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    Whether she is seen as a benevolent earth-shaping giantess, harsh winter hag goddess, shape-shifting crone, guardian of sacred wells and animals, or ancient bestower of sovereignty; the Cailleach appears in many roles and manifestations in myths and legends across the British Isles. Tracking the Cailleach across thousands of years through folklore, literature and place names, the authors have uncovered startling references which hint at a hidden priestess cult worshipping the Cailleach from ancient times through into the twentieth century. By exploring her myths and legends, they demonstrate the hugely significant role of the Cailleach in the early history of the British Isles. The demonization of the Cailleach through the Middle Ages by the Christian Church paralleled that of women and witches, and is reflected in various other supernatural hag figures possibly derived from her and discussed in detail, such as Black Annis, Gyre Carling, Mia Lia, Nicneven and the Old Woman of the Mountain. Looking beyond the veil of the sacred landscape, the vision of the Cailleach confronts the seeker, in hills and rocks, lakes and wells, burial chambers and stormy skies. Now finally the primal elemental power of the Cailleach is revealed in her full glory, in the tales and places of Ireland, Scotland and the Isle of Man; as well as in traces of her presence in England, Wales, Jersey, Brittany, Spain and Norway. This unique and ground-breaking work brings together for the first time the wealth of folklore, stories and legends regarding this most significant of British supernatural figures, whose myths and wisdom are as relevant today as they have ever been.

    For two and half thousand years the Celts have continued to fascinate all who have come into contact with them. THE ANCIENT CELTS presents an absorbing account of the tribes whose origins and identity still provoke heated debate. Exploring the archaeological reality of the Iron Age inhabitants of barbarian Europe, Professor Cunliffe traces the emergence of chiefdoms,patterns of expansion and migration, and the development of Celtic ethnicity and identity.

    A new memoir from the author of Irish bestseller Staring at Lakes, which was received the Book of the Year Award at the BGE Irish Book Awards 2013

    "Brilliant, vivid, entertaining."--R. D. Laing

    In this work, MacCulloch attempts to rebuild Celtic paganism and to guess at its inner spirit. He portrays the Celt as a seeker after God, linking himself by strong ties to the unseen and eager to conquer the unknown by religious rite and magic art. The earliest aspect of his religion was the cult of nature spirits and of life manifested in nature.

    The ancient prayers and stories, along with step-by-step guides to making use of them today, offer powerful proof of the spiritual value of these ancient rites.

    The story of Lugh Mac Romain, harper and reluctant warrior, as he struggles to escape the curse of the Queen Maeve of Connaught for killing her king and is caught up in the famous Cattle Raid of Cooley by his friendship with the great Champion of Ulster, Cuchulain of Muirthemne.

    A dedicated researcher into the origins of Celtic myth and legend, Osborne-McKnight infuses her stories with passion, romance and magic. Her focus this time is the great warrior queen Medb of Connaught. Beautiful. Bold in battle . . . and in bed. A legend among her people, she lusts for the Brown Cow of Cuailnge for the power and the glory that it would bring to her. And she will use anyone, do anything, to reach her goal. Who should stand in her way? None other than the fabled hero Cuchulainn, thought to be not quite of this world and who is said to able to use the spirits of the forest and glen to conquer his enemies. Noble tales, ignoble deeds.But sometimes the biggest part of an epic tale comes not from the biggest players on the stage. What happens to those who have grown up in the shadow of greatness? And who pays when the game of power calls for sacrifice?Young Finnabair is the daughter of mighty queen Medb. Not a beauty. Not a warrior. And one who is seen as a pawn for her mother to use as she will. But Finnabair rebels when she sees that her part in her mother's schemes for power has caused pain and shame to her people. In doing so, Finnabair will embark on a journey that will change two kingdoms . . . and bring her love and loss so great as to break the hearts of the gods.

    It succeeds where many books have failed-fulfilling the longing for real Irish Witchcraft, while crafting the delicate balance between learning from the past and weaving a modern system based on truth and respect. Lora O'Brien is a genuine Irish Witch, making no claims of "fraudulent family traditions"-she is simply a woman who walks her path and shares her experiences, working closely with her heritage and land in a contemporary setting.Irish Witchcraft From an Irish Witch explores the past:Providing an investigation of the Witches' place in Irish mythology.Looking at Witchcraft and magic by examining the customs connected with the Sidhe.Examining historical evidence of the Witch trials that swept across the isle.And the present and beyond by:Working with Irish deities, landscapes, energies, and antiquities.Examining the wheel of the year, with its festivals, cycles, and seasons of Irish culture.Looking at ritual progression through a Witch's life: magical training, physical growth.Providing alternatives to the traditional stages of a child's life in modern Irish culture.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    Her name is Wild Woman, but she is an endangered species. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller shows how women's vitality can be restored through what she calls "psychic archeological digs" into the ruins of the female unconsious. Using multicultural myths, fairy tales, folk tales, and stories, Dr. Estes helps women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype.Dr. Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

    Stories of spooky, mystical, and bloody tales are relayed.

    This is a book I would be delighted to recommend to my students, to members of my Druid order, and to anyone interested in Celtic spirituality as a living path for today.” —John Michael Greer, former Grand Archdruid, Ancient Order of Druids in America and author of The Druidry Handbook The Druids were the mystics, philosophers, and magicians of the ancient Celtic world. Their spirituality was borne from their near-worship of poetry and music, their warrior prowess, and the world of nature. The Mysteries of Druidry reveals this mystical romanticism as it was in ancient times, and shows various ways to bring it to life today. It includes:A professionally researched survey of Druidic history, tradition, and customs.Detailed descriptions of the mysteries of Celtic spirituality, including the Sacred Truth, the Great Marriage, the Hero’s Journey, and the Otherworld.Practical guidance for meditation and ceremony, for individuals and for groups.The Celtic story of the creation of the world, presented together with a plan for re-enacting the story in ritual.

    But how do these images compare with the evidence revealed by the excavator's trowel? Recent archaeological research has transformed our understanding of the period. Reflecting this new generation of scholarship, Professor Barry Raftery presents the most convincing and up-to-date account yet published of Ireland in the millennium before the coming of Christianity.The transition from Bronze Age to Iron Age in Ireland brought many changes, not least the proliferation of imposing hillforts. Did these have a purely defensive role, or were they built for ceremonial or commercial purposes? When did the Celtic character of early Ireland emerge? New findings indicate that the construction of the country's great royal centers, such as Tara and Emain Macha, coincides with the first appearance in Ireland of the material culture of the European Celts - so-called La Tene artifacts. The author argues that these were the portable trappings of a rising aristocratic elite, which expressed its power by building highly visible monuments.Professor Raftery also discusses the significant advances that took place in travel and transport, including the creation of the largest roadway in prehistoric Europe; the elusive lives of the common people; the idiosyncratic genius of the local metalsmiths; and the complex religious beliefs exemplified by standing stones, and offerings in rivers and lakes. He presents fascinating new material about Ireland's contacts with the Roman world, and in a final chapter he reviewsthe whole question of whether La Tene culture spread to Ireland through invasion or peaceful diffusion. Pagan Celtic Ireland is the definitive statement of what we currently know about the country's shadowy, Celtic origins. Generously illustrated throughout, it will be read avidly