Bursting with intrigue and suspense, they resurrect the deepest and darkest of all our fears: that a monster lurks, and it lurks within us. Introductions by Dr Maria Mellins and Dr Peter Howell, Senior Lecturers in Gothic literature at St Mary's University, London, this collection offers additional insight into these audiobooks, their authors and their legacies. Starting with Robert Louis Stevenson's Dr Jekyll and Mr Hyde, Richard Armitage tells the story of a conflicted man who seeks to free the monster inside him from the clutches of his conscience. Following his celebrated performances of David Copperfield and David Hewson's Romeo and Juliet for Audible, Armitage delivers another powerhouse performance as the narrator of this Gothic tale. Shilling shocker enthusiast Stevenson was celebrated throughout his life. In contrast to Mary Shelley, who was often overshadowed by her husband's work, Stevenson lived comfortably by his pen. It was only with the release of Frankenstein that Shelley finally distinguished herself. Frankenstein was groundbreaking in its ability to fuse passion and romance with gore and horror. Narrated by Dan Stevens, who rose to fame through Downton Abbey, and Beauty and the Beast, the story of science student Victor Frankenstein has been artfully retold. Testing the limits of science, Frankenstein fashions a living being from the conjoined body parts of rotting cadavers. Horrified at the end result, he abandons his monster, leaving him to endure a life of isolation and loneliness. A poignant example of human weakness and our inability to take responsibility for our actions, Frankenstein is both moving and terrifying. That leads us to the gruesome tale of Count Dracula, the bloodthirsty father of the undead. Narrated by Greg Wise, star of The Crown and Sense and Sensibility; Greg depicts a young lawyer whose services are hired by a sinister Transylvanian count. Releasing Dracula 80 years after Frankenstein, Bram Stoker was greatly influenced by Shelley's writing style and similarly propels the story along through diary entries, letters and newspaper cuttings. Possessed of grisly imagery and unexpected twists, it's no wonder that Dracula still manages to shake us to our very core. All that remains is to offer a note of caution: this collection is not for the fainthearted. Old as these tales may be, do not mistake the unsettling nature of their content. Grab some popcorn, turn the speakers up and enjoy. Just don't say we didn't warn you.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The Grey Woman and Other Tales by Elizabeth Cleghorn Gaskell is a collection of short fiction with varying genres. With thrilling, suspenseful, sentimental and moral narratives, Gaskell’s Victorian gothic tales proves that she can master any genre.

    There he meets the eminent professor, Gordon Stone, and his beautiful wife, Judith Silver, with whom he soon falls into a passionate affair. Into this explosive mix, a young woman appears--a single mother at the end of her emotional rope. Crystal desperately needs David. Yet caught between two women, David bears witness to a heartbreaking turn of events that seems as inevitable as the push and pull of ocean waves. . . .

    At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.Also featuring:Introductory essays by Anthony Burgess and Quentin CrispTwelve critical essays, curated by Peake scholar Peter G. WinningtonFragment of the unpublished novel, Titus Awakes

    In her fiction, Charlotte Bront

    A treasured source used by almost all the significant writers in the American pulp tradition — H. P. Lovecraft, A. Merritt, Robert E. Howard, and many others — it endures as a work of remarkable power and one of the most chillingly original books in the genre.This collection reprints all the supernatural stories from The King in Yellow, including the grisly "Yellow Sign," the disquieting "Repairer of Reputations," the tender "Demoiselle d'Ys," and others. Robert W. Chambers' finest stories from other sources have also been added, such as the thrilling "Maker of Moons" and "The Messenger." In addition, an unusual pleasure awaits those who know Chambers only by his horror stories: three of his finest early biological science-fiction fantasies from In Search of the Unknown appear here as well.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    The animals seem intelligent enough, and Red recruits Slim to help him train the odd creatures to do circus tricks. But the boys are about to discover their playthings aren’t exactly animals—and they’ve allowed themselves to be caught for a reason . . . Youth is a riveting tale from the author of countless classics, including I, Robot and the Foundation Trilogy, which won the Hugo Award for Best All-Time Series.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A strange, fearless woman. Wolves prowling the night. Mysteries. The world outside the cozy house can be dangerous. Being prepared does not always mean you will survive.

    Scarborough declared that his well-known eldest son was not legitimate. Mr. Scarborough himself had not been well known in early life. He had been the only son of a squire in Staffordshire over whose grounds a town had been built and pottery-works established. In this way a property which had not originally been extensive had been greatly increased in value, and Mr. Scarborough, when he came into possession, had found himself to be a rich man. He had then gone abroad, and had there married an English lady. After the lapse of some years he had returned to Tretton Park, as his place was named, and there had lost his wife. He had come back with two sons, Mountjoy and Augustus, and there, at Tretton, he had lived, spending, however, a considerable portion of each year in chambers in the Albany. He was a man who, through many years, had had his own circle of friends, but, as I have said before, he was not much known in the world. He was luxurious and self-indulgent, and altogether indifferent to the opinion of those around him. But he was affectionate to his children, and anxious above all things for their welfare, or rather happiness. Some marvelous stories were told as to his income, which arose chiefly from the Tretton delf-works and from the town of Tretton, which had been built chiefly on his very park, in consequence of the nature of the clay and the quality of the water. As a fact, the original four thousand a year, to which his father had been born, had grown to twenty thousand by nature of the operations which had taken place. But the whole of this, whether four thousand or twenty thousand, was strictly entailed, and Mr. Scarborough had been very anxious, since his second son was born, to create for him also something which might amount to opulence. But they who knew him best knew that of all things he hated most the entail. . . .

    S. Forester, featuring his fictional naval hero, Horatio Hornblower. It was published together with the unfinished novel Hornblower and the Crisis and another short story, "The Last Encounter". It is titled "Hornblower's Temptation" in certain US editions.The story is set very early in Hornblower's career, in 1799 or 1800, after Mr. Midshipman Hornblower, but before Lieutenant Hornblower."The Last Encounter" is a short story by C. S. Forester, the final chapter in the life of his fictional naval hero, Horatio Hornblower.

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover