Poe is viewed as the ultimate doomed romantic whose last days are shrouded in sordid mystery. His life was a disaster, but his achievements in writing are amazing. He is widely recognized as father of the modern short story, inventor of the detective story and the master of horror. A Boston born writer, editor, and literary critic, he's best known for his creepy and macabre tales as well as being one of the central figures in the Romanticism movement in the United States.  Accurately being dubbed as the ultimate doomed romantic, Poe was a drunk, his last days are shrouded in mystery akin to that of his short stories.  During his lifetime, Edgar Allan Poe didn't make a dime out of writing, but his legacy to the world is one of never-ending riches.  He left behind seventy-three wonderfully gruesome stories and a novel filled with suspense and brilliantly twisted plots.  Hist stories and poems are now read and revered globally.  As another master of horror, Stephen King, has said, we are all "the children of Poe." Abraham Lincoln, Josef Stalin, Michael Jackson, and Bart Simpson all have one thing in common; they are fans of the nineteenth century American writer and poet, Edgar Allan Poe.  The writer of "The Raven" has legions of such devotees across the globe.  The list of authors inspired by Poe is long and varied, but his profound influence reaches much further-into music, film, and art just as much as modern day literature.  There have been more than a dozen film adaptations of his story "The Fall of the House of Usher," and his works have inspired composers ranging from Claude Debussy to Lou Reed.  More than 160 years after his death, Charlotte Montague has written a fascinating account of Poe's life and times, in which she uncovers a strange man, standing deep in the shadows, who's unique imagination and macabre writing have changed popular culture forevermore.  n the process, she uncovers a strange man, standing deep in the shadows, whose macabre stories and twisted plots changed literature forever. The Oxford People series offers deep dives into the most influential people, subjects, and cultures from history. From horror-fiction legends like H. P. Lovecraft and Edgar Allen Poe, to historical heavyweights like Houdini and JFK, to the supernatural world of vampires, werewolves, and ghosts—Oxford People encompasses it all. Other titles in this series include: Angels, Che, Creating Sherlock Holmes, Extreme Science, Gettysburg, Ghosts, Gunfighters, Houdini, HP Lovecraft, John F. Kennedy, Myths and Legends, Privates and Privateers, Roosevelt and Churchill, Royal Weddings, Skies of WWII, Tesla, Tesla vs. Edison, Vampires, Vikings, Werewolves, Women of Invention, Zombies.

    There are many corrections and many notes stuck between the pages, and the ink and pencil are faded and often difficult to read. I have had to guess at the meaning a few times and hope I haven’t done too much harm to her intent. Many changes were made in punctuation, spelling, paragraphing and chapters, and I’ve updated a few words, like Black Feet to Blackfoot. She made a few mistakes I did not correct, like mixing up the locations of the Little Blue and Big Blue rivers. The name Mary Faraday Huntington does not appear in any of the old records. Whoever wrote the words was neither shy nor humble, has a very foul mouth, and shamelessly talks about things rarely mentioned in stories of the Wild West. Her story is the way it was long ago, not the sugar coated fairly tales of book and film. Her story reminds me of something Jamake Highwater wrote: “The outward rusticity of primal behavior makes Western people devise a self-serving ideal of themselves as civilized, which sets them widely apart from other peoples and from nature. Their withdrawal from an awareness of their place in nature is nearly complete…primal peoples live among animals and vegetation constantly in close contact with the sources of nourishment and death, understanding their environment and expressing their ideas and feelings in terms of the natural world. In contrast, people in the West have created an idealization of their relationship with nature which has neither life nor spirit.” ADVENTURES IN THE WILD WEST OF LONG AGO Mary Faraday Huntington I’ve led a wild life and had a hell of a good time. I still have my nose, all my fingers and my scalp thanks to my high intelligence, strength, quickness, excellent judgment, and a little help from all my many, many friends. I promise not to lie too bad. If you are a prissy little thing, best to pass on by. If you are a refined gentleman, pass on by. 1. You’re just a girrrrrrl 2. The Under Water People 3. Fort Childs 4. Rising Wolf 5. The second best whorehouse in town 1 YOU’RE JUST A GIRRRRRL “You can't race. You’re just a girrrrrrl!” I bounced him a good one and he shrieked and jumped up and down with blood spurting out of his big, ugly nose. Oh my, how he did carry on. I got on my pony and went to the line. The flag dropped and off we went. No problem, I promised Charlie 3 cobs if we win. He got his corn and I got a shiny silver dollar and a tin can full of chewing tobacco. I traded the can for a bunch of fancy ribbons at old man Bailey’s haberdashery. ____________________ My name is Mary Faraday Huntington and I was born in 1834 at Independence, Missouri. My mother died when I was 9 months old and an Indian woman working at a whorehouse was the only one Christian enough to take me in. Don’t know who my father was but he must have been big, strong, and sharp as a whip. Probably an army man having a little fun. Sure they call me a bastard, but they learned quick enough not to do that to my face. Jennie is a Blackfoot spirit woman and a real good mother who cooks and cleans at Polly’s Paradise. We have a little room in the basement. Her real name is Aokii’aki, Water Woman. She taught me sign and Blackfoot, how to live off the land, and how to fight with my hands and feet and knife. And she is teaching me the ways of a spirit woman.

    King. Do not let the lack of light stop you from discovering more adventures and stories that will keep you up at night and ignite the imagination. There is no place to hide in, THE DARKNESS!

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    Pat Monaghan has studied and taught many integrated studies in poetry, science, mythology, feminist spirituality, environmental studies, chaos theory, and religion. All of these disciplines inform her writing, but none distract from the poetic story-telling or the mystical lore she encounters and then conveys. Her journey takes her to a churchyard with a fountain representing St. Bridget, perhaps a Christian representation of the Celtic goddess of water, fire, and transformation, called Brigit. Monaghan describes spiral petroglyphs and ancient sacred caves, bogs and woods where fairies have played their tricks on humans, and water falls that became sacred spots. The stories instruct and teach, as Monaghan points to ways that these myths still reveal the truths of human life, and the contradictions of love and hate, mother and seductress, harmony and struggle that are embodied in women’s lives — in all of human existence.

    has been fully revised. Packed with 75% new material, L.A. Bizarro boasts scores of fresh discoveries plus original photos presented in luscious, lurid color. Connoisseurs of the weird and wonderful, Anthony Lovett and Matt Maranian steer readers into a world of culinary curiosities, morbid museums, sexual sideshows, and dipsomaniacal dives. From pet cemeteries to piata district, hundreds of odd and outr delights are laid bare for visitors and Angelenos alike.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship, community and forgiveness "speaks straight to the heart with clarity, sweetness and wisdom" (Ursula K. Le Guin).

    A comprehensive guide to Amor Towles' acclaimed new novel 'A Gentleman in Moscow', this discussion aid includes a wealth of information and resources: useful literary and historical context; an author biography; a plot synopsis; analyses of themes & imagery; character analysis; twenty thought-provoking discussion questions; recommended further reading and even a quick quiz. For those in book clubs, this useful companion guide takes the hard work out of preparing for meetings and guarantees productive discussion. For solo readers, it encourages a deeper examination of a multi-layered text.

    But at the centre of their cosmos stands a gnarled old ash tree from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. This is the first book to show how the Norse myths have resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's Ring to Marvel Comics' Mighty Thor. Heather O'Donoghue considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. From Asgard to Valhalla is a book that will intrigue and delight anyone with an interest in how the Norse myths have so profoundly shaped the western cultural heritage.

    Maddened by the discovery of his wife's orgies, King Shahrayar believes all women are unfaithful and vows to marry a virgin every night and kill her in the morning. To survive, his newest wife Shahrazad spins a web of tales night after night, leaving the King in suspense when morning comes, thus prolonging her life for another day.Written in Arabic from tales gathered in India, Persia and across the great Arab empire, these mesmerising stories tell of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate.Now adapted by Hanan al-Shaykh the One Thousand and One Nights are revealed in an intoxicating new voice.

    Ignoring the pleadings of his druid to expel the infant, King Conor secrets the girl child with a poor couple in his province, where no man can covet her. There, under the tutelage of a shamaness, Deirdre comes of age in nature and magic…. And in the season of her awakening, the king is inexorably drawn to her impossible beauty.But for Deirdre, her fate as a man’s possession is worse than death. And soon the green-eyed girl, at home in waterfall and woods, finds herself at the side of three rebellious young warriors. Among them is the handsome Naisi. His heart charged with bitterness toward the aging king, and growing in love for the defiant girl, Naisi will lead Deirdre far from Ulster—and into a war of wits, swords, and spirit that will take a lifetime to wage.Brimming with life and its lusts, here is a soaring tale of enchantment and eternal passions—and of a woman who became legend.

    OFFICIAL Selection CANNES Film Festival 2011 for this memoir's first short story, My Father, Joe...filmed by Nikila Cole.The adventurous, humorous, sometimes wonderfully strange exploits of a youth during his family's adjustment to a new world, these compelling boyhood memories are of an almost Tom Sawyer character, albeit with ironic Yiddish twist."All the short stories within this memoir illuminate and pack a wallop. They sparkle and shine in Engelhard’s unique minimalist style…prose that is lean, reserved and economical…if there is one word to describe Engelhard’s writing, I’d choose CHARM. What a gift to those of us who understand the trials and triumphs of growing up. Escape From Mount Moriah…the finest, perhaps the greatest memoir I have ever read." Reviewer S. Dite

    It will be used in reference to those countries and districtswhich, in historic times, have been at one time or other mainly of Celticspeech. It does not follow that all the races which spoke a form of theCeltic tongue, a tongue of the Indo-European family, were all of the samestock. Indeed, ethnological and archaeological evidence tends toestablish clearly that, in Gaul and Britain, for example, man had livedfor ages before the introduction of any variety of Aryan or Indo-Europeanspeech, and this was probably the case throughout the whole of Westernand Southern Europe. Further, in the light of comparative philology, ithas now become abundantly clear that the forms of Indo-European speechwhich we call Celtic are most closely related to those of the Italicfamily, of which family Latin is the best known representative. Fromthis it follows that we are to look for the centre of dissemination ofAryan Celtic speech in some district of Europe that could have been thenatural centre of dissemination also for the Italic languages. From thiscommon centre, through conquest and the commercial intercourse whichfollowed it, the tribes which spoke the various forms of Celtic andItalic speech spread into the districts occupied by them in historictimes. The common centre of radiation for Celtic and Italic speech wasprobably in the districts of Noricum and Pannonia, the modern Carniola,Carinthia, etc., and the neighbouring parts of the Danube valley. Theconquering Aryan-speaking Celts and Italians formed a militaryaristocracy, and their success in extending the range of their languageswas largely due to their skill in arms, combined, in all probability,with a talent for administration. This military aristocracy was ofkindred type to that which carried Aryan speech into India and Persia,Armenia and Greece, not to speak of the original speakers of the Teutonicand Slavonic tongues. In view of the necessity of discovering a centre,whence the Indo-European or Aryan languages in general could haveradiated Eastwards, as well as Westwards, the tendency to-day is toregard these tongues as having been spoken originally in some districtbetween the Carpathians and the Steppes, in the form of kindred dialectsof a common speech. Some branches of the tribes which spoke thesedialects penetrated into Central Europe, doubtless along the Danube, and,from the Danube valley, extended their conquests together with theirvarious forms of Aryan speech into Southern and Western Europe. Theproportion of conquerors to conquered was not uniform in all thecountries where they held sway, so that the amount of Aryan blood intheir resultant population varied greatly. In most cases, the familiesof the original conquerors, by their skill in the art of war and acertain instinct of government, succeeded in making their own tongues thedominant media of communication in the lands where they ruled, with theresult that most of the languages of Europe to-day are of the Aryan orIndo-European type. It does not, however, follow necessarily from thisthat the early religious ideas or the artistic civilisation of countriesnow Aryan in speech, came necessarily from the conquerors rather than theconquered. In the last century it was long held that in countries ofAryan speech the essential features of their civilisation, theirreligious ideas, their social institutions, nay, more, their inhabitantsthemselves, were of Aryan origin.

    and Soviet submarines during the Cold War, Crash Dive will take you inside the silent but deadly world of the military submarine.