Each is a prize winner! Fictional short stories based on true life events. The book is approximately 100 pages. The stories, while containing fictional characters reflect the true, heroism of the time and era of the Holocaust.The uprising of the Lodz ghetto, a rare romance in a concentration camp and the Sobibor escape are captured in this book. Different perspectives and gripping horror from real life accounts. A must read.

    

    Poor Folk]Published in 1846, Dostoevsky's first novel was written when the author was 24 years old, and it made him famous immediately. Although it shows the influence of Gogol's The Overcoat, this novel is written with a sympathy and understanding that enable it to stand on its own as an original work. So great was its impact upon the critics of its time that it became responsible for the literary term, 'the natural school', which was applied to an entire group of Russian novels.Malen'kij geroj (Маленький герой) [English: A Little Hero]Written in 1849 while he was imprisoned in the Peter and Paul Fortress in Petersburg, A Little Hero reflects Dostoevsky's involvement with the Petrashevsky circle, a group of radicals headed by the young and rich political dilettante Mikhail Butashevich Petrashevsky. Dostoevsky was arrested with other members of the group. A Little Hero is not only an amazingly frank portrait of Petrashevsky, but also a fine analysis of the mentality of an 11-year-old boy who falls in love with a young married woman.

    It's a case that nobody wants to touch, deeply rooted in old evil—and old evil is Charlie Parker's specialty. He's about to enter a living nightmare, a dreamscape of sorrow haunted by the murderous specter of a hooded woman, by a black car waiting for a passenger that never comes, and by the sinister complicity of both friends and enemies in Larousse's brutal death. Soon, all will face a final reckoning in an unearthly realm where the paths of the living and the dead converge. A place known only as the White Road. THE BLACK ANGELWhen a young woman disappears from the streets of New York City, ties of friendship and blood inevitably draw ingenious, tortured detective Charlie Parker into the search. Soon he discovers links to a church of bones in Eastern Europe, a 1944 slaughter at a French monastery, and to the myth of an object known as the Black Angel—considered by evil men to be beyond priceless. But the Black Angel is not a legend. It is real. It lives. It dreams. And the mystery of its existence may contain the secret of Parker's own origins. THE UNQUIETDaniel Clay, a once-respected psychiatrist, has gone missing. His daughter insists that he killed himself after allegations surfaced surrounding the harm done to patients in his care. Now, a killer obsessed with finding the truth about his own daughter’s disappearance is seeking revenge—and private investigator Charlie Parker finds himself trapped between those who want the truth about Clay’s disappearance to be revealed, and those who will go to any length—no matter the cost—to keep a deep, dark secret about a local town hidden.

    In this extensive biography, Grant covers Davies' childhood, relationships, journalism, passion for the theater, and his 20 years as a Master of Toronto's Massey College. of photos.

    His fascination with myth is evident in pieces on Ovid's Metamorphoses and the separate odysseys that make up Homer's Odyssey. Three intertwined essays on French utopian socialist Fourier present him as a precursor of Women's Lib, a satirist and visionary thinker whose scheme for a society in which each person's desires could be satisfied deserves to be taken seriously. In other pieces, Calvino brings a fresh, unpredictable approach to why we should reread the classics, how cinema and comic strips influence writers, and the cartoon universe of Saul Steinberg. His message is that writers need to establish erotic communion with the humdrum objects of everyday reality.

    Gale has fashioned a spare but powerful tale that thrusts the indignities of slavery and the stupidity of racism out of the murky 18th century and into the here and now.—Martin Morrow, Calgary Herald

    Now, in his first book of nonfiction, Percy challenges the notion that literary and genre fiction are somehow mutually exclusive. The title essay is an ode to the kinds of books that make many readers fall in love with fiction: science fiction, fantasy, mysteries, horror, from J.R.R. Tolkien to Anne Rice, Ursula K. Le Guin to Stephen King. Percy's own academic experience banished many of these writers in the name of what is "literary" and what is "genre." Then he discovered Michael Chabon, Aimee Bender, Cormac McCarthy, Margaret Atwood, and others who employ techniques of genre fiction while remaining literary writers. In fifteen essays on the craft of fiction, Percy looks to disparate sources such as Jaws, Blood Meridian, and The Girl with the Dragon Tattoo to discover how contemporary writers engage issues of plot, suspense, momentum, and the speculative, as well as character, setting, and dialogue. An urgent and entertaining missive on craft, Thrill Me brims with Percy's distinctive blend of anecdotes, advice, and close reading, all in the service of one dictum: Thrill the reader.

    He's young. He's bright. He's ambitious. Mitch could have the pick of the big firms in New York and Chicago, but he's chosen the Memphis tax firm of Bendini, Lambert & Locke. They're selective. They pay outrageous salaries. They have a turnover rate of zero. And Mitch is about to find out why.Several events fuel Mitch's growing suspicions: two of the partners die in a suspicious diving accident off Grand Cayman; the senior partners seem unduly proud of the fact that no one has ever resigned; and security measures at the office are, even for a company with billionaire clients, more than a little extreme. Then Mitch makes an explosive discovery: The firm is owned and operated by the most powerful organized crime family in Chicago. Even as Mitch discovers the truth, he finds himself caught between the FBI, who wants an informant inside the firm, and the firm itself, which will make him a very rich man—or a very dead one.The ChamberAdam Hill is in his first year at a top Chicago law firm. He volunteers for the toughest assignment any lawyer could ask for. His prospective client doesn't want Adam or his law firm. He is an unrepentent and outspoken racist with a violent past. He is on Death Row for the murder of two Jewish children in a horrific bombing in 1967.Why would he take on Adam, a complete novice, to defend him? And why would Adam want his case so desperately? The answer lies in the past, in a twenty-year-old secret buried in the madness of another time...

    Quinn must learn how to exist in his mother's troubled world, without being consumed by her selfishness. Written with fervor and affection for a wounded past, Lyla is an intense and personal epic about a restless woman, and the children caught in her spurring draft. Set during the Great Depression, on the upper coast of Florida, this touching story is about growing up in an achingly anguished household, and finding a way to survive. A stirring memoir that delivers the reader to a sepia-tinted world that is heartbreaking, at times shocking, and triumphant.

    In a heightened state of emotion, people speak at the rate of 160 words per minute. Inspired by the intersection of these two seemingly unrelated concepts, Pulitzer Prize-winning author Robert Olen Butler wrote sixty-two stories, each exactly 240 words in length, capturing the flow of thoughts and feelings that go through a person's mind after their head has been severed. The characters are both real and imaginedMedusa (beheaded by Perseus, 2000 BC), Anne Boleyn (beheaded at the behest of Henry VIII, 1536), a chicken (beheaded for Sunday dinner, Alabama, 1958), and the author (decapitated, on the job, 2008). Told with the intensity of a poet and the wit of a great storyteller, these final thoughts illuminate and crystallize more about the characters' own lives and the worlds they inhabit than many writers manage to convey in full-length biographies or novels. The stories, which have appeared in literary magazines across the country, are a delightful and intriguing creative feat from one of today's most inventive writers.

    

    6, and In the Ravine.

    The fall of Malaya and Singapore and the bombing of Darwin—what looked like the invasion of Australia—ebb and crash over a man’s long search to find a home and a woman’s determination to keep hers, connected by old memories and new betrayals. It is a thriller and a romance, a story of earth and water, air and metal—an unforgettable ride through the most precarious time in our region's recent history. Garry Disher writes: ‘Past the Headlands came from the same World War 2 research as The Stencil Man. I was struck by the power of two documents. The first was a letter written by a woman alone on a cattle station near Broome in 1942, at the time the Japanese were overrunning Malaya and Singapore and bombing areas of northern Australia. One day she found herself giving shelter to Dutch colonial officers and their families, who were fleeing Sumatra and Java ahead of the Japanese advance (many people like them lost their lives when Japanese planes shot up their waiting seaplanes in Broome Harbour in March, 1942). This woman stuck in my head (the isolation, the danger, the efforts to communicate, her bravery, etc). The second document was a war diary written by an Australian army surgeon who escaped Singapore ahead of the Japanese and was stuck in Sumatra, trying to get out. Here he treated many of the civilians (and Australian Army deserters) fleeing from Singapore. He was captured by the Japanese, but survived the war. But his last few diary entries detail how he and a mate were waiting for a plane or a ship to take them out, then one day he wrote, “Davis [his mate] left last night without telling me”. So much for mateship. I spent years trying to find my way into their stories. At one stage I spent a year writing 40,000 words before realising it wouldn’t work. I put it aside, then realised one subplot didn’t belong, so extracted it and turned it into a separate novel The Divine Wind, which has sold 100,000 copies around the world, won a major award and been published as both a young adult and a general market novel. But cutting it out like that freed me up to write about the woman and the man betrayed by his mate, in Past the Headlands.’

    The content is well sourced and there are plenty of references in the appendices.