet who introduces him to the concept of mono no aware, roughly translated as the emotive essence of things, or the sadness in beauty. The professor, grieving for a missing daughter, assigns Zack a set of mysterious tasks. Zack’s search for self-discovery turns into a search for the professor’s missing daughter, and draws him into the tragic phenomenon of suicide clubs.