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    Sweet recollections of driving with her beloved uncle intermingle with lessons about the darker sides of life. Balmy evenings are fraught with danger; seductions happen anywhere. Li'l Bit navigates a narrow path between the demands of family and her own sense of right and wrong.

    Wrigley, the great chewing-gum mogul and owner of the Chicago Cubs, who feared the effect of WWII on the major leagues, many of whose players weren't waiting to be drafted before joining up.Women answered the recruiters' call from all over the U.S. and Canada.They were drawn by the lure of bankable money and an escape from dead-end jobs and small towns.- Mary "Bonnie" Baker - the well-groomed stylish player from Regina, Saskatchewan who embodied the virtues of the All-American girl- Alma "Gabby" Ziegler - the great morale booster and captain of the Grand Rapids Chicks- Dorothy "Kammie" Kamenshek - rated the best all-round player in the League- Dorothy Schroeder - she lied about her age to join in the league's first year and played every year until the league ended 12 years laterThey were all superb athletes, but they also had to be perfect ladies.Chaperones directed their every move. Feminine uniforms included a knee-length skirt, and Charm School to teach them everything they needed to know about how to dress and act like a lady.Through all this, the All-American was a magnificent success.In its heyday, stadiums packed in fans and players were shipped off to spring training in Cuba and Florida. The All-American League teams played their first game in 1943 and their last game in 1954.

    After spending several months in New York City, the family signed up for a journey to the Republic of Texas where they could homestead and eventually acquire 137 free acres for their efforts. Soon growing discontented with, not only the land, but also the management of the colony in which they had settled, the Horns decided to return to England. But, it was not to be. Attacked and captured by a party of Comanche Indians, Sarah Ann was faced with challenges and realities the like of which she never could have dreamed. Over a period of fifteen months of Comanche captivity, she and her captors rode endlessly across the Texas plains until finally she was purchased out of bondage and befriended by traders in New Mexico. This is the true story of a remarkable woman who endured an unimaginable amount of suffering and pain in her short lifetime.

    And the story she brings us? There is so much less to fear in life – or death – than we think.In this frank and compassionate account, we hear how death doesn’t really exist, it doesn’t take religion to get to ‘heaven’, and love is our ultimate purpose. We learn what it feels like to experience life as a soul freed of its bodily constraints, once more aware of our true place in the universe.Her near-death experience has led Marion to transform her working life, and to put love first. She has also learned to forgive – herself, for times when she has lashed out or let people down, and those, even her own mother, who have hurt her badly in this physical realm.Marion shares her NDE in detail, including her encounter with the super-loving souls that exist beyond our everyday senses, and invites you to join her in seeing beyond fear, guilt and blame to recognise the potential we all have to connect with universal love throughout our earthly lives.

    With her faith in academia beginning to erode and memories from her time in the Balkans and the Middle East haunting her, Nadia travels with her boyfriend, Philip Lucas, to rural England to visit her father, Oliver, who has his own past to reckon with. The challenge of Nadia's encounter with Oliver forces decisions on her that will affect her for the rest of her life.   For thirty-five years, David Hare has written plays that capture the flavor of our times and address the interconnection between our secret motives and our public politics. In The Vertical Hour, he continues his investigation of the morality of international intervention, and of how the war in Iraq impacts the lives of British and American citizens.

    Winner of  the Olivier Award and set to open on Broadway in September 2011, The Mountaintop is set at the Lorraine Motel in Memphis in 1968, on the night before Martin Luther King is assassinated and on the day he delivered a speech in which he foretold his own fate, “I may not get there with you, but I want you to know that tonight, we as a people will get to the Promised Land.”  Playwright Katori Hall takes this historic date with destiny and weaves a powerful surrealistic fantasy about a conversation between King and a mysterious hotel maid who brings him a cup of coffee and prompts him to confront his life, his past, his legacy and the plight and future of African-Americans. Hall's insight, light touch and lively mood depicts King as a real man with very human foibles who was nonetheless capable of inspiring millions to hope and move toward a momentous societal shift for equality and justice.

    Theatre script, playbook

    O'Leary to Barack Obama. "Flexing impressive literary chops, the beer vendor/creative-writing professor captures both the tough, defensive exterior and the vulnerable, often-broken heart of his city."— Timeout Chicago"Chicago, a page at a time. Michael Czyzniejewski gets right to the point in telling the city's stories." — Chicago Tribune"...Michael Czyzniejewski’s “Chicago Stories,” forty fictional monologues riffing on the common culture of the Windy City’s shared history, projected forward into a possible future. Not quite historical fiction—more like historical jazz." — Newcity Lit"In 'Chicago Stories,' Michael Czyzniejewski summons all of Chicago — its ghosts, living and dead, its heroes and fools, sinners and saints, its people and places and all of its occasions — and in these pages they have gathered, strange and unlikely bedfellows, to sing a new song for Chicago. It will twist your arm behind your back, this song. It will break your fingers."— Billy Lombardo, author of The Man With Two Arms and The Logic of a Rose: Chicago Stories

    A shocking revelation. A trial that will divide the new mutant nation. Leah Williams and Valerio Schiti bring you a new epic that threatens the Reign of X and will upend the world of mutants. The truth is hidden, the danger is far from over, and the trial has begun

    Debuting at the Richard Rodgers Theatre in 1990, Lost in Yonkers went on to win four Tony Awards, including Best Play, as well as the Pulitzer Prize, and tells the moving drama about the cruelties and painful memories that scar a family.It is New York, 1942. After the death of their mother, two young brothers are sent to stay with their formidable grandmother for the longest ten months of their lives. Grandmother Kurnitz is a one-woman German front—a refugee and a widow who has steeled her heart against the world. Her coldness and intolerance have crippled her own children: the boys' father has no self-esteem . . . their Aunt Gert has an embarrassing speech impediment . . . their Uncle Louie is a small-time gangster . . . and their Aunt Bella has the mentality of a child. But it is Bella's hunger for affection and her refusal to be denied love that saves the boys—and that leads to an unforgettable, wrenching confrontation with her mother. Filled with laughter, tears, and insight, Lost in Yonkers is yet another heartwarming testament to Neil Simon's talent.

    This is a theatrical book of dilapidated houses and overgrown gardens, of passageways and thresholds, edges, prosceniums, unearthings, and root systems. The unstable property lines here rove from heaven to hell, troubling proportion and upsetting propriety in the name of unfathomable propagation. Are all the gates in this book folly? Are the walls too easily scaled to hold anything back or impose self-confinement? What won't a poem do to get to the other side?

    In Jane Austen, Shields follows this superb and beloved novelist from her early family life in Steventown to her later years in Bath, her broken engagement, and her intense relationship with her sister Cassandra. She reveals both the very private woman and the acclaimed author behind the enduring classics Sense and Sensibility, Pride and Prejudice, and Emma. With its fascinating insights into the writing process from an award–winning novelist, Carol Shields’s magnificent biography of Jane Austen is also a compelling meditation on how great fiction is created.

    Written before 9/11, Homebody/Kabul premiered in New York in December 2001 and has had highly successful productions in London, Providence, Seattle, Chicago and Los Angeles. This version incorporates all the playwright's changes and is now the definitive version of the text.

    By one of America's most talented playwrights, this play won the Dramatists Guild's prestigious Hull-Warriner Award, four Tony nominations, the Susan Smith Blackburn Prize, and the Pulitzer Prize in 1983. 'night, Mother had its world premiere at the American Repertory Theater in Cambridge, Massachusetts, in December 1982. It opened on Broadway in March 1983, directed by Tom Moore and starring Anne Pitoniak and Kathy Bates; a film, starring Anne Bancroft and Sissy Spacek, was released in 1986.