. . . An eastern émigré with scars and secrets of her own. . . . A young woman claiming to be a Russian grand duchess. . . . A brazen killer, as vicious as he is clever. . . . A detective driven by decency and the desire for justice.. . . A nightmare political movement steadily gaining power. . . .This is 1922 Berlin.One of the troubled city's growing number of refugees, Esther Solomonova survives by working as secretary to the charming, unscrupulous cabaret owner "Prince" Nick, and she's being drawn against her will into his scheme to pass a young asylum patient off as Anastasia, the last surviving heir to the murdered czar of all Russia. But their found "princess," Anna Anderson, fears that she's being hunted—and this may turn out to be more than paranoia when innocent people all around her begin to die.

    This new novel by the internationally praised but not widely known Austrian writer is one of those—a book of mysterious dark beauty . . . . [It] is overwhelming; one wants to read it again, immediately, to re-experience its intricate innovations, not to let go of this masterful work."—John Rechy, Los Angeles Times"Rudolph is not obstructed by some malfunctions in part of his being—his being itself is a knot. And as Bernhard's narrative proceeds, we begin to register the dimensions of his crisis, its self-consuming circularity . . . . Where rage of this intensity is directed outward, we often find the sociopath; where inward, the suicide. Where it breaks out laterally, onto the page, we sometimes find a most unsettling artistic vision."—Sven Birkerts, The New Republic

    Katie’s world is shattered by the news that her headstrong and bohemian younger sister, Mia, has been found dead at the bottom of a cliff in Bali. The authorities say that Mia jumped—that her death was a suicide. Although they’d hardly spoken to each other since Mia suddenly left on an around-the-world trip six months earlier, Katie refuses to accept that her sister would have taken her own life. Distraught that they never made peace, Katie leaves her orderly, sheltered life in London behind and embarks on a journey to find out the truth. With only the entries in Mia’s travel journal as her guide, Katie retraces the last few months of her sister’s life and—page by page, country by country—begins to uncover the mystery surrounding her death. . . . Weaving together the exotic settings and suspenseful twists of Alex Garland’s The Beach with a powerful tale of familial love in the spirit of Rosamund Lupton’s Sister, Swimming at Night is a fast-paced, accomplished, and gripping debut novel of secrets, loss, and forgiveness.

     It is DC Jane Dixon's first week on Kendal's CID team. Her new boss, DI Andy Hall, gives her an open file to review, and it's a far from straightforward case. A woman has died in suspicious circumstances in a Windermere caravan park, and although her husband is suspected there's not a shred of solid evidence against him. Can Jane move the case forward, or will a cold-blooded killer really get away with murder? The rest of the team is busy too, because a vulnerable teenager from a troubled family has gone missing from home. There's nothing to suggest that the boy has been abducted, so what could have caused him to run away from home? DS Ian Mann, a tough ex-military man, and DC Ray Dixon are both heavily involved in the investigation. This story introduces key members of the investigative team, as well as many of the themes that are developed in the full-length Lakeland Murders novels: including a strong sense of place, and an understanding that while justice usually prevails it is rarely complete, or completely fair. Reader reviews for the full-length novels in the Lakeland Murders series include: 'Well developed, realistic, relatable characters, great plot, believable detailed scenes, good action sequences. Recommend to those that appreciate British detective novels. Always devour Lakeland murder mysteries.' 'Love J J Salkeld's books, his understanding of police procedure, his ability to draw his characters out into real people is, I believe, up there with the best of them and it is good to find crime stories set in Cumbria for a change.' 'Salkeld is good. Not just as a writer of gripping detective stories; but even more for his feisty exposure of the lunacies of institutions, hierarchies, and power. A refreshing and enlightening anarchist - much needed in these jaded, compliant and consumptive times.'

    He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Jack knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. not in Margrave, Georgia. Not a chance in hell.

    The Everything Learning German Book has eliminated the stumbling blocks of learning a language to bring readers quick and easy success. Illustrations.

    Taut and powerful, it is a keen reimagining of a whodunit in which everyone is implicated and no one is safe. It’s the summer of 1976 on the South Shore of Massachusetts. The Bicentennial is a season-long celebration, and flags are everywhere, snapping in the seaside winds, ironed onto T-shirts, tattooed into biceps. Tim O’Connor works the Cigarette Game booth at Funland—toss a quarter placed on an eight-sided ball into the right slot and you win two packs of smokes or maybe, if you’re lucky, a carton. If asked his age, he’d say he’s seventeen, but in truth he’s fourteen. Yet the kids in blue-collar Grantham—a town first imagined by Haigh in her devastating bestseller "Faith"—grow up fast, are known for being wild, and more often than not drop out of school to punch the clock at the nearby Raytheon plant. When Tim disappears after the park’s closing one night, no one makes much of it till late morning. It’s not the first time his mother, Kay, has forgotten to pick him up. It’s not the first time he has stayed out all night. By the time local cops begin their investigation, there is little trace of the boy, only witnesses to a complicated set of relationships in a place where surviving isn’t always thriving and where disappointment mixes with the salt in the air. In this superbly crafted story, the search for a missing boy becomes a search for the American dream, laying bare how destructive its promises often are. Recalling Dennis Lehane in setting and subject and masters like Graham Greene and Richard Ford in tone and style, Haigh’s latest work is a testament to all that short fiction can be. It’s a searing portrait of how much a community loses when one of its own is lost.

    "Good morning, Berlin. It’s 7.35 AM. And you’re listening to your biggest nightmare." Today, renowned criminal psychologist Ira Samin is going to die. The grief from her daughter's death has been too overwhelming, and she just can't go on any longer. She's planned every detail meticulously. She's going to go out on her own terms, with a drink in hand to toast to oblivion. But fate has other plans for her. A psychopath has taken over the city's leading radio station and is holding everyone inside hostage. For each hostage, he calls a number from the phonebook, at random. If they answer with a specific slogan, a hostage goes free. If they don't, a hostage dies. So the police call in Ira to negotiate. The man has only one demand: he will stop his twisted game once his fiancée is brought to him. His fiancée who has been dead for months...

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    This novel of the drug trade takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. Art Montana is an obsessive DEA agent. The Barrera brothers are heirs to a drug empire. Nora Hayden is a jaded teenager who becomes a high-class hooker. Father Parada is a powerful and incorruptible Catholic priest. Callan is an Irish kid from Hell’s Kitchen who grows up to be a merciless hitman. And they are all trapped in the world of the Mexican drug Federaci. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you’ve never seen it.

    Now he does it again, in one of the wildest, most entertaining historical thrillers in years. April 1950: The rusting hulk of a steam locomotive rises from the deep waters of a Montana lake. Inside is all that remains of three men who died forty-four years before. But it is not the engine or its grisly contents that interest the people watching nearby. It is what is about to come next . . . 1906: For two years, the western states of America have been suffering an extraordinary crime spree: a string of bank robberies by a single man who cold- bloodedly murders any and all witnesses and then vanishes without a trace. Fed up by the depredations of the "Butcher Bandit," the U.S. government brings in the best man they can find-a tall, lean, no-nonsense detective named Isaac Bell, who has caught thieves and killers coast to coast. But Bell has never had a challenge like this one. From Arizona to Colorado to the streets of San Francisco during its calamitous earthquake and fire, he pursues what is quickly becoming clear to him is the sharpest criminal mind he has ever encountered, and the woman who seems to hold the key to the bandit's identity. Using science, deduction, and intuition, Bell repeatedly draws near only to grasp at thin air, but at least he knows his pursuit is having an effect. Because his quarry is getting angry now, and has turned the chase back on him. The hunter has become the hunted. And soon it will take all of Isaac Bell's skills not merely to prevail . . . but to survive.

    But when a disturbing pattern in recent cases begins to emerge, he chooses to postpone his self-imposed retirement in order to help out an old flame.Detective Katharina Rosenberg has a new case and a new cop killer on the run. When two colleagues are murdered in rapid succession, a shocking theory emerges: Is someone killing off the detectives Christian worked alongside solving homicide cases? And is Katharina next?Now, Katharina and Christian must team up once again to catch the murderer before it’s too late. With their buried passion rising to the surface, they give in to their desire while racing against time to find the vengeful cop killer before he finds them.

    In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene’s childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. In the early 1920s, after their father's death, Helene and Martha move to Berlin, where Helene falls in love with a philosophy student named Carl, and finds a place for herself for the first time. But when Carl dies just before their engagement, life becomes largely meaningless for her, and she takes refuge in her work as a nurse. At a party Helene meets an ambitious civil engineer who wants to build motorways for the Reich and make Helene his wife. Their marriage proves disastrous, but produces a son, and Helene soon finds the love demanded by the little boy more than she can provide. Julia Franck’s unforgettable English language debut throws new light on life in early-twentieth-century Germany, revealing the breathtaking scope of its citizens’ denial—the “blindness of the heart” that survival often demanded. The reader, however, brings his or her own historical perspective to bear on the events unfolding, and the result is a disturbing and compulsive reading experience about a country ravaged from the inside out.

    David Beck, the loss was shattering. And every day for the past eight years, he has relived the horror of what happened. The gleaming lake. The pale moonlight. The piercing screams. The night his wife was taken. The last night he saw her alive.Everyone tells him it's time to move on, to forget the past once and for all. But for David Beck, there can be no closure. A message has appeared on his computer, a phrase only he and his dead wife know. Suddenly Beck is taunted with the impossible- that somewhere, somehow, Elizabeth is alive.Beck has been warned to tell no one. And he doesn't. Instead, he runs from the people he trusts the most, plunging headlong into a search for the shadowy figure whose messages hold out a desperate hope.But already Beck is being hunted down. He's headed straight into the heart of a dark and deadly secret- and someone intends to stop him before he gets there.

    Recognized as THE book for teaching academic reading skills, the fifth edition continues to introduce students in the humanities, arts, and social sciences to a basic knowledge of German that they can use independently to begin to read specialized literature in their respective fields.