Bioy Casares's narratives are elegant and urbane, his style precise and streamlined, as he paces his characters through seriocomic traps of fate––ensnared by love, impelled by lust, ambition, or plain greed, even metamorphosed by pharmaceuticals. These are not stories in a psychological mode but like the image of the Russian doll of the title piece are carefully wrought congeries of intractable selves within selves.

    Georgio swears he's been set up and persuades Donna to help him escape.Implementing 'the jump' takes Donna into a twilight world she never believed existed - a world of brutal sex and casual violence. Finally, she is confronted by a series of shattering revelations that threaten not only everything she believes in but also, ultimately, her own life . . .

    When a beautiful young woman named Lisandra is found dead at the foot of a six-story building, her husband, a psychoanalyst, is immediately arrested for her murder. Convinced of Vittorio’s innocence, one of his patients, Eva Maria, is drawn into the investigation seemingly by chance. As she combs through secret recordings of Vittorio’s therapy sessions in search of the killer—could it be the powerful government figure? the jealous woman? the musician who’s lost his reason to live?—Eva Maria must confront her most painful memories, and some of the darkest moments in Argentinian history.In breathless prose that captures the desperate spinning of a frantic mind, Hélène Grémillon blurs the lines of past and present, personal and political, reality and paranoia in this daring and compulsively readable novel.

    He couldn't take his eyes off her. The city was full of beautiful women, penniless countesses and fox-furred demimondaines looking to be rescued, and until that moment he had spared them only an appreciative glance. But this woman was different.' As indeed she proved to be. Nick is a tall, dark and handsome fortyish Oxbridge-educated British spy posing as a British diplomat.

    The few acres of ice now form a Dominion, with an area larger than that of Europe. In the year of 1534 a Frenchman, Jacques Cartier, landed, and took possession of this vast territory. A few facts, a few dates, will suffice us to trace the progress of this important state from its foundation to the period between 1830 and 1840, in which the events recorded in this history took place.

    . .Japan, and the year is 1853. Growing up among the samurai of the Satsuma Clan, in Japan's deep south, the fiery, beautiful and headstrong Okatsu has - like all the clan's women - been encouraged to be bold, taught to wield the halberd, and to ride a horse.But when she is just seventeen, four black ships appear. Bristling with cannon and manned by strangers who to the Japanese eyes are barbarians, their appearance threatens Japan’s very existence. And turns Okatsu’s world upside down.Chosen by her feudal lord, she has been given a very special role to play. Given a new name -- Princess Atsu -- and a new destiny, she is the only one who can save the realm. Her journey takes her to Edo Castle, a place so secret that it cannot be marked on any map. There, sequestered in the Women’s Palace - home to three thousand women, and where only one man may enter: the shogun - she seems doomed to live out her days. But beneath the palace's immaculate facade, there are whispers of murders and ghosts. It is here that Atsu must complete her mission and discover one last secret - the secret of the man whose fate is irrevocably linked to hers: the shogun himself . . .

    On a lark, Kristen agrees and suddenly finds herself hurtled back through time to the Wild West, facing off against a band of outlaws led by the deadliest gunslinger west of the Rockies. Parrish is a rugged, dangerous outlaw who wouldn’t trust a woman with his hat let alone his heart. But there’s something intriguing about the formidable desperado—something reckless and seductive that Kristen can’t seem to resist. Star-cross lovers from different worlds, they will discover a passion that runs deeper than the Grand Canyon, and forge a love more powerful than time itself.

    Their relationship, told in lush, erotic, and occasionally melancholic prose, comes to represent not only the invasion and decline of this insular family, but the decline of Ireland and Western Europe as a whole in the years preceding World War II. In the tradition of great Irish writing, Higgins's prose is a direct descendent from that of James Joyce and Samuel Beckett, and nowhere else in his mastery of the language as evident as in Langrishe, Go Down, which the Irish Times applauded as "the best Irish novel since At Swim-Two-Birds and the novels of Beckett."

    As a ragged impoverished boy, he had been one with the villagers. Now, as the new Earl, he's met with hostility and resentment, especially from his childhood sweetheart, Marged Evans. To make things right with his people (and to win back Marged), he masquerades as a "Rebecca," one of the bewigged, white-cloaked leaders of the 1842 riots against Welsh toll roads. Disguised as a man, Marged rides as one of Rebecca's "daughters," and, as to be expected, falls in love with the man behind the mask.

    After the computer is built it begins to relay information from Andromeda. Scientists find themselves possessing knowledge previously unknown to mankind, knowledge that could threaten the security of human life itself.

    This novella is a bizarre and compelling fantasy, a labyrinth-like journey laced with layers of allusions, insights and humor through the transculturation between the Old World and New

    The wild card is the Exocet -- the enemy, close to acquiring the deadly French missile, will soon be capable of smashing British defenses -- and throwing the global balance of power into chaos.

    Ireland is a world stage, hosting a prestigious Muslim Leaders' Conference. The delegates are hand-picked - but they are not to know that. Security is tight - but alas, not tight enough.

    She is without pretext and assumes that a bright future awaits her as the bride of the wealthy Oliver Foy. Too soon she discovers that her life is a masquerade and pretense her only salvation. No one is whom he or she appears to be.Brushing against the concealed identities and hidden motives of others, Emma quickly acquires secrets of her own. When murder compels Emma to flee her husband's Jamaican plantation, she and her faithful friend find sanctuary wandering the Caribbean. Tragedy cuts short their ocean idyll and delivers Emma from her sea roamings. Once again, she adopts another name, another home, another appearance.

    A life altering event led Catrina Davies to hide from her family and society. Alone in The Highlands she exists in a lonely world cared for only by her savior, a kind old gentleman. When she receives a surprise visitor, Travis Millard, the man she used to love, her head and heart are thrown into turmoil. Travis is determined to save her from this poor life and return her to her family where she belongs. No one is more surprised than he when she agrees to marry him. When Catrina arrives back at her family estate, Davmoor Court in Yorkshire, she is stunned to see the changes. While her father clings to life, Davmoor is nearly ruined by her brother's gambling obsession, and there is something strange about his new wife. As Catrina adjusts to her regained position in society and being with Travis, her marriage comes under attack from Travis's grandmother, who has her own secrets and reason for loathing the Davies family. When one of her brother's adversaries comes to stake his claim on the estate, the resulting chaos threatens not only Catrina's home, but the very lives of those she loves the most. Can she find the strength to fight once more for the right to be happy?​