Their corruption spreads from the highest points of government to the assassins they hire to commit their crimes. They will kill for the ancient knowledge contained in the Library. And Emily Wess has exactly what they want.

    A loving marriage. A pair of healthy children. Then a phone call begins every parent's most chilling nightmare. Scott's six-year-old twins, Sam and Emma, have been taken. The judge must rule exactly as instructed in a drug case he is about to hear. If he refuses, the consequences for the children will be dire.For Scott and his wife Alison, the kidnapper's call is only the beginning of a twisting, gut-churning ordeal of blackmail, deceit, and terror. Through it all, they will stop at nothing to get their children back, no matter the cost to themselves . . . or to each other.

    Welcome to The Blinds, a dusty town in rural Texas populated by misfits who don’t know if they’ve perpetrated a crime, or just witnessed one. What’s clear to them is that if they leave, they will end up dead. For eight years, Sheriff Calvin Cooper has kept an uneasy peace—but after a suicide and a murder in quick succession, the town’s residents revolt. Cooper has his own secrets to protect, so when his new deputy starts digging, he needs to keep one step ahead of her—and the mysterious outsiders who threaten to tear the whole place down. The more he learns, the more the hard truth is revealed: The Blinds is no sleepy hideaway. It’s simmering with violence and deception, aching heartbreak and dark betrayals.

    Edvardsson's A Nearly Normal Family and lauds it as a "page-turner" that forces the reader to confront "the compromises we make with ourselves to be the people we believe our beloveds expect." (NYTimes Book Review Summer Reading Issue)When the teenage daughter of responsible, upstanding parents is accused of murder, a family realizes that it isn't love that will keep them together: it's lies.Eighteen-year-old Stella Sandell stands accused of the brutal murder of a man almost fifteen years her senior. She is an ordinary teenager from a respectable local family. What reason could she have to know a shady businessman, let alone to kill him?Told in an unusual three-part structure, this gripping, domestic drama pushes a family to its limits. The father, a pastor, believes his daughter can only be innocent, despite mounting evidence. The mother, a defense attorney, believes no one is telling the truth. And the daughter, desperate for her dreams of the future, believes no one understands how far she is willing to go.In this complex, multi-layered novel, every character's loyalty and morality is tested. Are we duty-bound to defend our family, even with the evidence against them? Is anyone who they seem on the surface? And what are we willing to compromise to keep our lives, as we know them, intact?

    Marc Seidman lies in a hospital bed. His wife has been killed. His six-month-old daughter has vanished. But just when his world seems forever shattered, the ransom note arrives: We are watching. If you contact the authorities, you will never see your daughter again. There will be no second chance. With no one to trust, and mired in a deepening quicksand of deception and deadly secrets, Marc clings to one unwavering vow: bring home his daughter, at any cost.

    Brecken Hill in upstate New York is an expensive place to live. You have to be rich to have a house there. And they don't come much richer than Fred and Sheila Merton. But even all their money can't protect them when a killer comes to call. The Mertons are brutally murdered the night after an Easter Dinner with their three adult kids. Who, of course, are devastated.Or are they? They each stand to inherit millions. They were never a happy family, thanks to their capricious father and neglectful mother, but perhaps one of them is more disturbed than anyone knew. Did one of them snap after that dreadful evening? Or was it someone else that night who crept in with the worst of intentions? It must be. After all, if one of your siblings was a psychopath, you'd know.Wouldn't you?

    It is well known among law enforcement personnel that murderers can be categorized on a scale of twenty-five levels of evil, from the naive opportunists starting out at Level 1 to the organized, premeditated torture-murderers who inhabit Level 25.What almost no one knows, except for the elite unnamed investigations group assigned to hunt down the world's most dangerous killers, a group of men and women accounted for in no official ledger, headed by the brilliant but reluctant operative Steve Dark, is that a new category of killer is in the process of being defined.Only one man belongs to this group.His targets:Anyone.His methods:Unlimited.His alias:Sqweegel.His classification:Level 26.

    The groom is dead. When a tycoon’s son is murdered the night before his wedding, the grief-stricken father offers private detective Dan Reno a life-changing bounty to find the killer.Reno, nearly broke, thinks he’s finally found himself in the right place at the right time. But when a band of crooked cops get involved, Reno finds himself fighting for his life.Who committed the murder, and why? Which cops can he trust, if any?Haunted by his murdered father and a violent past, Reno wants no more blood on his hands. But a man’s got to make a living, and backing off is not in his DNA.Traversing the snowy alpine winter in the Sierras and the lonely deserts of Nevada, Reno must revert to his old ways to survive. Because the bounty won’t do him much good if he’s dead.

    He possesses a virtuosic command of the techniques of the old masters. He can paint like Leonardo, Goya, Gainsborough - artists whose works sell for millions - but this style of painting is no longer popular, and he refuses to shape his talent to fit the fashion of the day. So Wilmot makes his living cranking out parodies for ads and magazine covers. A break comes when an art dealer obtains for him a commission to restore a Venetian palace fresco by the eighteenth-century master Tiepolo, for a disreputable Italian businessman. Once there, Wilmot discovers that it is not a restoration but a re-creation, indeed a forgery. At first skeptical of the job, he then throws himself into the creative challenge and does the job brilliantly. No one can tell the modern work from something done more than two hundred years ago." "This feat attracts the attention of Werner Krebs, an art dealer with a dark past and shadier present who becomes Wilmot's friend and patron. Wilmot is suddenly working with a fervor he hasn't felt in years, but his burst of creative activity is accompanied by strange interludes. Without warning, he finds himself reliving moments from his past - not as memories but as if they are happening all over again. Soon, it is no longer his own past he's revisiting; he believes he can travel back to the seventeenth century, where he lived as the Spanish artist Diego Rodriguez de Silva Velazquez, one of the most famous painters in history. Wilmot begins to fantasize that as Velazquez, he has created a masterpiece, a stunning portrait of a nude. When the painting actually turns up, he doesn't know if he painted it or if he imagined thewhole thing." "Little by little, Wilmot enters a mirror house of illusions and hallucinations that propels him into a secret world of gangsters, greed, and murder, with his mystery patron at the center of it all, either as the mastermind behind a plot to forge a painting worth hundreds of millions, or as the man who will save Wilmot from obscurity and madness." In Chaz Wilmot, we meet the rarest breed of literary hero, one for whom the reader feels almost personally responsible. By turns brutally honest and self-deceptive, scornful of the world while yearning to make his mark on it, Wilmot comes astonishingly alive for the reader, and his perilous journey toward the truth becomes our own.

    HE HAS A TYPE: ALL HIS VICTIMS LOOK THE SAME. AND THEY ALL LOOK LIKE YOU.Kate returns from a post break-up holiday with her girlfriends to news of a serial killer in her home town – and his victims all look like her.It could, of course, be a simple coincidence. Or maybe not.She becomes convinced she is being watched, followed even. Is she next? And could her mild-mannered ex-boyfriend really be a deranged murderer?Or is the truth something far more sinister?

    Ryan appears to be the perfect future son-in-law. There's just one problem. There's something off about Ryan. Something hidden in the shadows behind his eyes. And it seems that only Ed can see it.Terrified that his daughter is being drawn in by a psychopath, Ed sets out to uncover her fiancé's dark past - while keeping his own concealed. But no-one believes him. And the more he digs, the more he alienates her and the rest of the family who are convinced that Ryan is 'the one'.Ed knows different. For reasons of his own, he knows a monster when he sees one...

    Gretchen White is a specialist in antisocial personality disorders and violent crimes. She’s helped solve enough prominent cases for detective Patrick Shaughnessy that her own history is often overlooked: Gretchen is an admitted sociopath once suspected of killing her aunt. Shaughnessy still thinks Gretchen got away with murder. It’s not going to happen again.When a high-profile new case lands on Shaughnessy’s desk, it seems open and shut. Remorseless teenager Viola Kent is accused of killing her mother. Amid stories of childhood horrors and Viola’s cruel manipulations, the bad seed has already been found guilty by a rapt public. But Gretchen might be seeing something in Viola no one else does: herself.If Viola is a scapegoat, then who really did it? And what are they hiding? To find the truth, Gretchen must enter a void that is not only dark and cold-blooded, but also frighteningly familiar.

    She's the town's most beloved surf idol, and it was believed that she could be the next Kelly Slater.As another child, the son of a well-known senator is kidnapped, and the parents receive a disturbing video, FBI profiler Eva Rae Thomas — who has just returned to her hometown, divorced and out of a job — plunges into the investigation, breaking her promise to her children not to do police work again.Local law enforcement, with her old flame Matt Miller in charge, are the ones who ask for her help in a case so unsettling that only she can solve it. But the deeper they dig, the deadlier it becomes for Matt and Eva Rae. Soon, everyone she holds dear is in grave danger as this case hits a little too close to home. DON’T LIE TO ME is the first book in the Eva Rae Thomas Mystery Series and can be read as a standalone.

    When the teen refuses to testify against the man connected to her disappearance, Tom decides to investigate the traumatizing case on his own. Nothing can prepare him for what he is about to discover.

    Lance Bradley is idling away his life there as usual when he receives a call for help from the eccentric sister of his old friend Rupert Alder. Inexplicably, Rupe has stopped sending the money that his dysfunctional siblings depend on. Reluctantly, Lance goes to London to learn what he can, only to find that his friend has vanished. His employers, a shipping company, believe he is guilty of a major fraud. A Japanese businessman called Hashimoto claims he has stolen a document of life and death importance. And a private detective who has been trying to trace on Rupert's behalf an American called Townley has been warned off by unnamed but immensely powerful interests. Townley, it seems, was involved in a mysterious death at Wilderness Farm, near Glastonbury, back in 1963, that year of so many shattering events which just happens also to be the year of Lance's birth.No sooner has Lance decided that whatever Rupert was up to is too riskyfor him to get involved in than he finds that he already is involved, and the only way out is to get in deeper still. Where is Rupert? What is the document he has stolen? Who is Townley? And what happened in the summer of 1963 that holds the key to a secret more devastating than Lance Bradley could ever have imagined?Dying to Tell is a classic Robert Goddard mystery, intricate, compelling, and this time with a denoument that is, quite literally, sensational.