He stands as the only man to accomplish the feat half-drunk and severely hung-over after partying all night with the cast of Saturday Night Live.Blowing away the industry standard of sanitized memoirs and stifling retrospectives, his memoir throws baseball a hilariously nasty curve. There are no weepy/sleepy tales of substance abuse here, no pompous lectures on “playing hard” or “overcoming adversity,” and under no circumstances will readers find even one Vaseline-smeared, gauze-softened tale of some long-lost, fairy-tale boys of summer.Written with unfiltered authenticity, and truckloads of locker-room humor, Perfect I'm Not sets loose the single most outspoken and entertaining player in the game at the time, allowing him to take both casual baseball fans and hardcore fanatics where they’ve never been allowed before: deep inside the real world of life as a major leaguer.

    Although the oldest rookie around, he was already a legend. For twenty-two years, beginning in 1926, Paige dazzled throngs with his performance in the Negro Baseball Leagues. Then he outlasted everyone by playing professional baseball, in and out of the majors, until 1965. Struggle—against early poverty and racial discrimination—was part of Paige's story. So was fast living and a humorous point of view. His immortal advice was "Don't look back. Something might be gaining on you."

    Brett wildly charged out of the dugout and chaos ensued. The call temporarily cost the Royals the game, but the decision was eventually overturned, resulting in a resumption of the game several weeks later that created its own hysteria.The Pine Tar Game chronicles this watershed moment, marking a pivot in the sport, when benign cheating tactics, like spitballs, Superball bats, and a couple extra inches of tar on an ash bat, gave way to era of soaring salaries, labor struggles, and rampant use of performance-enhancing drugs. Filip Bondy paints a portrait of the Yankees and Royals of that era, featuring two diametrically opposed owners, in George Steinbrenner and Ewing Kauffman; a host of bad actors and phenomenal athletes; and lots of yelling. Players and club officials like Brett, Goose Gossage, Willie Randolph, Ron Guidry, Sparky Lyle, David Cone, and John Schuerholz offer fresh commentary on the events along with their take on a rivalry that culminated in one of the most iconic baseball tantrums of all time. Rush Limbaugh, employed by the Royals at the time as a promotions director, offers his own insider’s perspective. Through this one fateful game, the ensuing protest, and ultimate fallout, The Pine Tar Game examines a more innocent time in professional sports, as well as the shifting tide that gave us today’s modern iteration of baseball.

    Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn't pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean's "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other's style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller--Rapid Robert--assembled his own teams to face Paige and other blackballers. By the time Paige became Feller's teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade.These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game's integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history--but that's precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

    Grueling. Thrilling. Routine. Lonely. Exhilarating. Major league ballplayers even have a name for this relentless, unmatchable rhythm: The Grind.In The Grind, Barry Svrluga, The Washington Post’s national baseball correspondent, zooms in on the 2014 Washington Nationals, reporting not just on the roster’s star players, but also on the typically invisible supporting cast who each have their own sacrifices to make and schedules to keep. There’s The Wife, who acts as a full-time mom, part-time real estate agent, occasional father, and all-hours dog walker; The 26th Man, a minor leaguer on the cusp of job security who gets called up to the majors only to be sent back down the very next week; The Reliever, one of the most mentally taxing, precarious, and terribly exposed positions on any pro squad. These and many more players, scouts, equipment managers, and even travel schedulers create the fabric of Svrluga’s intimate and unusual book; they could be from any team or any big-league city. As he writes: “There is no other sport with an everydayness, a drum-drum-drum beat like baseball.”Built on material that appeared in The Washington Post, Svrluga’s book is a raw, inside look at the wear and tear, the glory and impermanence, of America’s pastime.

    Among the members of the first international women's crew team--and one of the first women's teams anywhere--were Gail Pearson, the soft-spoken MIT professor who fought equally hard off the water to win the political battles neccessary for her team to succeed; lead rower Carie Graves, a statuesque bohemian from rural Wisconsin who dropped out of college and later became the most intense rower of the crew; and Lynn Stillman, a tiny sixteen-year-old coxswain from California. On hand to guide them was Harry Parker, the legendary Harvard men's crew coach who overcame his doubts about the ability of women to withstand the rigors of hard training. From their first dramatic bid at the 1975 World Championships to their preparations for their first Olympic Games in 1976, this gripping story of bravery, determination, and indomitable spirit captures a compelling moment in the history of sports and of America.

    Bill James has been called “baseball’s shrewdest analyst” (Slate) and “part of baseball legend” (The New Yorker), and his Baseball Abstract has been acclaimed as the “holy book of baseball” (Chicago Tribune). Thirty years ago, James introduced a new approach to evaluating players and strategies, and now his theories have become indispensable tools for agents, statistics analysts, maverick general managers, and anyone who is serious about understanding the game.James began writing about baseball while working at a factory in his native Kansas. In lively, often acerbic prose, he used statistics to challenge entrenched beliefs and uncover surprising truths about the game. His annual Baseball Abstract captured the attention of fans and front offices and went on to become a bestselling staple of the baseball book category. In 2002, the Boston Red Sox hired James as an advisor. Two years later they achieved their long-awaited World Series triumph.The Mind of Bill James tells the story of how a gifted outsider inspired a new understanding of baseball. It delves deeply into James’s essential wisdom–including his surprising beliefs about pitch counts and the importance of batting-order, thoughts on professionalism and psychology, and why teams tend to develop the characteristics that are least favored by their home parks. It also brings together his best writing, much of it long out of print, as well as insights from new interviews. Written with James’ full cooperation, it is at once an eye-opening portrait of baseball’s virtuoso analyst and a treasury of his idiosyncratic genius.

    Pure Drivel is a collection of pieces, most of them written for the New Yorker, that demonstrate Martin's playful way with words and his unerring ability to create a feeling of serendipitous improvisation even on the printed page. Here's a passage from a piece that announces a shortage of periods in the Times Roman font: "Most vulnerable are writers who work in short, choppy sentences," said a spokesperson for Times Roman, who continued, "We are trying to remedy the situation and have suggested alternatives, like umlauts, since we have plenty of umlauts--and, in fact, have more umlauts than we could possibly use in a lifetime! Don't forget, umlauts can really spice up a page with their delicate symmetry--resting often midway in a word, letters spilling on either side--and not only indicate the pronunciation of a word but also contribute to a writer's greater glory because they're fancy, not to mention that they even look like periods, indeed, are indistinguishable from periods, and will lead casual readers to believe that the article actually contains periods!" Although some of these pieces flirted with topicality when they first appeared, Martin is most successful when he leaves the real world behind and gives his wit free rein. This collection preserves the best (so far) of his glorious improvisations. --Simon Leake

    A man's promising fourth date ends in the emergency room. A female lawyer with bipolar disorder experiences the highs and lows of dating. A widower hesitates about introducing his children to his new girlfriend. A divorcée in her seventies looks back at the beauty and rubble of past relationships.These are just a few of the people who tell their stories in Modern Love, Revised and Updated, featuring dozens of the most memorable essays to run in The New York Times "Modern Love" column since its debut in 2004.Some of the stories are unconventional, while others hit close to home. Some reveal the way technology has changed dating forever; others explore the timeless struggles experienced by anyone who has ever searched for love. But all of the stories are, above everything else, honest. Together, they tell the larger story of how relationships begin, often fail, and--when we're lucky--endure.Edited by longtime "Modern Love" editor Daniel Jones and featuring a diverse selection of contributors--including Mindy Hung, Trey Ellis, Ann Hood, Deborah Copaken, Terri Cheney, and more--this is the perfect book for anyone who's loved, lost, stalked an ex on social media, or pined for true romance: In other words, anyone interested in the endlessly complicated workings of the human heart.

    This is not a book of conjecture: It’s one of bootstrap journalism.” —New York magazine The New York Times calls sports journalist Selena Roberts’s blistering biography, A-Rod: The Many Lives of Alex Rodriguez, “Important…devastating…merciless.” A columnist for Sports Illustrated, Roberts pulls no punches in her tough and brilliant New York Times bestseller, an exploration of the multi-million-dollar Yankees slugger’s checkered life and career. A-Rod is an eye-opening, unputdownable look at one of the greatest—and most flawed—players in today’s game.

    Kennedy, Groucho Marx, Charles Dickens, Katharine Hepburn, Mick Jagger, Steve Martin, Clementine Churchill, Ray Bradbury, Kurt Vonnegut and many more.

    What begins as a fun-filled stunt, for the "average man" to pitch in the Big Leagues, comes to a nearly humiliating end. This honest and hilarious tale features Mickey Mantle, Billy Martin, Willie Mays, Ernie Banks, Whitey Ford, Ralph Houk, Richie Ashburn, and other baseball greats. What happens when America's favorite sports dilettante tries his arm against the likes of hall-of-fame baseball players recalls every young boy's forgotten dream of heroics on a baseball diamond; and for that fact alone, OUT OF MY LEAGUE remains one of George Plimpton's most beloved works.

    You Cannot Be Serious is McEnroe at his most personal, a no-holds-barred examination of Johnny Mac, the kid from Queens, and his "wild ride" through the world of professional tennis at a boom time when players were treated like rock stars. Here he candidly explores the roots of his famous on-court explosions; his ambivalence toward the sport that made him famous; his adventures (and misadventures) on the road; his views of colleagues from Connors to Borg to Lendl; his opinions of contemporary tennis-and his current roles as husband, father, senior tour player, and often-controversial commentator.

    “A tantalizing whodunit” (Boston Globe) and a “riveting, wonderfully vivid account [that] takes you into the underworld of obsessed art detectives, con men, and thieves” (Jonathan Harr, author of The Lost Painting), The Gardner Heist is true crime history at its most spellbinding.

    These interviews are compiled in Scout, Atticus, and Boo, the perfect companion to one of the most important American books of the 20th Century. Scout, Atticus, and Boo will also feature a foreword from acclaimed writer Wally Lamb.