A constant stream of new technology spawns crime before it hits the streets; the human mind and the external landscape have fused to the point where any encounter with "reality" is incidental.

    The society is an anarchy, with disputes mediated through the Machiavellian Committee for the Revolution. Mars, Venus and the Moon support flourishing colonies of various political stripes. On the fringes of the solar system, in the Gas Planets, a strange, new, violent kind of human has evolved. In this unstable system the anarchist Paula Mendoza, an agent of the Committee, works to make peace, and ultimately protect her people, in a catastrophic clash of worlds that destroys the order she knows.

    Information, culture, law and politics are biological functions. But Milena is different: she is resistant to viruses and an incredible musician, one of the most extraordinary women of her age. This is her story and that of her friends, like Lucy the immortal tumour and Joseph the Postman whose mind is an information storehouse for others, and Rolfa, genetically engineered as a Polar Bear, whose beautiful singing voice first awakens Milena to the power of music.

    Milena is an advocate of the dolls--artificial constructs that have replaced extinct companion animals. Milena wishes to free the dolls from bondage--but in doing so, she creates an autonomous race that may be a threat to mankind.

    But when a dubious government deal with an alien emissary goes awry, her name is at the top of the list for a covert recovery.While the centuries-long war rages on only one thing is certain: the world’s best chance for peace rests in the hands of its most ruthless killers. . .

    Among them is a talented little brat called Fiorinda, rock and roll princess by birth, searching for her father, the legendary Rufus O'Niall. Instead, she finds Ax Preston, the softly spoken guitarman with bizarre delusions about saving the country from the dark ages. Together with Sage Pender, techno-wizard king of the lads, they join the pop-icon team that's supposed to make the government look cool. Rock Legends. True Romance. A stunning fantasy about England.

    Most importantly, Joanna Russ's THE FEMALE MAN is a suspenseful, surprising and darkly witty chronicle of what happens when Jeannine, Janet, Joanna, and Jael—four alternative selves from drastically different realities—meet.

    She is in hiding from the law, penniless and about to lose her livelihood and her best friend, the space barge "Alice Liddell". Then, the intriguing Marco Metz offers her some money to take him to Plenty, and then the adventure begins.Winner of both the Arthur C. Clarke Award for best science fiction novel of the year and the British Science Fiction Association Award for best novel of the year--the only book ever to win both prestigious British awards.

    These are the only options available on the planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony has lost touch with the rest of humanity, a company arrives to exploit Jeep–and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and isolated from the natives. In the face of this crisis, anthropologist Marghe Taishan arrives to test a new vaccine. As she risks death to uncover the women’s biological secret, she finds that she, too, is changing–and realizes that not only has she found a home on Jeep, but that she alone carries the seeds of its destruction. . . . Ammonite is an unforgettable novel that questions the very meanings of gender and humanity. As readers share in Marghe’s journey through an alien world, they too embark on a parallel journey of fascinating self-exploration.

    "Confused today," read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.Her childhood, her years at Oxford during the Second World War—those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world.

    Life, already difficult, is rapidly becoming impossible for Francis and others like him, as government corruption, official blindness and nature have conspired to turn Swill homes into watery tombs. And now the young boy must find a way to escape the approaching tide of disaster.The Sea and Summer, published in the U.S. as The Drowning Towers is George Turner's masterful exploration of the effects of climate change in the not-too-distant future. Comparable to J.G. Ballard's The Drowned World, it was shortlisted for the Nebula and won the Arthur C. Clarke Award.Winner of the Arthur C. Clarke Award for best novel, 1988.

    His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters.Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

    The hip, noir adventurers who get by on wit, bravado, and drugs, and haunt the virtual worlds of the Shadows of cyberspace, are up against the encroachments of civilization. It's time to adapt or die.India Carless, alias Trouble, got out ahead of the feds and settled down to run a small network for an artist's co-op.Now someone has taken her name and begun to use it for criminal hacking. So Trouble returns. Once the fastest gun on the electronic frontier, she had tried to retire-but has been called out for one last fight. And it's a killer.

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    The Separation suggests an alternate history lying along a road not taken in World War II. But there are complications. In 1999, history author Stuart Gratton is intrigued by a minor mystery of the European war which ended on 10 May 1941. The British-German armistice signed that month has had far-reaching consequences, including a resettlement of European Jews in Madagascar. In 1936, the identical twin brothers Joe and Jack Sawyer win a rowing medal for Britain in the Berlin Olympics: it's presented to them by Rudolf Hess. The brothers are separated not only by a twin's fierce need "to be treated as a separate human being", but by sexual rivalry and even ideology. When war breaks out Jack becomes a gung-ho bomber pilot, Joe a conscientious objector. Still they're inescapably linked, and sometimes confused. Both suffer injuries and hauntingly similar ambulance journeys. Churchill writes a puzzled memo (later unearthed by Gratton) about the anomaly of a registered-pacifist Red Cross worker flying planes for Bomber Command. Hess has significant, eventually incompatible meetings with both men. Contradictions are everywhere. As in his magical 1995 novel The Prestige Priest is fruitfully fascinated by the legerdemain of twins, doubles, impostors, symmetrical roles. Churchill's double briefly appears. So does the famous conspiracy theory that the Hess who flew to Britain with his quixotic peace deal wasn't the real Hess ring true? Clearly The Separation was impressively, extensively researched. Its evocations of bombing raids--from either side of the bomb sites--are memorable. The unfolding story strands become increasingly disorienting and hallucinatory; the easy escape route of dismissing one strand as delusion is itself subtly undermined. The Separation is filled with a sense of the precariousness of history; of small events and choices with extraordinary consequences. --David Langford