His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history. Here is a mesmerizing, incomparable portrait of the most influential musician of his time.

    Robert Reed Church, became the largest landowner in Tennessee. Hannah Elias, the mistress of a New York City millionaire, used the land her lover gave her to build an empire in Harlem. Orphan and self-taught chemist Annie Turnbo-Malone, developed the first national brand of hair care products. Mississippi school teacher O. W. Gurley, developed a piece of Tulsa, Oklahoma, into a “town” for wealthy black professionals and craftsmen that would become known as “the Black Wall Street.” Although Madam C. J Walker was given the title of America’s first female black millionaire, she was not. She was the first, however, to flaunt and openly claim her wealth—a dangerous and revolutionary act.Nearly all the unforgettable personalities in this amazing collection were often attacked, demonized, or swindled out of their wealth. Black Fortunes illuminates as never before the birth of the black business titan.

    A wild, lyrical, and anguished autobiography, in which Charles Mingus pays short shrift to the facts but plunges to the very bottom of his psyche, coming up for air only when it pleases him. Completed years before his death in 1979, this is the story of: growing up in the Watts, Los Angeles of the 1920s and 30s, ruled by a strap-wielding father and Bible-quoting stepmother; Mingus's outcast adolescent years ("a yella kid, running with the mongrels"); his apprenticeship, not only with jazzmen, but also with pimps, hookers, junkies and hoodlums; and his golden years in New York City with such legendary figures as Duke Ellington, Lionel Hampton, Miles Davis, Charlie Parker and Billie Holiday. Here is Mingus in his own words, from shabby roadhouses to fabulous estates, from the psychiatric wards of Bellevue to worlds of mysticism and solitude. But for all his travels, he never strayed too far, always returning to the music.

    Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation -- female version -- but in a bracingly specific and deeply recalled way, far from cliche. The history of the women of that generation has never been written -- until now, through their resonant lives and emblematic songs. Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel -- except it's all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information. Girls Like Us is an epic treatment of mid-century women who dared to break tradition and become what none had been before them -- confessors in song, rock superstars, and adventurers of heart and soul.

    Great rock 'n' roll Babylon stuff."- Booklist (Starred Review)"The epic tale of an obsessive teenager who launched a Rolling Stones fanzine and spent the next two decades capturing the band’s whirlwind metamorphosis from behind the scenes….First-rate, firsthand account of the world’s greatest rock ’n’ roll band, and a disenchanted chronicle of its increasingly crass commercialization."- Kirkus ReviewsAs a teenager, Bill German knew exactly what he wanted to do with his life: chronicle the career and adventures of his favorite rock band, the Rolling Stones. And in 1978, on his sixteenth birthday, he set out to make his dream a reality. Feverishly typed in his Brooklyn bedroom, and surreptitiously printed in his high school’s mimeograph room German’s Stones-only newsletter, Beggars Banquet, was born. His teachers discouraged it, his parents dismissed it as a phase, and his disco-loving classmates preferred the Bee Gees, but, for German, this primitive, pre-Internet fanzine was a labor of love. And a fateful encounter with his idols on the streets of New York soon proved his efforts weren’t in vain.Impressed with Beggars Banquet, the Stones gave the ’zine instant cred on the rock scene by singing its praises–and by inviting German to hang with the band. At first a fish out of water in the company of rock royalty, German found himself spilling orange juice on a priceless rug in Mick Jagger’s house and getting pegged as a narc by pals of Keith Richards and Ron Wood. But before long he became a familiar fixture in the inner sanctum, not just reporting Stones stories but living them. He was a player in the Mick-versus-Keith feud and was an eyewitness to Keith’s midlife crisis and Ron’s overindulgences. He even had a reluctant role in covering up Mick’s peccadilloes. “In the span of a few months,” German recalls, “I’d gone from wanting to know everything about my favorite rock stars to knowing too much.”In this warts-and-all book, which includes many never-before-seen photographs, German takes us to the Stones’ homes, recording sessions, and concerts around the world. He charts the band’s rocky path from the unthinkable depths of a near breakup to the obscenely lucrative heights of their blockbuster tours. And ultimately, German reveals why his childhood dream come true became a passion he finally had to part with.Under Their Thumb is an up-close and extremely personal dispatch from the amazing, exclusive world of the Rolling Stones, by someone who was lucky enough to live it–and sober enough to remember it all.

    Instead the concert featured a harrowing series of disasters, starting with the concert's haphazard planning. The bad acid kicked in early. The Hells Angels, hired to handle security, began to prey on the concertgoers. And not long after the Rolling Stones went on, an 18-year-old African-American named Meredith Hunter was stabbed by the Angels in front of the stage.The show, and the Woodstock high, were over.Austerlitz shows how Hunter's death came to symbolize the end of an era while the trial of his accused murderer epitomized the racial tensions that still underlie America. He also finds a silver lining in the concert in how Rolling Stone's coverage of it helped create a new form of music journalism, while the making of the movie about Altamont, Gimme Shelter, birthed new forms of documentary.Using scores of new interviews with Paul Kantner, Jann Wenner, journalist John Burks, filmmaker Joan Churchill, and many members of the Rolling Stones' inner circle, as well as Meredith Hunter's family, Austerlitz shows that you can't understand the '60s or rock and roll if you don't come to grips with Altamont.

    With full participation from reclusive singer and chief songwriter Paul Westerberg, bassist Tommy Stinson, guitarist Slim Dunlap, and the family of late band co-founder Bob Stinson, author Bob Mehr is able to tell the real story of this highly influential group, capturing their chaotic, tragic journey from the basements of Minneapolis to rock legend. Drawing on years of research and access to the band's archives at Twin/Tone Records and Warner Bros. Mehr also discovers previously unrevealed details from those in the group's inner circle, including family, managers, musical friends and collaborators.

    In the 1960s, Kesey led a group of psychedelic sympathizers around the country in a painted bus, presiding over LSD-induced "acid tests" all along the way. Long considered one of the greatest books about the history of the hippies, Wolfe's ability to research like a reporter and simultaneously evoke the hallucinogenic indulgence of the era ensures that this book, written in 1967, will live long in the counter-culture canon of American literature.

    January 30, 1969 was one of those moments. There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions. As the US manager of Apple, Ken Mansfield was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.

    It was praised by The Orlando Sentinel "for the insights it offers to Dylan at work ... from young upstart to grand old man of rock 'n' roll." Sounes's prodigious research has resulted in new insights on every aspect of Dylan's life. His is the only biography to seriously address the past twenty years of Dylan's life, leading up to the extraordinary recent releases Time Out of Mind and Love and Theft. He has obtained exclusive information to provide the clearest picture yet of Dylan's 1966 motorcycle accident and subsequent "lost years" in Woodstock, New York, and he uncovered the star's unknown second marriage. He gives inside accounts of the tours, the creation of every album and the most celebrated songs, Dylan's labyrinthine love life, his life-threatening heart illness in 1997, and more -- directly from interviews with girlfriends, family, friends, producers, concert promoters, and fellow musicians. Candid, refreshing, and written with a sincere appreciation of Dylan's music and influence, Down the Highway is an essential book for the millions of people who have enjoyed Dylan's music over the years. "Dylan comes alive.... Sounes has added a wealth of new information to Dylan studies." -- Perry Meisel, The New York Times Book Review "Fascinating and finely written." -- Ronald Radosh, The New Republic "Convincing ... [generates] sympathy for an isolated artist." -- Daniel Cooper, The Washington Post Book World "Sounes ... opens new angles on the enigmatic polyhedron that is Dylan.... Monumental." -- Gene Santoro, The Nation " "A portrait of Mr. Dylan that is often unflattering, sometimes puzzling, but, to the author's credit, never sensational." -- Al Brumley, The Dallas Morning News "Engrossing ... fast-moving yet rich in detail ... [Down the Highway] chronicles a remarkable and contradictory artist." -- Carlo Wolff, The Kansas City Star "[This] fast-paced book has a fine interest in details [and is] rich with the observations of new witnesses." -- Sheri Linden, Variety "Irresistible ... What Dylanphile wouldn't want to sift through what Sounes has dug up." -- Terry Lawson, Detroit Free Press

    But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.

    She shot a lot of smack, grass and speed; made a lot of love - to men or women - and drank a lot of Southern Comfort and tequila. She had a real funky time ...and of course, she sang. She roared, whined and growled and ripped her way to the top. GOING DOWN WITH JANIS is a different kind of book about a different kind of person. It tells a story as raw and honest as her voice, as gut-shaking as her songs, and as vivid as her memory.

    Through interviews, road stories, geographical and sociological interpretations, and detailed music criticism, Petrusich traces the rise of Americana music from its gospel origins through its new and compelling incarnations (as evidenced in bands and artists from Elvis to Iron and Wine, the Carter Family to Animal Collective, Johnny Cash to Will Oldham) and explores how the genre is adapting to the twenty-first century. Ultimately the book is an examination of all things American: guitars, cars, kids, motion, passion, enterprise, and change, in a fervent attempt to reconcile the American past with the American present, using only dusty records and highway maps as guides.

    Graham Nash's songs defined a generation and helped shape the history of rock and roll he s written over 200 songs, including such classic hits as "Carrie Anne," On A Carousel, "Simple Man," "Our House," Marrakesh Express, and "Teach Your Children." From the opening salvos of the British Rock Revolution to the last shudders of Woodstock, he has rocked and rolled wherever music mattered. Now Graham is ready to tell his story: his lower-class childhood in post-war England, his early days in the British Invasion group The Hollies; becoming the lover and muse of Joni Mitchell during the halcyon years, when both produced their most introspective and important work; meeting Stephen Stills and David Crosby and reaching superstardom with Crosby, Stills, Nash & Young; and his enduring career as a solo musician and political activist. Nash has valuable insights into a world and time many think they know from the outside but few have experienced at its epicenter, and equally wonderful anecdotes about the people around him: the Beatles, the Stones, Hendrix, Cass Elliot, Dylan, and other rock luminaries. From London to Laurel Canyon and beyond, Wild Tales is a revealing look back at an extraordinary life with all the highs and the lows; the love, the sex, and the jealousy; the politics; the drugs; the insanity and the sanity of a magical era of music."

    In 1984, at the age of twenty, Duff McKagan left his native Seattle—partly to pursue music but mainly to get away from a host of heroin overdoses then decimating his closest group of friends in the local punk scene. In L.A. only a few weeks and still living in his car, he answered a want ad for a bass player placed by someone who identified himself only as “Slash.” Soon after, the most dangerous band in the world was born. Guns N’ Roses went on to sell more than 100 million albums worldwide. In It's So Easy, Duff recounts GN’R’s unlikely trajectory to a string of multiplatinum albums, sold-out stadium concerts, and global acclaim. But that kind of glory can take its toll, and it did—ultimately—on Duff, as well as on the band itself. As GN’R began to splinter, Duff felt that he himself was done, too. But his near death as a direct result of alcoholism proved to be his watershed, the turning point that led to his unique path to sobriety and the unexpected choices he has made for himself since. In a voice that is as honest as it is indelibly his own, Duff—one of rock’s smartest and most articulate personalities—takes readers on his harrowing journey through the dark heart of one of the most notorious bands in rock-and-roll history and out the other side.