One night, Vittoria misses dinner service at the family's renowned Sicilian restaurant. Emilia soon finds the body of her beloved twin...desecrated beyond belief. Devastated, Emilia sets out to find her sister's killer and to seek vengeance at any cost—even if it means using dark magic that's been long forbidden.Then Emilia meets Wrath, one of the Wicked—princes of Hell she has been warned against in tales since she was a child. Wrath claims to be on Emilia's side, tasked by his master with solving the series of women's murders on the island. But when it comes to the Wicked, nothing is as it seems...

    Enjoy the stories that have captured the imagination of millions worldwide.

    But Eva must also confront the ghosts from her own past, as well as those from a time long before her own. For the house where she so often stayed as a child is home not only to her old friends the Halletts, but also to the people who had lived there in the eighteenth century. When Eva finally accepts that she is able to slip between centuries and see and talk to the inhabitants from hundreds of years ago, she soon finds herself falling for Daniel Butler, a man who lived - and died - long before she herself was born. Eva begins to question her place in the present, and in laying her sister to rest, comes to realise that she too must decide where she really belongs, choosing between the life she knows and the past she feels so drawn towards.

    Spinning actual police records from the reign of Louis XIV into a darkly captivating story, it follows the fortunes of Genevieve Pasquier, a fifteen-year-old girl who has been transformed into an imperious, seemingly infallible fortune-teller... Genevieve is a skinny, precocious little monkey with a mind full of philosophy and the power to read the swirling waters of an oracle glass - for a demimonde who will believe anything. Left for dead by her family, Genevieve is taken in by La Voisin, an ingenious occultist and omnipotent society fortune-teller. La Voisin also rules a secret society of witches - abortionists and poisoners - who manipulate the lives of the rich and scandalous all the way up to the throne. Tutored by La Voison, Genevieve creates a new identity for herself - as the mysterious Madame de Morville, complete with an antique black dress, a powdered face, a cane, and a wickedly sarcastic streak who is supposedly nearly one hundred fifty years old. Even the reigning mistress of the Sun King himself consults Madame de Morville on what the future holds for her. And as Madame de Morville, Genevieve can revel in what women are usually denied power, an independent income, and the opportunity to speak her mind. Beneath her intelligence and wit, what drives Genevieve is a private revenge - but what she doesn't expect is for love to come in the bargain.

    For Honoria Todd, it's the last safe haven. But at what price?Blade is known as the master of the rookeries—no one dares cross him. It's been said he faced down the Echelon's army single-handedly, that ever since being infected by the blood-craving he's been quicker, stronger, and almost immortal.When Honoria shows up at his door, his tenuous control comes close to snapping. She's so...innocent. He doesn't see her backbone of steel—or that she could be the very salvation he's been seeking.

    There is something mysteriously alluring about Julian's pale eyes and bleached-blond hair. And when he places the Game into her hands, she knows their connection is something deeper.But as Jenny and her six friends begin to play the Game at Tom's birthday celebration, a night of friends and fun quickly turns into a night of terror and obsessive love. Because the Game isn't just a game - it's the seven friends' new reality, where Julian reigns as the Prince of the Shadows.One by one the friends must confront their phobias to win the Game. To lose the Game is to lose their lives. And that is only the beginning...

    Her body has healed in the sunshine of Pandanus Beach, but her grief is raw and constant. It doesn’t help that every night in her dreams she kills demons and other hell-spawn.And then Rafa comes to town. Not only does he look exactly like the guy who’s been appearing in Gaby’s dreams—he claims a history with her brother that makes no sense. Gaby is forced to accept that what she thought she knew about herself and her life is only a shadow of the truth—and that the truth is more likely to be found in the shadows of her nightmares.Who is Rafa? Who are the Rephaim? And most importantly, who can she trust?Fast-paced and gripping, Shadows, the first book in the Rephaim series.

    But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet. Nor does he care that he won’t earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious his actions may prove. Marsh meant to turn down York’s offer. It was too full of secrets that spelled danger. But the promise of both gold and a grand new boat that could make history crushed his resolve—coupled with the terrible force of York’s mesmerizing gaze. Not until the maiden voyage of his new sidewheeler Fevre Dream would Marsh realize he had joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare...and mankind’s most impossible dream. Here is the spellbinding tale of a vampire’s quest to unite his race with humanity, of a garrulous riverman’s dream of immortality, and of the undying legends of the steamboat era and a majestic, ancient river.

    Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials and almost immediately, she becomes the enemy of a group of girls who call themselves The Descendants. And guess who their ancestors were?If dealing with that weren't enough, Sam also comes face to face with a real live (well technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with The Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it's Salem. But history may be about to repeat itself.

    Trouble was, he didn’t ask Rose what she thought of the idea.It’s been more than sixty years since that night, and she’s still sixteen, and she’s still running.They have names for her all over the country: the Girl in the Diner. The Phantom Prom Date. The Girl in the Green Silk Gown. Mostly she just goes by “Rose,” a hitchhiking ghost girl with her thumb out and her eyes fixed on the horizon, trying to outrace a man who never sleeps, never stops, and never gives up on the idea of claiming what’s his. She’s the angel of the overpass, she’s the darling of the truck stops, and she’s going to figure out a way to win her freedom. After all, it’s not like it can kill her.You can’t kill what’s already dead.

    The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.

    This incredible portrait of Erik--the Phantom--recreates his entire life, from his survival as a child in a carnival freak show to his creative genius behind the Paris Opera House--and its labyrinthine world below--to his discovery of love.

    Book 1 is about Hannah, who spent her early days in an orphanage and is now a scullery maid in the house of rich, powerful family. She is irresistibly drawn to the sea and through a series of accidents and encounters discovers her true identity. Hannah realizes that she must keep the truth a secret but she also knows that soon she will have to make the choice - to be a creature of the land or the sea.