Her favorite technique--one she permits herself only as a special treat--plays out at the Grand Hotel, where with luck she can usually charm a lonely visiting businessman into buying her dinner and a room for the night. But then she picks the wrong businessman. When his dead body is found the next morning, Sybilla becomes the prime suspect. For years, her anonymity has sheltered her; she has found a kind of home in the invisibility of homeless life. But with her anonymity shattered, Sybilla is forced into the one course of action that might allow her to go home again.

    If you like crime-novels by Ian Rankin and Peter James, you will love this.Twenty years ago seven rich, privileged students became friends at their exclusive private school, Potter's Field. Now they have started dying in the most violent way imaginable.Detective Max Wolfe has recently arrived in the Homicide division of London's West End Central, 27 Savile Row.Soon he is following the bloody trail from the backstreets and bright lights of the city, to the darkest corners of the internet and all the way to the corridors of power.As the bodies pile up, Max finds the killer's reach getting closer to everything - and everyone - he loves. Soon he is fighting not only for justice, but for his own life ...

    On her journey through the deep forest, she sumbles upon the site of a grisly double murder--a crime that will remain unsolved for nearly twenty years, until the day Annie sees her grown daughter in the arms of one man she glimpsed in the forest that eerie midsummer night.Like Gorky Park and Smilla's Sense of Snow, Blackwater is a unique trhiller in which the hearts and minds of the characters are as strikingly compelling as the exotic northern landscape that envelops them.

    But no one expects to find the mysterious child-sized handprint in the childless home. Public prosecutor Jana Berzelius steps in to lead the investigation. Young and brilliant but emotionally cold, Berzelius, like her famous prosecutor father, won't be swayed by the hysterical widow or intimidated by the threatening letters the victim had tried to hide. Jana is steely, aloof, impenetrable. That is, until the boy… A few days later on a nearby deserted shoreline, the body of a preteen boy is discovered, and with him, the murder weapon that killed him and the original victim. Berzelius is drawn more deeply into the case for as she attends his autopsy, she recognizes something strangely familiar in his small, scarred, heroin-riddled body. Cut deep into his flesh are initials that scream child trafficking and trigger in her a flash of memory of her own dark, fear-ridden past. Her connection to this boy has been carved with deliberation and malice that penetrate to her very core. Now, to protect her own hidden past, she must find the suspect behind these murders, before the police do. International bestselling author Emelie Schepp introduces us to the enigmatic, unforgettable Jana Berzelius in this first novel of a chilling trilogy.

    The dog has been beheaded and is missing a paw; the woman is naked, covered in gruesome axe wounds, and her panties have been stuffed in her mouth.What looks like a crime committed by the victim's jealous husband keeps the local police force on their toes. Then a second victim is found. A serial killer terrorizes tourists and locals alike, and Inspector Anders Knutas has to face additional pressure from the media and local politicians who are worried about bad PR for the island.In his quest for the murderer, he is aided by Johan Berg, an intrepid young journalist from Stockholm who has been sent to cover the incidents and who gets involved with Emma, one of the first victim's close friends. Three women die before Knutas and Berg, each approaching the case in their own way, finally close in on the killer, who has always, until now, been the one unseen by everybody.Jungstedt has written an atmospheric and exciting first mystery in clear, unadorned prose, in the tradition of Henning Mankell, Håkan Nesser, and Karin Fossum.

    An Icelandic detective and a member of the American military police are on the trail of a brutal killer.THE PRESENTA 90-year-old man is discovered dead on his bed, smothered with his own pillow. Konrad, a former detective now bored with retirement, finds newspaper cuttings reporting the WWII shadow district murder the dead man’s home. It’s a crime that Konrad remembers, having grown up in the same neighborhood.A MISSING LINKWhy, after all this time, would an old crime resurface? Did the police arrest the wrong man? Will Konrad's link to the past help him solve the case and finally lay the ghosts of WWII Reykjavik to rest?

    A young Dutchman, walking aimlessly in central Oslo covered in blood, is taken into custody but refuses to talk. When he is informed that the woman who discovered the body, Karen Borg, is a lawyer, he demands her as his defender, although her specialty is civil, not criminal, law. A couple of days later, Hansa Larsen, a lawyer of the shadiest kind, is found shot to death. Soon police officers Håkon Sand and Hanne Wilhelmsen establish a link between the two killings. They also find a coded message hidden in the murdered lawyer’s apartment. Their maverick colleague in the drugs squad, Billy T., reports that a recent rumor in the drug underworld involves drug-dealing lawyers. Now the reason why the young Dutchman insisted on having Karen Borg as a defender slowly dawns on them: since she was the one to find and report the body, she is the only Oslo lawyer that cannot be implicated in the crime. As the officers investigate, they uncover a massive network of corruption leading to the highest levels of government. As their lives are threatened, Hanne and her colleagues must find the killer and, in the process, bring the lies and deception out into the open.

    But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

    It seems to be a mundane suicide—at least that’s what the police choose to think. But the young man is American, not Swedish, and there are a couple of odd things about his room when they search it. . . . From these tiny beginnings, Leif GW Persson slowly begins to unravel a puzzle that gets larger and larger as it becomes more and more complex, until it sweeps us into a web of international espionage, backroom politics, greed, sheer incompetence, and the shoddy work of Sweden’s intelligence force that leads to the murder of the prime minister. The first novel in a dark and dazzling trilogy that has become the defining fictional account of the unsolved 1986 assassination of Swedish Prime Minister Olof Palme—an event that triggered the biggest criminal investigation in recorded history—Between Summer’s Longing and Winter’s End is a riveting insider’s combination of black satire, thriller, psychological drama, and police procedural by a writer universally acknowledged as Sweden’s leading criminologist.

    When criminal investigator Conny Sjöberg and the Hammarby police begin to suspect that there’s a link between the murders, Sjöberg goes completely cold. There is a killer out there whose motives are very personal, and who will not be deterred.The Gingerbread House by Carin Gerhardsen is the first in the Hammarby series, thrillers with taut, suspenseful plots and unexpected twists and turns. This haunting novel explores schoolyard bullying among young children and the effect it has on them when people look the other way. Many of the scenes in this book are self-experienced and based on Gerhardsen’s own childhood. Urban settings and strong portraits of authentic characters are crafted in depth and detail, insuring the books will linger in the reader’s mind long after the finish.The Gingerbread House is written in the same tradition as the Sjöwall / Wahlöö crime novels, and has been described as a book version of the tv series The Wire. It is not only published by the same publisher as Stieg Larsson’s The Millennium Trilogy, but by the same editorial team.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Examining the dolls, forensics makes a shocking discovery—a fingerprint belonging to a young girl, a government minister’s daughter who had been kidnapped and murdered a year ago.A tragic coincidence—or something more twisted?To save innocent lives, a pair of detectives must put aside their differences to piece together the Chestnut Man’s gruesome clues.Because it’s clear that the madman is on a mission that is far from over.And no one is safe.

    For fifteen years, Nap has been searching, both for Maura and for the real reason behind his brother's death. And now, it looks as though he may finally find what he's been looking for. When Maura's fingerprints turn up in the rental car of a suspected murderer, Nap embarks on a quest for answers that only leads to more questions—about the woman he loved, about the childhood friends he thought he knew, about the abandoned military base near where he grew up, and mostly about Leo and Diana—whose deaths are darker and far more sinister than Nap ever dared imagine.

    Commissaire Georges Dupin and his team take on the investigation and narrow the list of suspects down to five people, including a rising political star, a longtime friend of the victim and a wealthy art historian. Further incidents – first a break-in, then another mysterious death – muddy the waters yet more. As Commissaire Dupin delves further and further into the lives of the victim and the suspects, he uncovers a web of secrecy and silence that belies the village’s idyllic image. A summer hit in its original German, Death in Pont-Aven introduces readers to the enigmatic Commissaire Dupin, an idiosyncratic penguin lover and Parisian-born caffeine junkie whose unique methods of detection raise more than a few eyebrows. It is a book so atmospheric readers will immediately want to wander through the village’s narrow alleyways, breathe in the Atlantic air and savour Brittany’s seaside specialty dishes. Death in Pont-Aven is a spellbinding, subtle and smart crime novel, peppered with cryptic humour and surprising twists.

    At just 37 years of age, he is shocked when his doctor tells him that he’s dying. What is more, the cause is discovered to be prolonged exposure to toxins; in other words, someone has slowly but surely been poisoning him.Determined to find out who wants him dead, Jaakko embarks on a suspenseful rollercoaster journey full of unusual characters, bizarre situations and unexpected twists. With a nod to Fargo and the best elements of the Scandinavian noir tradition, The Man Who Died is a page-turning thriller brimming with the blackest comedy surrounding life and death, and love and betrayal, marking a stunning new departure for the King of Helsinki Noir. '‘Brilliant. Absolutely brilliant. I enjoyed every single sentence’ Thomas Enger ‘An original and darkly funny thriller with a Coen Brothersesque feel & tremendous style’ Eva Dolan ‘Comparisons have been made with Carl Hiassen and the Coen Brothers, but Tuomainen is his own man; liberally salted with macabre, improbable incidents of violence, The Man Who Died is deftly plotted, poignant and perceptive in its wry reflections on mortality and very funny’ Irish Times ‘Tuomainen’s dark story manages to be as delicious as it is Toxic’ Sunday Express ‘Told in a darkly funny, deadpan style … The result is a rollercoaster read’ Guardian