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    She told Lori, “We all have two lives and we carry the maps of those lives with us. Our left hands mark the lives we’re born with. Our right hands mark the lives we make for ourselves.”Belief Is Its Own Kind of Truth, Maybe is a book about mapping those lives – the lives we are born with and the lives we are allowed – and lucky enough – to make for ourselves.Belief is part adoption narrative and part meditation on family, motherhood, nature vs. nurture, and what it means to make our own authentic human connections. It extends the possibilities of creative nonfiction at a time when many people are talking about what exactly truth-in-memoir means. The book’s patchwork form mirrors the fragmented experience of being an adoptee confronting — and trying to heal — her roots.Belief is the story of one woman’s search for her birth mother coupled with the parallel story of her own motherhood and her own re-making. It’s about what it means to be a mother, what it’s like to have two very different blood connections, and what it means to form a family.Belief is about searching for roots and what that means, exactly. It’s about finding a balance between the families we’re born into and the ones we make ourselves.

    Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. Its hoarding is itself a demonstration. This thought-provoking issue of the acclaimed literary annual Freeman's explores who gets to say what matters in a time of social upheaval. Many of the writers are women. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of color walking in public space. Power must often be seized. The narrator of Lan Samantha Chang's short story finally wrenches control of the family's finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam's story achieves freedom by selling bull semen. Australian novelist Josephine Rowe recalls a gallery attendee trying to take what was not offered when she worked as a life-drawing model. Violence often results from power imbalances--Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. But not all power must wreak damage. Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plan in Korea to the glare he received from a bear traveling with her cubs in the woods, asking--do you plan me harm?Featuring work from brand new writers Nicole Im, Jaime Cortez, and Nimmi Gowrinathan, as well as from some of the world's best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Le�la Slimani, and Turkish novelist Elif Shafak, Freeman's: Power escapes from the headlines of today and burrows into the heart of the issue.

    "The Forerunner" and "The Madman" (1932).

    Bukowski's last journals candidly and humorously reveal the events in the writer's life as death draws inexorably nearer, thereby illuminating our own lives and natures, and to give new meaning to what was once only familiar. Crumb has illustrated the text with 12 full-page drawings and a portrait of Bukowski.

    I will write always. I will capture nights all over the world and bring them to you.'Henry Rollins, renowned spoken-word performer, musician, actor and author of several books, has a unique, hard-edged view of the world. This collection of writings from 1989 - 1991 is the classic Rollins book.From dramatic fiction shorts detailing stark, disturbing realities to gut-wrenching tour journals destroying all misconceptions of the glamour of fame and the music industry; from the challenging poetry to revealing dream sequences, Rollins' writing is unflinching in its honesty, uncompromising in its truth and irresistibly addictive.

    "Filled with warmth and humor, sadness and tenderness, songs and poems, Lake Wobegon Days is an unforgettable portrait of small-town American life, of why 'we are what we are' and why 'smart doesn't count for much."

    Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    Of course, this is more than snippy waiters or rude drivers who cut you off. It is a finely honed selection of 738 exasperating things, people, situations, complaints, and attitudes that everyone who's ever had a bad day can appreciate. And which will make us all feel better, just because we know someone else is paying attention--at last. Talk about annoying:Yoga instructors who smoke.Pets that only show affection right before mealtime.Tipping someone who hasn't earned it only because you don't want to look cheap.Late fees for a video you didn't have time to watch.The second-to-last day of a two-week vacation.A sneeze that lingers in your nose, doesn't come out, and then is absorbed by your forehead.When your Cracker Jack has melted into one big Jack.When your doctor asks if you mind if an intern watches your colonoscopy.

    Here, a young man's life is about poking at the pretensions of the city's elders with American music, bad poetry, and slightly better journalism. And then, his life in Chicago: watching from afar as war breaks out in Sarajevo and the city comes under siege, no way to return home; his parents and sister fleeing Sarajevo with the family dog, leaving behind all else they had ever known; and Hemon himself starting a new life, his own family, in this new city.And yet this is not really a memoir. The Book of My Lives, Hemon's first book of nonfiction, defies convention and expectation. It is a love song to two different cities; it is a heartbreaking paean to the bonds of family; it is a stirring exhortation to go out and play soccer—and not for the exercise. It is a book driven by passions but built on fierce intelligence, devastating experience, and sharp insight. And like the best narratives, it is a book that will leave you a different reader—a different person, with a new way of looking at the world—when you've finished. For fans of Hemon's fiction, The Book of My Lives is simply indispensable; for the uninitiated, it is the perfect introduction to one of the great writers of our time.A Kirkus Reviews Best Nonfiction Book of 2013

    No other contemporary humorist knew the South so well, loved it so passionately, or wrote about it so vividly.

    So it is that through the telling of one Chinese peasant woman's life, a vivid vision of Chinese history and culture is illuminated. Over the course of two years, Ida Pruitt—a bicultural social worker, writer, and contributor to Sino-American understanding—visited with Ning Lao T'ai-ta'i, three times a week for breakfast. These meetings, originally intended to elucidate for Pruitt traditional Chinese family customs of which Lao T'ai-t'ai possessed some insight, became the foundation for an enduring friendship.As Lao T'ai-t'ai described the cultural customs of her family, and of the broader community of which they were a part, she invoked episodes from her own personal history to illustrate these customs, until eventually the whole of her life lay open before her new confidante. Pruitt documented this story, casting light not only onto Lao T'ai-t'ai's own biography, but onto the character of life for the common man of China, writ large. The final product is a portrayal of China that is "vividly and humanly revealed."

    Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.

    The book is an urgent recall of heartbreak, a stark portrait of an identity in crisis.

    that we greet the publication of New Islands, a slim book of evocative, haunting stories by Maria Luisa Bombal, a Chilean writer whose creative period was basically confined to the 1930's and 40's and whose work, although small in volume, was rich in its effects, anticipating the magic realism found in so much of today's Latin American fiction. - The New York Times