For anyone who has never been to New Orleans, this is a great introduction to its neighborhoods and history."-- Publishers Weekly , Starred review"Ten years after the publication of the original New Orleans Noir, Akashic's 'Noir' series returns with a follow-up....Each entry is strong, but the collection is worth reading alone for Poppy Z. Brite's 'Mussolini and the Axeman's Jazz,' a delirious and brutal ghost story....Strongly recommended for fans of the Akashic anthologies and Hard Case Crime mysteries and lovers of New Orleans fiction. Devotees of Southern gothic fiction (e.g., the works of Flannery O'Connor and Tom Franklin.) will also find much to enjoy."-- Library Journal , Starred review"Smith, who edited Akashic's original New Orleans Noir (2007), goes back for a second trip to the Big Easy."-- Kirkus Reviews "A riveting read."--Back to Books"Eighteen diverse stories...capture the feeling of this fascinating city. New Orleans Noir: The Classics embraces the city's rich literature and spans two centuries, from the pre–Civil War era to post-Katrina."--Underrated Reads"This anthology really has the feel of New Orleans....I enjoyed this batch of stories. Good ones all the way through. Give it a try."--Journey of a BooksellerAkashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each volume comprises stories set in a distinct neighborhood or location within the respective city.Classic reprints from: James Lee Burke, Armand Lanusse, Grace King, Kate Chopin, O. Henry, Eudora Welty, Tennessee Williams, Shirley Ann Grau, John William Corrington, Tom Dent, Ellen Gilchrist, Valerie Martin, O’Neil De Noux, John Biguenet, Poppy Z. Brite, Nevada Barr, Ace Atkins, and Maurice Carlos Ruffin.From the introduction by Julie Smith:"A glittering constellation of writers has passed through New Orleans--including Mark Twain, Sherwood Anderson, O. Henry, and even Walt Whitman, to name some of the not-so-usual suspects. Then there are the ones whose sojourns here are better known, the ones on whom we pride ourselves, such as Tennessee Williams, William Faulkner, Eudora Welty, Ellen Gilchrist, and James Lee Burke.It was an anthologist's feast--just about everybody who came to New Orleans wrote about it. But there were surprises as well...If you're from New Orleans, the neighborhood theme will resonate like Tibetan temple bells. And yet, surely every city has similar hoods, similar behavior patterns, similar travails--and has had them forever. 'Indeed,' wrote Voltaire, 'history is nothing more than a tableau of crimes and misfortunes.'"

    Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Edwidge Danticat, Rodney Saint-Éloi, Madison Smartt Bell, Gary Victor, M.J. Fievre, Marvin Victor, Yanick Lahens, Louis-Philipe Dalembert, Kettly Mars, Marie Ketsia Theodore-Pharel, Evelyne Trouillot, Katia Ulysse, Ibi Aanu Zoboi, Nadine Pinede, and others.Haiti has a tragic history and continues to be one of the most destitute places on the planet, especially in the aftermath of the 2010 earthquake. Here, however, Danticat reveals that even while the subject matter remains dark, the caliber of Haitian writing is of the highest order.

    THE STEAL - A thief is hired by a collector to acquire an occult aaaaaartefact... CRASH - A hard landing on an alien plaaaaaanet... COLLISION - A world changing incident at the Laaaaaarge Hadron Collider... THE FALL - A London gangster finds himself in a baaaaaad situation...

    The Confabulist weaves together the life, loves and murder of the world's greatest magician, Harry Houdini, with the story of the man who killed him (twice): Martin Strauss, an everyday man whose fate was tied to the magician's in unforeseen ways. A cast of memorable characters spins around Houdini's celebrity-driven life, as they did in his time: from the Romanov family soon to be assassinated, to Sir Arthur Conan Doyle and the powerful heads of Scotland Yard, and the Spiritualists who would use whoever they could to establish their religion. A brilliant novel about fame and ambition, reality and illusion, and the ways that love, grief and imagination can alter what we perceive and believe.

    Now the author of the Lincoln Rhyme series ("The Cold Moon" and "The Bone Collector," among others) has compiled a second volume of his award-winning, spine-tingling short stories of suspense.While best known for his twenty-four novels, Jeffery Deaver is also a short story master -- he is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story, and he won the Short Story Dagger from the Crime Writers Association for a piece that appeared in his first short story collection, "Twisted. The New York Times" said of that book: "A mystery hit for those who like their intrigue short and sweet . . . [The stories] feature tight, bare-bones plotting and the sneaky tricks that Mr. Deaver's title promises." The sneaky tricks are here in spades, and Deaver even gives his fans a new Lincoln Rhyme and Amelia Sachs story.Deaver is back with sixteen stories in the tradition of O. Henry and Edgar Allan Poe. His subjects range from a Westchester commuter to a brilliant Victorian England caper. With these intricately plotted, bone-chilling stories, Jeffery Deaver is at the top of his crime-writing game.

    Accident or suicide?On the other side of the world, a young woman walks out of a sandstorm in sub-Saharan Africa. In the labyrinth of the Niger Delta, a young boy learns to survive by navigating through the gas flares and oil spills of a ruined landscape. In the seething heat of Lagos City, a criminal cartel scours the internet looking for victims.Lives intersect, worlds collide, a family falls apart. And it all begins with a single email: “Dear Sir, I am the son of an exiled Nigerian diplomat, and I need your help ...”419 takes readers behind the scene of the world’s most insidious internet scam. When Laura’s father gets caught up in one such swindle and pays with his life, she is forced to leave the comfort of North America to make a journey deep into the dangerous back streets and alleyways of the Lagos underworld to confront her father’s killer. What she finds there will change her life forever...

    "The Dashiell Hammett Megapack" collects 20 early and rare stories by the famous mystery writer, plus one poem.Included in this volume are: AFRAID OF A GUNARSON PLUSTHE NEW RACKETBODIES PILED UPDEATH ON PINE STREETTHE MAN WHO KILLED DAN ODAMSMIKE, ALEC, OR RUFUSNIGHT SHOTSNIGHTMARE TOWNONE HOURTHE ROAD HOMERUFFIAN'S WIFETHE SECOND-STORY ANGELTHE TENTH CLUEWHO KILLED BOB TEAL?ZIGZAGS OF TREACHERYTHE WAGES OF CRIMENIGHT SHADETHE PARTHIAN SHOTIMMORTALITYCURSE IN THE OLD MANNER

    Chilling and witty, prescient and personal, delectable and tart, these highly imaginative, vintage Atwoodian mini-fictions speak on a broad range of subjects, reflecting the times we live in with deadly accuracy and knife-edge precision.In pieces ranging in length from a mere paragraph to several pages, Atwood gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; gives us Horatio's real views on Hamlet; and examines the boons and banes of orphanhood. Bring Back Mom: An Invocation; explores what life was really like for the "perfect" homemakers of days gone by, and in The Animals Reject Their Names she runs history backward, with surprising results.Chilling and witty, prescient and personal, delectable and tart, The Tent is vintage Atwood, enhanced by the author's delightful drawings.

    

    But when he forcibly ends the moneymaking scheme of a made man, he gets in the kind of trouble that can lead to a bullet behind the ear. Saved by the grace of his boss and exiled to upstate New York, Isaiah begins a new life, a quiet life without gunshots or explosions. Except a teenage girl disappears, and Isaiah isn't one to let that slip by. And delving into the underworld to track this missing girl will get him exactly the kind of notice he was warned to avoid.

    In Leonard's first original e-book, U.S. Marshal Raylan Givens (featured in Pronto and Riding the Rap) returns to the Eastern Kentucky coal-mining country of his youth. When Boyd Crowder, a mail-order-ordained minister who doesn't believe in paying his income taxes, decides to blow up the IRS building in Cincinnati, Givens is asked by the local marshal to intervene. This sets up an inevitable confrontation between two men on opposite sides of the law who still have a lingering respect for each other. Throw into the mix Boyd's sister-in-law, Ava, who carries a torch for Raylan along with a deer rifle, and you've got a funny, adrenaline-charged novella only Leonard could have written.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Tom Abrahams, Robert Boswell, Sarah Cortez, Anton DiSclafani, Stephanie Jaye Evans, Wanjiku Wa Ngugi, Adrienne Perry, Pia Pico, Reyes Ramirez, Icess Fernandez Rojas, Sehba Sarwar, Leslie Contreras Schwartz, Larry Watts, and Deborah D.E.E.P. Mouton.From the introduction by Gwendolyn Zepeda:In a 2004 essay, Hunter S. Thompson described Houston as a “cruel, crazy town on a filthy river in East Texas with no zoning laws and a culture of sex, money and violence. It’s a shabby, sprawling metropolis ruled by brazen women, crooked cops and super-rich pansexual cowboys who live by the code of the West—which can mean just about anything you need it to mean, in a pinch.” For what it’s worth, that quote is now posted on a banner somewhere downtown and regularly, gleefully repeated by our local feature writers.Houston is a port city on top of a swamp and, yes, it has no zoning laws. And that means it’s culturally diverse, internally incongruous, and ever-changing. At any intersection here, I might look out my car window and see a horse idly munching St. Augustine grass. And, within spitting distance of that horse, I might see a “spa” that’s an obvious brothel, a house turned drug den, or a swiftly rising bayou that might overtake a car if the rain doesn’t let up . . . Overall, this collection represents the very worst our city has to offer, for residents and visitors alike. But it also presents some of our best voices, veteran and emerging, to any reader lucky enough to pick up this book.

    Showcasing many of the organization’s bestselling authors as well as rising stars in the genre, here are twenty-five brand-new, never-before-published stories packed with murder, mystery, and mayhem.• A cunning criminal thinks he can use a child to take the rap for his crimes.• A hospital intern turned body snatcher• A priest who comes face-to-face with his wife’s murderer on death row• A Confederate soldier comes home to his love, but changed by more than just the war . . . he comes back wrong.• The discovery of a flying saucer in the ocean depths brings one man to the brink of a massive revelation.• A dying man’s last request proves to his ex-wife that he’s still rotten to the core.• A clandestine operative finds himself caught in a wicked game of confusion . . . but who is calling the shots? No matter what type of thriller you listen to, you’ll find something here that will entertain you . . . and perhaps a new writer you’ll cherish for years to come.

    As the two know well, there's more to the bordertown than meets the eye: behind the gaudy storefronts and sidewalk vendors, past the hawkers of tourist T-shirts and cheap souvenirs live the real people who scrape together a living by toiling at the Bisk, the local cookie factory. And then there are the truly desperate, those who find themselves drawn to the borderline and a world of dog-racing, bare-knuckle fighting, and night-time smuggling.     Owen and Duncan think they are different: both dream of escape, a longing made more urgent by a near-death incident in childhood that sealed their bond. But in adulthood their paths diverge, and as Duncan, the less privileged, falls deep into the town's underworld, he and Owen become reluctant adversaries at opposite ends of the law. At stake is not only survival and escape, but a lifelong friendship that can only be broken at an unthinkable price.

    Dick Award winning author of The Anubis Gates and On Stranger Tides.POWERS OF THE IMAGINATION! Twenty-one pulse-pounding, mind-bending tales of science fiction, twisted metaphysics, and supernatural wonder from the two-time World Fantasy and Philip K. Dick Award-winning author of The Anubis Gates and On Stranger Tides. A complete palette of storytelling colors from Powers, including acclaimed tale “The Bible Repairman,” in which a psychic handyman who supernaturally eliminates troublesome passages of the Bible for paying clients finds the remains of his own broken soul on the line. Time travel takes a savage twist in “Salvage and Demolition,” where the chance discovery of a long-lost manuscript throws a down-and-out book collector back in time to 1950s San Francisco where he must prevent an ancient Sumeric inscription from dooming millions in the future. And obsession and vengeance survive on the other side of death in “Down and Out in Purgatory,” where the soul of a man lusting for revenge attempts to eternally eliminate the killer who murdered the love of his life. Wide-ranging, wonder-inducing, mind-bending—these and other tales make up the complete shorter works of a modern-day master of science fiction and fantasy.  Praise for Down and Out in Purgatory: "Powers creates tales of dark, thought-provoking drama that are just frightening enough to make you keep the lights blazing but not enough to give you nightmares. . . . This is a treat for fans and newbies alike; hand it to readers who enjoy genre-blending authors as varied as Jim Butcher, Dean Koontz and China Mieville."—Booklist “Powers is a writer whose senses and soul are attuned to a cosmic symphony most of us would not hear without his deft channeling of the music.”—Paul di Filippo, Locus About Tim Powers: "Powers writes in a clean, elegant style that illuminates without slowing down the tale. . . . [He] promises marvels and horrors, and delivers them all."—Orson Scott Card ". . .  immensely clever stuff.... Powers' prose is often vivid and arresting . . . All in all, Powers' unique voice in science fiction continues to grow stronger.”—Washington Post Book World “Powers is at heart a storyteller, and ruthlessly shapes his material into narrative form.”—The Encyclopedia of Science Fiction “On Stranger Tides . . . immediately hooks you and drags you along in sympathy with one central character's appalling misfortunes on the Spanish Main, [and] escalates from there to closing mega-thrills so determinedly spiced that your palate is left almost jaded."—David Langford "On Stranger Tides . . . was the inspiration for Monkey Island. If you read this book you can really see where Guybrush and LeChuck were -plagiarized- derived from, plus the heavy influence of voodoo in the game. . . .  [the book] had a lot of what made fantasy interesting . . .”—legendary game designer Ron Gilbert “Powers's strengths [are] his originality, his action-crammed plots, and his ventures into the mysterious, dark, and supernatural.” Los Angeles Times Book Review "[Powers’ work delivers] an intense and intimate sense of period or realization of milieu; taut plotting, with human development and destiny . . . and, looming above all, an awareness of history itself as a merciless turning of supernatural wheels. . . . Powers' descriptions . . . are breathtaking, sublimely precise . . . his status as one of fantasy's major stylists can no longer be in doubt.”—SF Site