Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Tommy Moore, Jessica Breheny, Naomi Hirahara, Calvin McMillin, Liza Monroy, Elizabeth McKenzie, Jill Wolfson, Ariel Gore, Jon Bailiff, Maceo Montoya, Micah Perks, Seana Graham, Vinnie Hansen, Peggy Townsend, Margaret Elysia Garcia, Lou Mathews, Lee Quarnstrom, Dillon Kaiser, Beth Lisick, and Wallace Baine.From the introduction by Susie Bright:Every town has its noir-ville. It’s easy to find in Santa Cruz. We live in what’s called “paradise,” where you can wake up in a pool of blood with the first pink rays of the sunrise peeking out over our mountain range. The dewy mist lifts from the bay. Don’t hate us because we’re beautiful—we were made that way, like Venus rising off the foam with a brick in her hand. We can’t help it if you fall for it every time . . .“If I lived in a place like this,” visitors often say, “I’d wake up with a smile every day.”Oh, we do, thank you for that. There’s no beauty like a merciless beauty—and like every crepuscular predator, it thrives at dawn and dusk. You’re just the innocent we’ve been waiting for, with your big paper cone of sugar-shark cotton, whipped out of pure nothing. We have just the ride for you, the longest tunnel ever. Santa Cruz is everything you ever dreamed, and everything you ever screamed, in one long drop you’ll never forget.

    Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.

    RozanLost and found by Thomas BentilLook what love is doing to me by Marlon JamesHome sweet home by Sandra KittA visit to St. Nick's by Robert J. HughesNumbers up by Miles Marshall LewisThe big five by Joseph WallaceErnie K.'s gelding by Ed DeeThe prince of Arthur Avenue by Patrick W. PicciarelliYou want I should whack Monkey Boy? by Thomas Adcock

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Jane Hamilton, Reed Farrel Coleman, Valerie Laken, Matthew J. Prigge, Shauna Singh Baldwin, Vida Cross, Larry Watson, Frank Wheeler Jr., Derrick Harriell, Christi Clancy, James E. Causey, Mary Thorson, Nick Petrie, and Jennifer Morales.From the introduction by Tim Hennessy:Presently, Milwaukee is going through a renaissance—abandoned factories being converted to condos, craft breweries and distilleries pushing out corner taverns—yet at the same time it is among the most segregated and impoverished big cities in the country. The gentrification of neighborhoods outside of downtown bear the impact of twentieth-century redlining efforts, forcing residents out due to housing demand, adding fuel to the affordable-housing crisis. Such an environment and atmosphere make excellent fodder for noir fiction . . .The book you’re holding is the first of its kind—a short fiction collection about Milwaukee, by writers who’ve experienced life here. The crime/noir genre at its best can be one of the purest forms of social commentary. I’ve gathered contributors who can tell not just a fine story, but who can write about the struggles and resilience of the people who live here . . . I’m honored to compile a body of work that represents what I love, and fear, about Milwaukee. I love my city’s lack of pretension; its stubbornness and pride in the unpolished corners. I fear that my city faces an uncertain future—that as it becomes more divided it may push our best and brightest to find somewhere else to shine.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Kirsten Tranter, Mandy Sayer, John Dale, Eleanor Limprecht, Mark Dapin, Leigh Redhead, Julie Koh, Peter Polites, Robert Drewe, Tom Gilling, Gabrielle Lord, Philip McLaren, P.M. Newton, and Peter Doyle.From the introduction by John Dale:Nothing lasts in Sydney, especially good fortune: lives are upturned, shops are sold, roads dug up, trees and houses knocked down, premiers discarded, and entire communities relocated in the name of that economic mantra—growth and progress. Just when you think the traffic can’t get any worse and the screech of the 747s descending over your roof can’t get any louder, along comes a wild electrical storm that batters the buildings and shakes the power lines and washes the garbage off the streets and you stand, sheltered under your broken brolly in the center of Sydney, admiring this big beautiful city.What never changes, though, is the hustle on the street. My father was a detective in the vice squad shortly after the Second World War, and he told stories of busting SP bookies in Paddington and Surry Hills, collaring cockatoos stationed in the laneways of South Sydney, and arresting sly-groggers. Policing back then was hands-on for the poor and hands-off for the rich. Crime and Sydney have always been inseparable: a deep vein of corruption runs beneath the surface of even its most respectable suburbs.

    In the basement, she makes a shocking discovery — two dead girls curled into the bottom of her mother’s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng — troubled, beautiful, and wild teenaged sisters from Vancouver’s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.

    It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

    But when she arrives there, she discovers her welcome quickly wears thin. Perhaps too quickly. Salt Spring Island, with a history as a refuge for African Americans fleeing the bonds of slavery, is not a place of refuge for her—and, she suspects, may not be for the people who live there, either. As she investigates, nothing about this remote community seems to add up. It gets personal as Nora confronts her own complicated feelings toward her estranged daughter and becomes increasingly concerned about the child she’s been tasked to surveil. She discovers that small, idyllic communities can hide very big secrets. Included with this short story is a sneak peek at the next Nora Watts novel from Sheena Kamal, It All Falls Down.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    Still haunted by the unsolved disappearance of a young girl, Mike is hired to find the vanished son of a local junk merchant. However, he quickly discovers that the case has been damaged by a crooked private eye and dismissed by a disinterested justice system. Worse, the only viable lead involves a drug-addicted car thief with gang connections.As the stakes rise, Mike attempts to balance his search for the junk merchant's son with a more profitable case involving a necrophile and a funeral home, while simultaneously struggling to keep a disreputable psychic from bilking the mother of a missing girl.

    They're not criminals. They're outlaws. They have made a living by driving anything and everything for the Stanleys, the criminal family who has been employing them for decades. It's ended with Tucker. He's gone straight, much to the disappointment of his father, Webb. When Webb vanishes after a job, and with him a truck load of drugs, the Stanleys want their drugs back or their money. With the help from his grandfather, Calvin-the original lead foot-Tucker is about to learn a whole lot about the family business in a crash course that might just get him killed.Praise for RUMRUNNERS:“A killer. If you dug Bull Mountain, you’ll love it.”—Brian Panovich, author of Bull Mountain“The best word to sum up this book is ’FUN’, in capital letters.”—Stuart MacBride, author of The Missing and the Dead“Buckle up...RUMRUNNERS is a fast and furious read.”—Samuel W. Gailey, author of Deep Winter“Few contemporary writers do justice to the noir tradition the way Eric Beetner does. Others try to emulate and mimic; Beetner just takes the form and cuts his own jagged, raw and utterly readable path.”—Gar Anthony Haywood, author of Assume Nothing, Cemetery Road and the Aaron Gunner series“Rumrunners just never lets up. It's a fuel-injected, mile-a-minute thrill ride. I had a blast.”—Grant Jerkins, author of A Very Simple Crime and Done In One

    A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers--the low-lifes, the big-timers, and everyone in-between--as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday.But behind the platitudes and glad-handing lurks a monster the likes of which few have seen. An urge that has already claimed multiple lives, and cost Lou his brother Mike, a self-sacrificing construction worker who fell to his death on the job in what was anything but an accident. A murder that Lou is determined to avenge--and if innocent people have to die in the process, well, that's perfectly all right with him.In The Killer Inside Me, Thompson goes where few novelists have dared to go, giving us a pitch-black glimpse into the mind of the American Serial Killer years before Charles Manson, John Wayne Gacy, and Brett Easton Ellis's American Psycho, in the novel that will forever be known as the master performance of one of the greatest crime novelists of all time.

    ONE CHILLING MYSTERY.More than twenty New York Times bestselling authors team up to create a first-rate serial novel—a collaboration among some of the most popular mystery and thriller writers in the English-speaking world today, producing a “well-told mystery that stands on its own two (or 40) feet” (Booklist).Readers will enjoy an introduction by Lee Child, an afterword by Linda Fairstein, and chapters by bestselling authors Mary Higgins Clark, John Connolly, Charlaine Harris, CJ Box, Mark Billingham, Lawrence Block, Ken Bruen, Alafair Burke, Stephen L. Carter, Marcia Clark, Max Allan Collins, James Grady, Heather Graham, Bryan Gruley, Val McDermid, SJ Rozan, Jonathan Santlofer, Dana Stabenow, Lisa Unger, and Sarah Weinman. What’s more, the editor, Jonathan Santlofer, has arranged to donate any royalties in excess of editor and contributor compensation to Safe Horizon, the leading victim assistance agency in the country—making it a worthy and winning triumph.Pericles “Perry” Christo is a PI with a past—a former cop, who lost his badge and his family when a corruption scandal left him broke and disgraced. When wealthy Upper East Side matron Julia Drusilla summons him one cold February night, he grabs what seems to be a straightforward (and lucrative) case.The socialite is looking for her beautiful, aimless daughter, Angelina, who is about to become a very wealthy young woman. But as Christo digs deeper, he discovers there’s much more to the lovely “Angel” than meets the eye. Her father, her best friend, her boy­friends all have agendas of their own. Angel, he soon realizes, may be in grave danger…and if Christo gets too close, he just might get caught in the crossfire.This classic noir tale twists and turns down New York’s mean streets and along Hamptons’ beaches and back roads during a bitterly cold and gray winter where nothing is as it seems and everyone has something to hide.