When Kansas farm girl Dorothy flies away to the magical Land of Oz, she fatally flattens a wicked witch, liberates a living scarecrow and is hailed by the Munchkin people as a great sorceress but all she really wants to know is: how does she get home?

    He is now paying homage to it with a lavishly illustrated full-length adaptation, the first of its kind in this or any format. The tale of the hubris of Victor Frankenstein, the innocence of his monstrous creation, and the darkest desires of the human heart have never been more vividly represented on the page. Using an abridged version of the original text, Gris has created an experience that is part graphic novel, part prose novel, and all Gris Grimly: a bold sewing-together of elements both classic and contemporary. Beautifully terrifying and terrifyingly beautiful, this is Frankenstein as you've never seen it before.

    Both a thriller and a deconstruction of vigilantism, Kill or Be Killed is unlike anything Brubaker and Phillips have ever done.Collecting: Kill or Be Killed 1-4

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    Marcus Lopez hates school. His grades suck. The jocks are hassling his friends. He can’t focus in class. But the jocks are the children of Joseph Stalin’s top assassin, the teachers are members of an ancient league of assassins, the class he's failing is “Dismemberment 101,” and his crush has a double-digit body count. Welcome to the most brutal high school on earth, where the world’s top crime families send the next generation of assassins to be trained. Murder is an art. Killing is a craft. At Kings Dominion School for the Deadly Arts, the dagger in your back isn’t always metaphorical. Collecting the first arc of the most critically acclaimed new series of 2014, by writer RICK REMENDER (BLACK SCIENCE, Fear Agent) and rising star artist WESLEY CRAIG (Batman). Experience the 1980s underground through the eyes of the world’s most damaged and dangerous teenagers.Collects DEADLY CLASS #1-6.

    Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951-54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust and affordable volume. EC is the comic book company most fans associate with horror; its complete line has been reprinted numerous times, and deservedly so. But to the average reader there remain unseen quite a batch of genuinely disturbing, compulsive, imaginative, at times even touching, horror stories presented from a variety of visions and perspectives, many of which at their best can stand toe to toe with EC. All of the better horror companies are represented: Ajax-Farrell, Atlas, Avon, Charlton, Comic Media, Fawcett, Fiction House, Gilmor, Harvey, Quality, Standard, St. John, Story, Superior, Trojan, and Youthful. Artist perennials Jack Cole, Steve Ditko, George Evans, Frank Frazetta, Alex Toth, Al Williamson, Basil Wolverton, and Wallace Wood con- tribute both stories and covers, with many of the forty full-sized covers created by specialists Bernard Baily, L.B. Cole, William Eckgren, and Matt Fox. Editors Benson and Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding in the attic a bound volume of the finest non-EC horror covers and stories of the pre-code era.

    This is a tale of guilt, ghosts, and guns . . . of how fortune brings misfortune as a grim and determined woman oversees the construction of a house twenty-four hours a day for twenty years, with the simple motto of keep busy building or get busy dying. Collects the six-issue miniseries.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    Operating from a secret headquarters under the boards of the Empire Theater, the Escapist and his crack team of associates roam the globe performing amazing feats of magic and coming to the aid of all those who languish in the chains of oppression. The history of the Escapist's creators Joe Kavalier and Sam Clay was recently chronicled in Michael Chabon's Pulitzer Prize-winning novel The Amazing Adventures of Kavalier & Clay. Now the best of the Escapist's adventures are collected into one volume for all to enjoy.

    Comprised of spine-chilling tales published by Stoker’s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker’s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    You Died celebrates these vibrant cultural expressions of the great equalizer in a thrilling, life-affirming whirlwind of a book, an inspirational volume to be treasured through times of both loss and abundance (and every day in between). At turns both brazen and insightful, morose and optimistic, You Died asks a wide array of cartoonist newbloods and all-stars to relate their most unforgettable tales of death and what comes next. Filled with beautifully illustrated accounts of grief and mourning, ancient myths, memorial rites around the globe, afterlife in the far reaches of space, and the simple and touching ways both the living and the dead carry on, this lively collection starts a comforting and much-needed dialogue about death as a natural part of life. Featuring an introduction by death positivity movement pioneer and activist mortician Caitlin Doughty and a murderer’s row of comics talent, including Raina Telgemeier, Shae Beagle, and Lisa Sterle.

    But Marv doesn't care. There's an angel in the room. She says her name is Goldie. A few hours later, Goldie's dead without a mark on her perfect body, and the cops are coming before anyone but Marv could know she's been killed. Somebody paid good money for this frame . . . With a new look generating more excitement than ever before, this third edition is the perfect way to attract a whole new generation of readers to Frank Miller's masterpiece!

    An anonymous music file surfaces on the internet and a cult springs up in its wake. A group of city animals briefly open their minds to us. Helen finds her clothes growing baggy, her shoes looser, and as she shrinks, the world around her recedes. A lifetime of romantic relationships are charted against the rise and fall of the celebrity cast of a classic film.Jillian Tamaki brings her characteristic blend of realism and humor to her first collection of short stories. Boundless explores the lives of women and how the expectations of others influence their real and virtual selves. Mixing objective reality, speculative fiction, out-and-out fantasy, and a deep understanding of the contemporary world's contradictions, Tamaki shows herself to be a short story talent equal to her peers Adrian Tomine and Eleanor Davis. Tamaki's styles shift from story to story, each delicately setting the mood for her characters' inner turmoil: thick chunky blocks of ink become hyper-realist detailing which become brushy drawings of plants, all effortlessly rendered in Tamaki's distinctive hand.

    But when he discovers they are prophecies from Mirandus, a world in which he’s destined to become a fearsome destroyer, he’ll have to embrace the fear, rise up as the Dark One, and shatter everything. Dark One examines the dual roles we often take on in life―the ability to be a savior as well as a destroyer.

    With stories featuring peaceful warriors, blossoming brujas, godly hackers, and a fire-breathing dragon boy, we are the main characters of our own stories, not the sidekicks or token characters. This is an anthology that is full of our passions, magic, and inner fire because our diversity is not just a buzzword: it's our reality!