Cheaters takes on a larger canvas and cast of characters, and fearlessly explores how bad even good people can sometimes behave in the game of love. It has earned Dickey even more loyal readers, and was chosen as Blackboard’s Best Book of the Year.In Cheaters, Stephan loves em and leaves em, just like his daddy. Chanté thinks she’s found her dream man—until his wife and kids come banging on her door. Jake is a player—left with bad dreams he just can’t shake. Darnell is true to his wife...but the temptation’s getting tougher every day. Tammy is caught between the man she loves, and the woman he’s promised to. And while Karen lectures her friends about fooling around, she may not live up to her own high standards...This is the world of Eric Jerome Dickey. It’s heart-wrenching and hilarious, smart and soulful, and as honest and recognizable as your own—and that of everyone who never loved you back.

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    This highly accomplished debut novel reverberates with ideas, impassioned lyricism, and poignant historical detail as it captures an essential and moving portrait of the Washington, DC community.

    While she knows racism is a problem (occasional brushes with the uglier side of people don't let her forget it), Naomi is, at heart, just like any other teenage girl. All of that changes when Joshua, Naomi's older brother, is killed in an accident on his way to a civil rights demonstration in Chicago. Racism becomes a personal issue, and Naomi decides that she needs to help bring about changes in the system. At college in Atlanta, she becomes immersed in politics, organizing protests and butting heads with school administrations as well as with her boyfriend, who isn't too friendly to the cause. Disillusioned by authority figures and betrayed by the man she loves, Naomi returns home, confused about the world and her place in it.

    The girls live in a terrible situation: they depend on an unstable mother that has never recovered from her husband's murder, their stepfather beats them regularly, and they must forage on their own for food. Stop here and you have a story told many times before, as fiction and nonfiction in tales like Ellen Foster, or I Know Why the Caged Bird Sings --stories in which a young girl reveals the horrors of her childhood. Me & Emma differentiates itself with a spectacular finish, shocking the reader and turning the entire story on its head. Through several twists and turns the reader learns that things are not quite the way our narrator led us to believe and everything crescendos in a way that (like all good thrillers) immediately makes you want to go back and read the whole book again from the start.

    Only days after settling into their new home, they are surprised to find the previous owner, Tillie Monroe, on their front porch reading the newspaper. Though her sons have sold the house and sent her to a facility for the aged, she is determined to die in the place she lived her life, and somehow manages to find her way "home" day after day. Feeling sympathy for the elderly woman, Roz's mother allows Tillie to move back in. Mara Nightingale becomes Roz's first friend in Mills River. In spite of their many differences, the girls discover they have something in common that binds them together--both are hiding secrets. So they make a promise--"cross my heart and hope to die"--never to tell anyone else.When danger stalks the Anthonys, Tillie exhibits unimaginable courage and selfless love in her determination to protect the family she has adopted as her own.

    From the author of the acclaimed story collection How This Night Is Different comes a fearless, arresting, outrageously funny exploration of one young woman's terminal illness.

    It’s a common cliché, and I’d heard it often enough. People die or move away. Investments go south. Affairs end. Loved ones betray us...Stuff happens.Daisy McCrae’s life is in tatters. She’s lost her job, broken up with her boyfriend, and has been reduced to living in the attic above her family’s store, The Union Street Bakery, while learning the business. Unfortunately, the bakery is in serious hardship. Making things worse is the constant feeling of not being a “real” McCrae since she was adopted as a child and has a less-than-perfect relationship with her two sisters. Then a long-standing elderly customer passes away, and for some reason bequeaths Daisy a journal dating back to the 1850s, written by a slave girl named Susie. As she reads, Daisy learns more about her family—and her own heritage—than she ever dreamed. Haunted by dreams of the young Susie, who beckons Daisy to “find her,” she is compelled to look further into the past of the town and her family.What she finds are the answers she has longed for her entire life, and a chance to begin again with the courage and desire she thought she lost for good.

    She is the only person who knows about her late mother’s affair in Tuscany thirty years earlier, and she intends to keep it that way…until a lawyer calls with shocking news: her biological father has died and left her an incredible inheritance—along with two half siblings.Fiona travels to Italy, where the family is shocked to learn of her existence and desperate to contest her share of the will. While the mystery of her mother’s affair is slowly unraveled, Fiona must navigate through tricky family relationships and tense sibling rivalries. Fiona both fears and embraces her new destiny as she searches for the truth about the fateful summer her mother spent in Italy and the father she never knew.Spilling over with the sumptuous flavors and romance of Tuscany, These Tangled Vines takes readers on a breathtaking journey of love, secrets, sacrifice, courage—and most importantly, the true meaning of family.

    Olivia Harker Cross owns a strip of mountain in Pope County, Kentucky, a land where whites and blacks eke out a living in separate, tattered kingdoms and where silver-faced wolves howl in the night. But someone is killing the wolves of Big Foley Mountain–and Olivia is beginning to realize how much of her own bitter history she’s never understood: Her mother’s madness, building toward a fiery crescendo. Her daughter’s flight to California, leaving her to raise Will’m, her beloved grandson. And most of all, her town’s fear, for Olivia has real and dangerous enemies. Now this proud, lonely woman will face her mother and daughter, her neighbors and the wolf hunters of Big Foley Mountain. And when she does, she’ll ignite a conflict that will embroil an entire community–and change her own life in the most astonishing of ways.

    Her family inhabits the upper echelon of Black society and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves. In 1982, Evelyn’s daughter, Jackie, is a frazzled single mother grappling with her absent husband’s drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life. Jackie must decide if the promise of her husband is worth the near certainty he’ll leave again. Jackie’s son, T.C., loves the creative process of growing marijuana more than the weed itself. He finds something hypnotic about training the seedlings, testing the levels, trimming the leaves, drying the buds. He was a square before Hurricane Katrina, but the New Orleans he knew didn’t survive the storm, and in its wake he was changed too. Now, fresh out of a four-month stint for possession with the intent to distribute, he decides to start over—until an old friend convinces him to stake his new beginning on one last deal. For Evelyn, Jim Crow is an ongoing reality, and in its wake new threats spring up to haunt her descendants. A Kind of Freedom is an urgent novel that explores the legacy of racial disparity in the South through a poignant and redemptive family history.

    Complicating these feelings of abandonment, as Kirabo comes of age she feels the emergence of a mysterious second self, a headstrong and confusing force inside her at odds with her sweet and obedient nature.Seeking answers, Kirabo begins spending afternoons with Nsuuta, a local witch, trading stories and learning not only about this force inside her, but about the woman who birthed her, who she learns is alive but not ready to meet. Nsuuta also explains that Kirabo has a streak of the “first woman”—an independent, original state that has been all but lost to women.Kirabo’s journey to reconcile her rebellious origins, alongside her desire to reconnect with her mother and to honor her family’s expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Makumbi’s unforgettable novel is a sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.

    Half a century ago, Joan's grandfather built this majestic house in the historic Black neighborhood of Douglass--only to be lynched days after becoming the first Black detective in Memphis. This wasn't the first time violence altered the course of Joan's family's trajectory, and she knows it won't be the last. Longing to become an artist, Joan pours her rage and grief into sketching portraits of the women of North Memphis--including their enigmatic neighbor Miss Dawn, who seems to know something about curses.Unfolding over seventy years through a chorus of voices, Memphis weaves back and forth in time to show how the past and future are forever intertwined. It is only when Joan comes to see herself as a continuation of a long matrilineal tradition--and the women in her family as her guides to healing--that she understands that her life does not have to be defined by vengeance. That the sole weapon she needs is her paintbrush.Inspired by the author's own family history, Memphis--the Black fairy tale she always wanted to read--explores the complexity of what we pass down, not only in our families, but in our country: police brutality and justice, powerlessness and freedom, fate and forgiveness, doubt and faith, sacrifice and love.

    . . When Sylvie Serfer met Richard Woodruff in law school, she had wild curls, wide hips, and lots of opinions. Decades later, Sylvie has remade herself as the ideal politician's wife-her hair dyed and straightened, her hippie-chick wardrobe replaced by tailored knit suits. At fifty-seven, she ruefully acknowledges that her job is staying twenty pounds thinner than she was in her twenties and tending to her husband, the senator. Lizzie, the Woodruffs' younger daughter, is at twenty-four a recovering addict, whose mantra HALT (Hungry? Angry? Lonely? Tired?) helps her keep her life under control. Still, trouble always seems to find her. Her older sister, Diana, an emergency room physician, has everything Lizzie failed to achieve-a husband, a young son, the perfect home-and yet she's trapped in a loveless marriage. With temptation waiting in one of the ER's exam rooms, she finds herself craving more. After Richard's extramarital affair makes headlines, the three women are drawn into the painful glare of the national spotlight. Once the press conference is over, each is forced to reconsider her life, who she is and who she is meant to be. Written with an irresistible blend of heartbreak and hilarity, Fly Away Home is an unforgettable story of a mother and two daughters who after a lifetime of distance finally learn to find refuge in one another.

    In her critically acclaimed new novel, Shay Youngblood, the Pushcart Prize-winning author of Soul Kiss, chronicles the Parisian odyssey of a young African-American woman retracing the footsteps of the literary legends who inspired her.