Her reign, the longest in Russian Imperial history, lasted from 1762 until her death in 1796; during those years she built on the work begun by her most famous predecessor, Peter the Great, to establish Russia as a major European power and to transform its new capital, St Petersburg, into a city to rival Paris and London in the beauty of its architecture, the glittering splendor of its Court and the magnificence of its art collections. Yet the great Catherine was not even Russian by birth and had no legitimate claim to the Russian throne; she seized it and held on to it, through wars, rebellions and plagues, by the force of her personality, by her charm and determination, and by an unshakable belief in her own destiny. This is the story of Catherine the woman, whom power alone could never satisfy, for she also wanted love, affection, friendship and humor. She found these in letter-writing, in grandchildren, in gardens, architecture and greyhounds--as well as in a succession of lovers which gave rise to salacious rumors throughout Europe. The real Catherine, however, was more interesting than any rumor. Using many of Catherine's own words from her voluminous correspondence and other documents, as well as contemporary accounts by courtiers, ambassadors and foreign visitors, Virginia Rounding penetrates the character of this most powerful, fascinating and surprisingly sympathetic of eighteenth-century women.

    Various sections of the three volumes describe the arrest, interrogation, conviction, transportation, and imprisonment of the Gulag's victims by Soviet authorities over four decades. The work mingles historical exposition and Solzhenitsyn's own autobiographical accounts with the voluminous personal testimony of other inmates that he collected and committed to memory during his imprisonment.Upon publication of the first volume of The Gulag Archipelago, Solzhenitsyn was immediately attacked in the Soviet press. Despite the intense interest in his fate that was shown in the West, he was arrested and charged with treason on February 12, 1974, and was exiled from the Soviet Union the following day.

    Ronald Reagan and François Mitterrand are sworn in as presidents of the Unites States and France, respectively. The tension due to Mitterrand’s French Communist support, however, is immediately defused when he gives Reagan the Farewell Dossier, a file he would later call “one of the greatest spy cases of the twentieth century.”Vladimir Ippolitovitch Vetrov, a promising technical student, joins the KGB to work as a spy. Following a couple of murky incidents, however, Vetrov is removed from the field and placed at a desk as an analyst. Soon, burdened by a troubled marriage and frustrated at a flailing career, Vetrov turns to alcohol. Desperate and needing redemption, he offers his services to the DST. Thus Agent Farewell is born. He uses his post within the KGB to steal and photocopy files of the USSR’s plans for the West—all under Brezhnev’s nose. Probing further into Vetrov’s psychological profile than ever before, Kostin and Raynaud provide groundbreaking insight into the man whose life helped hasten the fall of the Soviet Regime.

    One finger on the pulse of an exhausted Europe, another in the wounds of postindustrial America, Ugresic trawls the fallout of political failure and the detritus of popular culture, mining each for revelation.Infused with compassion and melancholic doubt, Europe in Sepia centers on the disappearance of the future, the anxiety that no new utopian visions have emerged from the ruins of communism; that ours is a time of irreducible nostalgia, our surrender to pastism complete. Punctuated by the levity of Ugresic’s raucous instinct for the absurd, despair has seldom been so beguiling.

    For hundreds of years, Bulgarian Gypsies trained bears to dance, welcoming them into their families and taking them on the road to perform. In the early 2000s, with the fall of Communism, they were forced to release the bears into a wildlife refuge. But even today, whenever the bears see a human, they still get up on their hind legs to dance.In the tradition of Ryszard Kapuściński, award-winning Polish journalist Witold Szablowski uncovers remarkable stories of people throughout Eastern Europe and in Cuba who, like Bulgaria's dancing bears, are now free but who seem nostalgic for the time when they were not. His on-the-ground reporting--of smuggling a car into Ukraine, hitchhiking through Kosovo as it declares independence, arguing with Stalin-adoring tour guides at the Stalin Museum, sleeping in London's Victoria Station alongside a homeless woman from Poland, and giving taxi rides to Cubans fearing for the life of Fidel Castro--provides a fascinating portrait of social and economic upheaval and a lesson in the challenges of freedom and the seductions of authoritarian rule.

    This facsimile edition brings Charles Lamb's critically acclaimed and revered "Elia" essays back into print.

    These innocent civilians bear the brunt of the lawlessness of the current age of impunity, where war crimes go unpunished and human rights are abused. Many risk everything they know to stand up for what they believe in and to be on the right side of history, and their courage is extraordinary and inspiring,McNeill also examines what happens when evidence and facts become subjective and debatable, and how and why disinformation, impunity and hypocrisy now reign supreme. We can't say we didn't know - the question now is, what are you going to do about it?

    How did one family turn a war-ruined principality into the world’s greatest empire? And how did they lose it all? This is the intimate story of twenty tsars and tsarinas, some touched by genius, some by madness, but all inspired by holy autocracy and imperial ambition. Simon Sebag Montefiore’s gripping chronicle reveals their secret world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance, with a global cast of adventurers, courtesans, revolutionaries and poets, from Ivan the Terrible to Tolstoy and Pushkin, to Bismarck, Lincoln, Queen Victoria and Lenin.

    Within a few short weeks, the fit forty-three-year-old lay gaunt, bald, and dying in a hospital, the victim of a "tiny nuclear bomb." Suspicions swirled around Russia's FSB, the successor to the KGB, and the Putin regime. Traces of polonium radiation were found in Germany and on certain airplanes, suggesting a travel route from Russia for the carriers of the fatal poison. But what really happened? What did Litvinenko know? And why was he killed? The full story of Sasha Litvinenko's life and death is one that the Kremlin does not want told. His closest friend, Alex Goldfarb, and his widow, Marina, are the only two people who can tell it all, from firsthand knowledge, with dramatic scenes from Moscow to London to Washington. Death of a Dissident reads like a political thriller, yet its story is more fantastic and frightening than any novel. Ever since 1998, when Litvinenko denounced the FSB for ordering him to assassinate tycoon Boris Berezovsky, he had devoted his life to exposing the FSB's darkest secrets. After a dramatic escape to London with Goldfarb's assistance, he spent six years, often working with Goldfarb, investigating a widening series of scandals. Oligarchs and journalists have been assassinated. Ukrainian presidential candidate Viktor Yuschenko was poisoned on the campaign trail. The war in Chechnya became unspeakably harsh on both sides. Sasha Litvinenko investigated all of it, and he denounced his former employers in no uncertain terms for their dirty deeds. Death of a Dissident opens a window into the dark heart of the Putin Kremlin. With its strong-arm tactics, tight control over the media, and penetration of all levels of government, the old KGB is back with a vengeance. Sasha Litvinenko dedicated his life to exposing this truth. It took his diabolical murder for the world to listen.

    No previous book, however, has explored the regime's effect on people's personal lives, what one historian called "the Stalinism that entered into all of us." Now, drawing on a huge collection of newly discovered documents, The Whisperers reveals for the first time the inner world of ordinary Soviet citizens as they struggled to survive amidst the mistrust, fear, compromises, and betrayals that pervaded their existence.Moving from the Revolution of 1917 to the death of Stalin and beyond, Orlando Figes re-creates the moral maze in which Russians found themselves, where one wrong turn could destroy a family, or perversely, end up saving it. He brings us inside cramped communal apartments, where minor squabbles could lead to fatal denunciations; he examines the Communist faithful, who often rationalized even their own arrest as a case of mistaken identity; and he casts a humanizing light on informers, demonstrating how, in a repressive system, anyone could easily become a collaborator.A vast panoramic portrait of a society in which everyone spoke in whispers--whether to protect their families and friends, or to inform upon them--The Whisperers is a gripping account of lives lived in impossible times.

    She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.

    The brutal murder of the Russian Imperial family on the night of July sixteenth to seventeenth, 1918 has long been a defining moment in world history. The Last Days of the Romanovs reveals in exceptional detail how the conspiracy to kill them unfolded. In the vivid style of a TV documentary, Helen Rappaport reveals both the atmosphere inside the family's claustrophobic prison and the political maneuverings of those who wished to save--or destroy--them. With the watching world and European monarchies proving incapable of saving the Romanovs, the narrative brings this tragic story to life in a compellingly new and dramatic way, culminating in a bloody night of horror in a cramped basement room.

    Emboldened by escalating oil wealth and newfound prominence as a world power, Russia, under the leadership of Vladimir Putin, has veered back toward the authoritarian roots planted in Imperial/Czarist times and firmly established during the Soviet era. Though Russia has a new president, Dmitri Medvedev, Putin remains in control, rendering the democratic reforms of the post-Soviet order irrelevant. Now, in "Putin's Labyrinth," acclaimed journalist Steve LeVine, who lived in and reported from the former Soviet Union for more than a decade, provides a penetrating account of modern Russia under the repressive rule of an all-powerful autocrat. LeVine portrays the growth of a "culture of death"-from targeted assassinations of the state's enemies to the Kremlin's indifference when innocent hostages are slaughtered. Drawing on new interviews with eyewitnesses and the families of victims, LeVine documents the bloodshed that has stained Putin's two terms as president. Among the incidents chronicled in these pages: The 2002 terrorist takeover of a crowded Moscow theater-which led to the government gassing the building, and the deaths of more than a hundred terrified hostages-seen here from new angles, through the riveting words of those who survived; and the murder of courageous investigative reporter Anna Politkovskaya, shot in the elevator of her apartment building on Putin's birthday, purportedly as a malicious "gift" for the president from supporters. Finally, a shocking story that made international headlines-the 2006 death of defector Alexander Litvinenko in London-is dramatized as never before. LeVine traces the steps of this KGB-spy-turned-dissident on his way to being poisoned with polonium-210, a radioactive isotope. And in doing so, LeVine is granted a rare series of interviews with a KGB defector who was nearly killed in strangely similar circumstances fifty years earlier. Through LeVine's exhaustive research, we come to know the victims as real people, not just names in brief news accounts of how they died. "Putin's Labyrinth "is more than an immensely readable expose. It is highly personal, with the flavor of a memoir. It is a thoughtful book that examines the perplexing question of how Russians manage to negotiate their way around the ever-present danger of violence. It calculates the emotional toll that this lethal maze is exacting on ordinary people, even as they enjoy a dramatically heightened standard of living. Most ominously, it assesses the reopening of hostilities with the West, and the forces that are driving this major new confrontation.

    Fragile Empire is the fruit of Judah’s thorough research: a probing assessment of Putin’s rise to power and what it has meant for Russia and her people. Despite a propaganda program intent on maintaining the cliché of stability, Putin’s regime was suddenly confronted in December 2011 by a highly public protest movement that told a different side of the story. Judah argues that Putinism has brought economic growth to Russia but also weaker institutions, and this contradiction leads to instability. The author explores both Putin’s successes and his failed promises, taking into account the impact of a new middle class and a new generation, the Internet, social activism, and globalization on the president’s impending leadership crisis. Can Russia avoid the crisis of Putinism? Judah offers original and up-to-the-minute answers.

    This collection draws on several articles he wrote while researching that book as well as many that he's written since, following where and how al-Qaeda and its core cultlike beliefs have morphed and spread. They include an indelible impression of Saudi Arabia, a kingdom of silence under the control of the religious police; the Syrian film industry, then compliant at the edges but already exuding a feeling of the barely masked fury that erupted into civil war; the 2006-11 Israeli-Palestinian conflict in Gaza, a study in disparate values of human lives. Others continue to look into al-Qaeda as it forms a master plan for its future, experiences a rebellion from within the organization, and spins off a growing web of terror in the world. The American response is covered in profiles of two FBI agents and a chief of the CIA. It ends with the recent devastating piece about the capture and beheading by ISIS of four American journalists and aid workers, and how our government failed to handle the situation.