His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller's contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller's life work. "I suspect," writes Durrell in his Introduction, "that Miller's final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller's birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.

    The book is broken into 12 chapters, for each of the 12 months of the year, and throughout, stories are matched to internationally celebrated dates, including Valentines Day and the International Day of Friendship, as well as seasonal events and festivals. Collected and retold by award-winning author Angela McAllister, and illustrated by internally recognised artist Christopher Corr, this is a book that will be treasured by families and appeal to teachers and librarians around the world.CONTENTS --Dedication --JANUARY --New Year's Day Father Frost (A Russian story) --Wintertime The Magic Porridge Pot (A German story) --Chinese New Year King of the Forest (A Chinese story) --FEBRUARY --Candlemas The Empty Barn (A Latvian story) --Valentine's Day The Frog Prince (A German story) --The Mole's Wedding (A Korean story) --Shrove Tuesday The Runaway Pancake (A German story) --MARCH --St. David's Day Gelert the Hound (A Welsh story) --World Wildlife Day The Bird Wife (An Inuit story) --Purim The Blue Coat (A Jewish story) St. Patrick's Day The Pot of Gold (An Irish story) --World Water Day Tiddalik, the Thirsty Frog (An Indigenous Australian story) --APRIL --April Fools' Day Rabbit and Crab (A Mayan story) --Easter The Basket of Eggs (A Canadian story) --World Health Day How the Bear Clan Learned to Heal (An Iroquois story) --St. George's Day The Glass Knight (An English story) --The Shoemaker and the Dragon (A Polish story) --MAY --May Day The Cracked Pot (An Indian story) --Springtime Spring and Autumn (A Japanese story) --Vesak The Hare in the Moon (A Buddhist story) --JUNE World Oceans Day Prince Fire Flash and Prince Fire Fade (A Japanese story) --Ramadan The Boots of Hunain (An Arabic story) --Midsummer Anansi and Turtle (A Caribbean story) --World Music Day Skeleton oman (An Inuit story) --JULY --Eid ul- Fitr Zirak and Ring-dove (An Iraqi story) --Tanabata The Weaving Maiden and the Oxherd (A Japanese story) --St. Swithin's Day Elephant and the Rain Spirit (An African Bushman story) --International Day of Friendship Heungbu and Nolbu (A Korean story) --Androcles and the Lion (A Roman story) --AUGUST --Lammas Day The Little Red Hen (A Russian story) Harvest The Ship of Wheat (A Dutch story) --Persephone (An ancient Greek story) --SEPTEMBER --Yom Kippur Jonah and the Whale (A Bible story) --International Day of Peace The Two Kings (A Buddhist Story) --Autumn Why the Evergreeens Keep Their Leaves (An American story) --The Gifts of the North Wind (A Norwegian story) --OCTOBER --World Food Day The Raja and the Rice (An Indian story) --Why the Bananas Belong to the Monkey (A Brazilian story) --Diwali Rama and Sita (An Indian story) --Halloween The Buried Moon (An English story) The Shortest Ghost Story in the World (An English story) --NOVEMBER --Thanksgiving How the Pine-tree Chief Got His Name (An Iroquois story) --The Gift of a Cow-tail Switch (A West African story) --Bonfire Night How Grandmother Spider Brought Fire (A Choctaw story) --National Tree Week The Woodcutter and the Wolf (A French story) --The Tree of Magical Leaves (A Chinese story) --St. Andrew's Day Conall and the Thunder Hag (A Scottish story) --DECEMBER --Human Rights Day The Bell of Atri (An Italian story) --Midwinter East of the Sun, West of the Moon (A Scandinavian story)

    Here are reflections on cowboys real and fake, tractor-driving lessons, outhouses, and the uses of baling wire; here are ranch marriages, enduring and not; family legacies; loss and renewal. Westerners will find their friends and neighbors in these pages; others will find a vivid portrait of the women of a region all too often mythologized.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    

    Glinda the Good Witch set the three friends on their new paths: the Scarecrow would now rule the Emerald City with his new brain, the Tin Woodman and his heart would travel to the land of the Winkies to become their leader, and the Lion would put his courage to good use as the King of Beasts.But in a place like Oz, where magic and temptation lurk around every corner, the gifts from the Wizard begin to take on a life of their own…This bind-up of three prequel novellas to the New York Times Bestselling Dorothy Must Die series follows the Tin Woodman, the Scarecrow, and the Lion as they evolve from Dorothy’s beloved friends into something almost Wicked.

    Where can you find the 'Devil's footprints'? What happened at the 'hangman's stone'? Did Sweeney Todd, the demon barber of Fleet Street, ever really exist? Where was King Arthur laid to rest? Bringing together tales of hauntings, highwaymen, family curses and lovers' leaps, this magnificent guide will take you on a magical journey through England's legendary past.

    Presents over fifty scary, funny, and violent Grimm folk and fairytales, from the original version of Hansel and Gretel to Mother Hulda..

    Whether a coyote or rabbit, raccoon or raven, Tricksters use cunning to get food, steal precious possessions, or simply cause mischief. In Trickster, the first graphic anthology of Native American trickster tales, more than twenty Native American tales are cleverly adapted into comic form. An inspired collaboration between Native writers and accomplished artists, these tales bring the Trickster back into popular culture in vivid form. From an ego-driven social misstep in "Coyote and the Pebbles" to the hijinks of "How Wildcat Caught a Turkey" and the hilarity of "Rabbit's Choctaw Tail Tale," Trickster bring together Native American folklore and the world of graphic novels for the first time.

    Editor Stephen Cope has made a judicious selection of Oppen's extant writings outside of poetry, including the essay "The Mind's Own Place" as well as "Twenty-Six Fragments," which were found on the wall of Oppen's study after his death. Most notable are Oppen's "Daybooks," composed in the decade following his return to poetry in 1958. iSelected Prose, Daybooks, and Papers is an inspiring portrait of this essential writer and a testament to the creative process itself.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    This book reclaims that lost, rich heritage of working with faery folk that our Pagan ancestors took for granted.Edain McCoy teaches how to work with faeries in a mutually beneficial way. Practice rituals and spells in which faeries can participate, and discover tips to help facilitate faery contact. These capricious creatures can help with divination, past life recall, scrying, and spiritual quests. Also included is a dictionary of more than 230 faeries that include goblins, gnomes, elementals, seasonal faeries, and angels.

    The editors have collected more than a hundred poems inspired by Grimm tales and written by our finest living poets. A brilliant and informative anthology, a teachable text. Jeanne Marie Beaumont first book of poetry, "Placebo Effects," was selected by William Matthews for the National Poetry Series in 1997. She teaches at Rutgers University. Claudia Carlson works at Oxford University Press in New York. Her poems have appeared in "Heliotrope, Coracle, Space and Time, Fantastic Stories" and "NYCBigCityLit.comm"

    Fourteen selkie (half-seal half-human creatures) tales from the Orkney and Shetland islands which embrace the fantasy, romance and unusual perspective of the Scottish travellers.

    Now, with a new introduction and full-color artwork, this passionate and important text shows even more clearly that the religion of the Goddess—which is tied to the cycles of women’s bodies, the seasons, the phases of the moon, and the fertility of the earth—was the original religion of all humanity.