In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    To accomplish this, the most primal element of storytelling--a single human voice describing events exactly as it experienced them--is adhered to without embellishment or exception. Within these pages lie taut, unadorned first person narratives from agonized souls, minus all the stylish techniques which dilute, stretch, and burden tales of terror with unnecessary detail. Here you will find no entry into the thoughts of any characters other than the narrator's, no standard passages of dialogue, no humor, no extraneous gore, no romance. The twenty untitled stories inside this book spill forward without page or even paragraph breaks, taking the form of uninterrupted confessions, creating an effect of pure campfire terror. Knifepoint strips away all the tired conventions which water down traditional horror fiction, leaving nothing but the story's riveting spine to compel and chill you to the core.If this collection is expanded in the future, those possessing a copy of any particular edition need only send a page from it to the author to receive a free copy of the new one.

    A woman is left struggling to survive after a bear attack leaves her alone in the wilderness. A writer desperately tries to complete his book while being harassed by a relentless spirit. A poem of warning from a traveling salesman. A young boy disappears after hearing his mother calling to him from the woods and returns later that night acting strangely. This horror anthology features both supernatural and realistic situations that will make you double-check your locks at night. Before you tell yourself that these 15 original stories are just made up, rest assured knowing that one of them is inspired by true events.

    Lovecraft, and his acknowledged masterpiece, At the Mountains of Madness, in which an expedition to the desolation of Antarctica discovers evidence of an ancient ruin built by horrific creatures at first thought long-dead, until death strikes the group. All but two of the stories are original to this edition, and those reprints are long-lost works by science fiction masters Arthur C. Clarke and Robert Silverberg.

    The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.