Yukichi Fukuzawa's life covered the 66 years between 1835 and 1901, a period which comprised greater and more extraordinary changes than any other in the history of Japan. In his country's swift transformation from an isolated feudal state to a full-fledged member of the modern world, Fukuzawa played a leading role: he was the educator of the new Japan, the man who above all others explained to his countrymen the ideas behind the dazzling material evidence of Western civilization. Dictated by Fukuzawa in 1897, this book vividly relates his story, from his childhood as a member of the lower samurai class in a small, caste-bound village. His escape from the hopeless destiny decreed by his social position, his adventures as a student of Dutch (the language of the only Westerners allowed in Japan), his travels aboard the first Japanese ship to sail to America -- all prepared Fukuzawa to write Seiyo Jijo (Things Western), the book which made him famous. His special perspective on Japan's tempestuous 19th century gives Fukuzawa's life story added fascination.

    On its journey seaward, it passes through countryside that has long been at the heart of the Japanese tradition. And it flows too past the mountains and the villages, past the dams, ditches and rice fields that provide such a richly textured backdrop to this novel.Powerful enough to sweep away people on its banks and placid enough to carry along with its flow a sumptuous wedding procession, The River Ki dominates the lives of the people who live in its fertile valley and imparts a vital strength to the three women, mother, daughter and granddaughter, around whom this novel is built. It provides them with the courage to cope, in their different ways, with the unprecedented changes that occurred in Japan between the last years of the last century and the middle of this century.Sawako Ariyoshi, one of Japan's most successful modern novelists, describes this social and cultural revolution largely through the eyes of Hana, a woman with the vision and integrity to understand the inevitability of the death of the traditional order in Japan. Ariyoshi writes with a love for detail bound to a broader understanding of the importance of the geographical and biological forces that mold her characters-and the result is a story that flows with all the vitality of The River Ki itself.

    Helm draws on his great-grandfather's unpublished memoir and a wealth of primary source material to bring his family history to life.

    I wanted to see in what ratios people were wearing such masks. I was trying to determine, consciously and unconsciously, what people do in response. So, among people walking along the roadway, and people on motorbikes, I saw no one with masks. Even among the official crossing guards outfitted with yellow flags and banners, none. All showed bright and calm. What was I hoping for exactly? The guilty conscience again. But then it was time for school to start. We began to see groups of kids on their way to school. They were wearing masks.""Horses, Horses, in the End the Light Remains Pure" is a multifaceted literary response to the earthquake, tsunami, and nuclear meltdown that devastated northeast Japan on March 11, 2011. The novel is narrated by Hideo Furukawa, who travels back to his childhood home near Fukushima after 3/11 to reconnect with a place that is now doubly alien. His ruminations conjure the region's storied past, particularly its thousand-year history of horses, humans, and the struggle with a rugged terrain. Standing in the morning light, these horses also tell their stories, heightening the sense of liberation, chaos, and loss that accompanies Furukawa's rich recollections. A fusion of fiction, history, and memoir, this book plays with form and feeling in ways reminiscent of Vladimir Nabokov's "Speak, Memory" and W. G. Sebald's "The Rings of Saturn" yet draws its own, unforgettable portrait of personal and cultural dislocation.

    This widely used undergraduate text is now available in a new edition. Thoroughly updated, the fourth edition includes expanded sections on numerous topics, among which are samurai values, Zen Buddhism, the tea ceremony, Confucianism in the Tokugawa period, the story of the forty-seven ronin, Mito scholarship in the early nineteenth century, and mass culture and comics in contemporary times.

    At the core, the challenges of teaching are the same the world over. Kenjiro Haitani's charming and profoundly moving reminder to keep faith with the kids is finally out in English.It's a typical day at the elementary school when a beautiful young newlywed named Ms. Kotani, the new teacher, eagerly goes into class and leaves before the final bell sobbing. Her students include the silent boy Tetsuzo, whose hobby is collecting flies, and a girl, Minako, who could keep Ritalin in business all alone. Most of the school's teachers have never given these kids a chance, but Ms. Kotani will not give up so easily--even when her single-minded efforts start hurting her marriage.

    In a society where one can be censored, pixelated, and punished, Rokudenashiko asks what makes pussy so problematic?Rokudenashiko (“good-for-nothing girl”) is a Japanese artist. She is known for her series of decorated vulva moulds, or "Decoman," a portmanteau of decorated and manko, slang for vagina. Distributing a 3D scan of her genitalia to crowdfunding supporters led to her arrest for alleged violation of Japanese obscenity laws.

    He not only helped give new vitality and direction to the old conventions of court poetry, but created works that, because of their depth of feeling, continue to attract readers to the present day.

    With this book, Barthes offers a broad-ranging meditation on the culture, society, art, literature, language, and iconography--in short, both the sign-oriented realities and fantasies--of Japan itself.

    The stories reveal the cultural erosion which started at the beginning of modernity, and describe with exquisite subtlety the beauty of old Tokyo.

    Through the confessions of a fiendish Hell painter born in the aftermath of the bombing of Hiroshima, Hideshi Hino tells a nightmarish story, creating a manga masterpiece of black humor, stunning vision, and unflinching imagery.

    Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.

    Written with artless simplicity and quiet humor, The Tosa Diary is the story of a fifty-five day journey by ship from Tosa to Kyoto in AD 935.

    Routledge is an imprint of Taylor & Francis, an informa company.

    Their relationship was far from ordinary, but she wouldn't have had it any other way. Her joy only grows with the births of Ame and Yuki, who have inherited their father's unique ability to transform. But life is full of both joy and hardship, and Hana is left to bring up her little wolves on her own. Raising human children is hard enough...but how will she handle their wild side, too?In this novelization of his award-winning Wolf Children film, acclaimed director Mamoru Hosoda provides a deeper look at the emotional trials and triumphs of a very unique little family.