The war has ended, but for Blam the town is haunted with its presence, and memories of its dead: Aaron Grün, the hunchbacked watchmaker; Eduard Fiker, a lamp merchant; Jakob Mentele, a stove fitter; Arthur Spitzer, a grocer who played amateur soccer and had non-Jewish friends; and Sándor Vértes, a communist lawyer. They stand before him as ever, but they are only the ghosts in Blam's mind. Accompanying the others are Blam's family and his best friend, all of whom perished in the infamous Novi Sad raid in January 1942. Blam lives. He seeks no revenge, no retribution. His life is a spectator's-made all the more agonizing by the clarity with which he sees the events around him. The silhouettes of the dead pass before him, and he incorporates what would have been their daily lives into his own. And in telling the story of one man's life after the war, Ti

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    Eva Neidorf is found dead on the morning that she is to give a lecture to the Jerusalem Psychoanalytic Society, Chief Inspector Michael Ohayon investigates—revealing, along the way, intimate details about his own life. As he works around the clock to find the killer, he must also solve the riddle of the enigmatic self-contained world of the Psychoanalytic Society.  A fast-paced, chilling, labyrinthine mystery, Saturday Morning Mystery attests to Batya Gur’s suspense writing genius in another fascinating, unforgettable novel.

    The Palestinians are stunned and cannot comprehend their losses, whilst the Israelis are waking up to a new political reality - and their new responsibilities.Surprisingly for someone so young, Nuri Imari (whose family we encountered in The Dove Flyer) is appointed advisor on Arab affairs for the Israeli government. With little guidance, he is asked to help restore relations with their Palestinian neighbours and to restore some sort of normality to their life.He discovers a world he did not know, with complexities and loyalties he could never have imagined. He tries to steer a humane course but soon finds himself confronting bigotry and hatred on both sides.And then he meets Yasmine, a Palestinian woman recently returned from Paris.

    His new novel is considered internationally to be his most accomplished and entertaining work yet.Winner of the prestigious Bernstein Award, Second Person Singular centers on an ambitious lawyer who is considered one of the best Arab criminal attorneys in Jerusalem. He has a thriving practice in the Jewish part of town, a large house, speaks perfect Hebrew, and is in love with his wife and two young children. One day at a used bookstore, he picks up a copy of Tolstoy’s The Kreutzer Sonata, and inside finds a love letter, in Arabic, in his wife’s handwriting. Consumed with suspicion and jealousy, the lawyer hunts for the book’s previous owner—a man named Yonatan—pulling at the strings that hold all their lives together.With enormous emotional power, and a keen sense of the absurd, Kashua spins a tale of love and betrayal, honesty and artifice, and questions whether it is possible to truly reinvent ourselves. Second Person Singular is a deliciously complex psychological mystery and a searing dissection of the individuals that comprise a divided society.

    In this accessible and stimulating Very Short Introduction, Martin Bunton illuminates the history of the problem, reducing it to its very essence. Adopting a fresh and original approach, Bunton explores the Palestinian-Israeli dispute in twenty-year segments, to highlight the historical complexity of the conflict throughout successive decades. Each chapter starts with an examination of the relationships among people and events that marked particular years as historical stepping stones in the evolution of the conflict, including the 1897 Basle Congress, the 1917 Balfour Declaration and British occupation of Palestine, and the 1947 UN Partition Plan and the war for Palestine.Providing a clear and fair exploration of the main issues, Bunton explores not only the historical basis of the conflict, but also looks at how and why partition has been so difficult and how efforts to restore peace continue today.About the Series:Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

    These poems have been selected on the basis of the poignancy of their message and their relevance to contemporary life.This is timeless wisdom translated for modern readers. It is a guide for meditation and a light switch that you can turn on to make your daily connection with spirit. Use these words as tools to better your life each day, to draw continued guidance, inspiration and spiritual wealth.

    11/1944. The European war is drawing to a close when the British government agrees to send a brigade of 5000 Jewish volunteers from Palestine to Europe to fight the German army. Among these soldiers are Israel Carmi, a veteran of the Haganah underground, one who serves one army but whose loyalties belong to another; Johanan Peltz, raised on a vast Polish estate, he dreams of returning home as a British officer & gentleman; & Arie Pinchuk, a former student who's returned to Europe with a secret agenda--to rescue his last remaining family member: the little sister he left behind. At the Senio River, Peitz leads the troops in a daring bayonet charge into the German line. When the hand-to-hand combat is finished, the brigade emerges triumphant. At a time when Jews are being victimized, these soldiers--yellow Stars of David emblazoned on their uniform sleeves--show that a Jewish army can fight back & win. But when the war ends they witness 1sthand the horrors their people have suffered in the concentration camps, they launch a calculating campaign of vengeance, forming secret squads to identify, locate & kill Nazi officers in hiding. Their own ferocity threatens to overwhelm them until a fortuitous encounter with an orphaned girl sets the men on a course of action--rescuing Jewish war orphans & transporting them to Palestine--that will not only change their lives but also alter the course of history. Blum has written his most harrowing book to date--a story that will make headlines as well as provoke debate about the moral elements of justice, the line between good & evil, & the possibility of redemption.

    At first, he thinks it's just the stress of his job, but the hallucinations continue until they culminate at the three-day concert in Chicago, Lollapalloza, which he is covering for work. There he is approached by an older man who tells him that he's going to die on his fortieth birthday.The man claims to be an angel named Matthew, and even though he gives Tyler enough evidence to convince him he's telling the truth, he doesn't know what to do with the information.Tyler's underlying doubt and confusion about Matthew's prediction turn to anger, both at God and those around him. As he begins to exhibit destructive behavior, he befriends Ellis, an internationally known DJ. Tyler is scared that he really is about to die. He's scared for his sanity. He's scared that if he does die, he's not going to Heaven. He also soon becomes scared of Ellis, who is wild and opens up a door of temptation to Tyler.As Tyler begins falling in a downward spiral of fear and confusion, he reaches out to a pastor he met, Will, and tries to right his wrongs with some of the important people in his life in a desperate attempt to find peace before his 40th birthday.

    For the twenty-year-old from London, it is a time of adventure and change when all things seem possible. Swept up in the spirited, chaotic churning of her new, strange country, she joins a kibbutz, then moves on to the teeming metropolis of Tel Aviv, to find her own home and a group of friends as eccentric and disparate as the city itself. She falls in love with a man who is not what he seems when she becomes an unwitting spy for a nation fighting to be born. When I Lived in Modern Times is "an unsentimental coming-of-age story of both a country and a young immigrant . . . that provides an unforgettable glimpse of a time and place rarely observed" (Publishers Weekly, starred review).

    Amin Jaafari, an Arab-Israeli citizen, is a surgeon at a hospital in Tel Aviv. Dedicated to his work, respected and admired by his colleagues and community, he represents integration at its most successful. He has learned to live with the violence and chaos that plague his city, and on the night of a deadly bombing in a local restaurant, he works tirelessly to help the shocked and shattered patients brought to the emergency room. But this night of turmoil and death takes a horrifyingly personal turn. His wife's body is found among the dead, with massive injuries, the police coldly announce, typical of those found on the bodies of fundamentalist suicide bombers. As evidence mounts that his wife, Sihem, was responsible for the catastrophic bombing, Dr. Jaafari is torn between cherished memories of their years together and the inescapable realization that the beautiful, intelligent, thoroughly modern woman he loved had a life far removed from the comfortable, assimilated existence they shared. From the graphic, beautifully rendered description of the bombing that opens the novel to the searing conclusion, The Attack portrays the reality of terrorism and its incalculable spiritual costs. Intense and humane, devoid of political bias, hatred, and polemics, it probes deep inside the Muslim world and gives readers a profound understanding of what seems impossible to understand.

    Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story.For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because—as in the Intifada—it was safer to keep going than to stand still. Soon the act of leaving—jobs, friends and relationships—came to feel most like home.But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood.Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home—both inherited and chosen.

    Intended to gather intelligence and carry out sabotage and assassinations, the unit consisted of Jews who were native to the Arab world and could thus easily assume Arab identities. In 1948, with Israel’s existence in the balance during the War of Independence, our spies went undercover in Beirut, where they spent the next two years operating out of a kiosk, collecting intelligence, and sending messages back to Israel via a radio whose antenna was disguised as a clothesline. While performing their dangerous work these men were often unsure to whom they were reporting, and sometimes even who they’d become. Of the dozen spies in the Arab Section at the war’s outbreak, five were caught and executed. But in the end the Arab Section would emerge, improbably, as the nucleus of the Mossad, Israel’s vaunted intelligence agency.Spies of No Country is about the slippery identities of these young spies, but it’s also about Israel’s own complicated and fascinating identity. Israel sees itself and presents itself as a Western nation, when in fact more than half the country has Middle Eastern roots and traditions, like the spies of this story. And, according to Friedman, that goes a long way toward explaining the life and politics of the country, and why it often baffles the West. For anyone interested in real-life spies and the paradoxes of the Middle East, Spies of No Country is an intimate story with global significance.

    Ever since Gabriela can remember, she and Luna have struggled to connect. But when tragedy strikes, Gabriela senses there's more to her mother than painted nails and lips.Desperate to understand their relationship, Gabriela pieces together the stories of her family's previous generations—from Great-Grandmother Mercada the renowned healer, to Grandma Rosa who cleaned houses for the English, to Luna who had the nicest legs in Jerusalem. But as she uncovers shocking secrets, forbidden romances, and the family curse that links the women together, Gabriela must face a past and present far more complex than she ever imagined.Set against the Golden Age of Hollywood, the dark days of World War II, and the swingin' '70s, The Beauty Queen of Jerusalem follows generations of unforgettable women as they forge their own paths through times of dramatic change. With great humor and heart, Sarit Yishai-Levi has given us a powerful story of love and forgiveness—and the unexpected and enchanting places we find each.

    on September 5, 1972, a band of Palestinian terrorists took eleven Israeli athletes and coaches hostage at the Summer Olympics in Munich. More than 900 million viewers followed the chilling, twenty-hour event on television, as German authorities desperately negotiated with the terrorists. Finally, late in the evening, two helicopters bore the terrorists and their surviving hostages to Munichs little-used Fürstenfeldbruck airfield, where events went tragically awry. Within minutes all of the Israeli athletes, five of the terrorists, and one German policeman were dead. Why did the rescue mission fail so miserably? And why were the reports compiled by the German authorities concealed from the public for more than two decades? Reeves takes on a catastrophe that permanently shifted the political spectrum with a fast-paced narrative that covers the events detail by detail. Based on years of exhaustive research, One Day in September is the definitive account of one of the most devastating and politically explosive tragedies of the late twentieth century, one that set the tone for nearly thirty years of renewed conflict in the Middle East.