Enhancing their work are four seasonally-themed groups of verse, many written by Basho’s students and associates. The translation is thoroughly readable and contemporary, and the images evocative. An enlightening introduction offers biographical information on the featured poets, background on the nature of haiku and its development within the Japanese poetic tradition, and a short account of the Buddhist practice to which most of the writers were connected.

    It doesn't matter if you earn your living in surgery, music, poetry or occultism; if your life calling is to be an activist, a nature lover, a psychoanalyst, floriculturist or just plain bohemian; if you have no clue as to the meaning of personal finances, if you have great ideas on the matter, or if you feel you are an expert, with Pequeno cerdo capitalista you will gain the most effective tools to saving, investing, and allocating your income. Using real life stories, Sofia Macias provides clear and entertaining examples of how your average person has done amazing things with their money. She also gives the reader straightforward explanations on insurance, retirement funds, credit card pros and cons, loans, and commissions. In short, this book confirms the saying ''time is gold,'' and in our case, money, which is why it is so important that we learn to stretch our income to the max.

    "Contexts" provides readers with invaluable materials on The Waste Land's sources, composition, and publication history. "Criticism" traces the poem's reception with twenty-five reviews and essays, from first reactions through the end of the twentieth century. Included are reviews published in the Times Literary Supplement, along with selections by Virginia Woolf, Gilbert Seldes, Edmund Wilson, Elinor Wylie, Conrad Aiken, Charles Powell, Gorham Munson, Malcolm Cowley, Ralph Ellison, John Crowe Ransom, I. A. Richards, F. R. Leavis, Cleanth Brooks, Delmore Schwartz, Denis Donoghue, Robert Langbaum, Marianne Thormählen, A. D. Moody, Ronald Bush, Maud Ellman, and Tim Armstrong. A Chronology and Selected Bibliography are included.

    A member of the secret police walks into the office of a dissident magazine and finds a reporter, who records his testimony. The narrator of Nona Fernández’s mesmerizing and terrifying novel The Twilight Zone is a child when she first sees this man’s face on the magazine’s cover with the words “I Tortured People.” His complicity in the worst crimes of the regime and his commitment to speaking about them haunt the narrator into her adulthood and career as a writer and documentarian. Like a secret service agent from the future, through extraordinary feats of the imagination, Fernández follows the “man who tortured people” to places that archives can’t reach, into the sinister twilight zone of history where morning routines, a game of chess, Yuri Gagarin, and the eponymous TV show of the novel’s title coexist with the brutal yet commonplace machinations of the regime.How do crimes vanish in plain sight? How does one resist a repressive regime? And who gets to shape the truths we live by and take for granted? The Twilight Zone pulls us into the dark portals of the past, reminding us that the work of the writer in the face of historical erasure is to imagine so deeply that these absences can be, for a time, spectacularly illuminated.

    It is told in 29 tangos. A tango (like a marriage) is something you have to dance to the end.This clear-eyed, brutal, moving, darkly funny book tells a single story in an immediate, accessible voice–29 “tangos” of narrative verse that take us vividly through erotic, painful, and heartbreaking scenes from a long-time marriage that falls apart. Only award-winning poet Anne Carson could create a work that takes on the oldest of lyrical subjects–love–and make it this powerful, this fresh, this devastating.

    Some poems are dark, bitter, and self-hating, others express idealism with unmatchable eloquence–and all are of quintessential beauty, part of the world’s great literary heritage.In addition to his sonnets, Shakespeare published two long poems early in his career: Venus and Adonis and The Rape of Lucrece. Immediately popular in Shakespeare’s time, they display a richness that can also reward us with insights into the powerful imagery of his plays.Rounding out this volume are two minor poems, “A Lover’s Complaint” and “The Phoenix and Turtle,” thought to be part of Shakespeare’s early writings.

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    The writing straddles the shifting line between pure, unadorned storytelling and satire, exploring the sometimes hilarious and sometimes heartbreaking nature of survival in a decidedly cruel world.

    Published in 1967, the novel was an instant success, running to hundreds of editions, winning four international prizes and being translated into 27 languages. In 1982, its author received the Nobel Prize for Literature. Michael Wood places the novel in the context of modern Colombia's violent history, and helps the reader to explore the rich and complex vision of the world which Garcia Marquez presents in it. Close reference is made to the text itself (in English translation), and there is a guide to further reading.

    Teasdale's major themes were love, nature's beauty, and death, and her poems were much loved during the early 20th century. She won the annual prize of the Poetry Society of America for her volume, Love Songs. Her style and lyricism are well illustrated in her poem, Spring Night (1915), from that collection. She was influenced by the British poet Christina Rossetti. Teasdale was very much a product of her Victorian upbringing and was never able to experience in life the passion that she expressed in her poetry. A common urban legend surrounds Teasdale's 1933 suicide claims that her poem, I Shall Not Care was penned as a suicide note to a former lover. However, the poem was actually first published in her 1915 collection Rivers to the Sea, a full 18 years before her suicide. Her last collection of verse, Strange Victory, was published posthumously in 1933. Amongst her other works are Helen of Troy and Other Poems (1911), Love Songs (1917), Vignettes of Italy (1919) and Flame and Shadow (1920).

    Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

    Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

    The story of the mythological king, who is doomed to kill his father and marry his mother, has resonated in world culture for almost 2,500 years. But Sophocles’ drama as originally performed was much more than a great story—it was a superb poetic script and exciting theatrical experience. The actors spoke in pulsing rhythms with hypnotic forward momentum, making it hard for audiences to look away. Interspersed among the verbal rants and duels were energetic songs performed by the chorus.            David Mulroy’s brilliant verse translation of Oedipus Rex recaptures the aesthetic power of Sophocles’ masterpiece while also achieving a highly accurate translation in clear, contemporary English. Speeches are rendered with the same kind of regular iambic rhythm that gave the Sophoclean originals their drive. The choral parts are translated as fluid rhymed songs. Mulroy also supplies an introduction, notes, and appendixes to provide helpful context for general readers and students.

    But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page eBook retains key phrases and quotations from the original classics. You'll be kept in suspense with these four Edgar Allan Poe short stories! The Pit and the Pendulum, The Fall of the House of Usher, The Cask of Amontillado, The Murders in the Rue Morgue.