From an important new American writer comes this powerful collection of personal essays on fear, creativity, art, faith, academia, the Internet, and justice.In this poignant and inciting collection of literary essays, Megan Stielstra tells stories to ward off fears both personal and universal as she grapples toward a better way to live. In her titular piece “The Wrong Way To Save Your Life,” she answers the question of what has value in our lives—a question no longer rhetorical when the apartment above her family’s goes up in flames. “Here is My Heart” sheds light on Megan’s close relationship with her father, whose continued insistence on climbing mountains despite a series of heart attacks leads the author to dissect deer hearts in a poetic attempt to interrogate her own feelings about mortality. Whether she's imagining the implications of open-carry laws on college campuses, recounting the story of going underwater on the mortgage of her first home, or revealing the unexpected pains and joys of marriage and motherhood, Stielstra's work informs, impels, enlightens, and embraces us all. The result is something beautiful—this story, her courage, and, potentially, our own.Intellectually fierce and viscerally intimate, Megan Stielstra's voice is witty, wise, warm, and above all, achingly human.“Stielstra is a masterful essayist.”—Roxane Gay, author of Bad Feminist and Hunger

    Topics include the logistics of the restaurant at the end of the universe, how the Internet is creating the real Hitchhiker's Guide, an assessment of Vogon poetry, and an analysis of computing. The essays are written by both science fiction greats, such as Cory Doctorow, Lawrence Watt-Evans, Stephen Baxter, Jacqueline Carey, and Alastair Reynolds, and up-and-coming writers.

    In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

    And now, when it’s become undeniable that our societal norms are not merely unjust but, for too many Americans, deadly, when public anger is at an all-time high, who better than Yuknavitch to help us acknowledge this moment—in all its horror, absurdity, and pain? She does so here in a direct address to her rage.Letter to My Rage opens in a clinic where the author is waiting to be tested for COVID-19 antibodies. A sighting of the unmasked face of the president on the clinic TV makes her travel “beyond anger” to seethe at an administration ill-prepared to battle a pandemic or confront the racial and economic disparities that ensure vulnerability not just to disease but to a host of human brutalities. And she doesn’t stop there—she can’t. Throughout her life, rage, rather than destroying her, has transformed and compelled her. It was rage that forced her to claim her body: its blood, heat, and power; that ushered her into a world of ideas; and that would show her that where the political and the personal intersect, art flourishes, community and solidarity are found, and change begins. With the murder of George Floyd, her rage reaches an apotheosis. She joins the protests and asks that if men’s anger is frequently used to reinforce an unequal system—as in the grotesque spectacle of a white man’s knee on a Black man’s neck—how can women’s be used? How can her own? Can it be as constructive as it is destructive? Can it create something that was not there before and not just for her? As she sits in that waiting room, she knows the answer is in the body that’s contained her rage for so long, in her very blood; it can offer protection, fuel for others’ activism, a chance for a cure.This incendiary, cathartic account from one of our most fearless writers urges us to reassess and reclaim one of our most intense emotions during unrelentingly intense and troubling times.

    Written by Lawrence Miles (Faction Paradox) and long-time sci-fi commentator Tat Wood, About Time focuses on the continuity of Doctor Who (its characters, alien races and the like), but also examines the show as a work of social commentary. In particular, Miles and Wood dissect the politics and social issues that shaped the show during its unprecedented 26-year run (from 1963 to 1989), detailing how the issues of the day influenced this series. As part of this grand opus, About Time 1 examines Doctor Who Seasons 1 to 3 (1963 to 1966) -- the show's every beginnings, with William Hartnell in the lead role. Among other things, About Time 1 answers such vitally important Who questions as Where (and When) is Gallifrey? and Why Couldn't the BBC Just Have Spent More Money?

    I’ve always believed this, even as I take up a sword in a contest of princes that will determine who will be king of our lands. It’s a prize that many covet, including my brother who wants the throne more than any I know and is the last person who should have it. I don’t even want to be king, but I’ll do it just to keep it from him, and that’s all that matters until I’m gifted the most beautiful woman I’ve ever seen.Benta comes as a wonder in the Matching, a ceremony to determine the mates of me and my fellow battle princes. She’s not like the other prizes. First, she’s human, not a simpering Worsi or snooty Piki. She’s also a fierce woman who’s full of surprises, any of which could tear us apart.

    Skeletor, He-Man's evil nemesis in the show, remains an icon of villainy for generations who grew up hearing his cackle.Now, for the first time, all of the diabolical wit and wisdom gleaned from Skeletor's unrelenting campaign to wreak havoc on the planet Eternia are collected into one practical, and practically hilarious, volume. This fully authorized, comical, and empowering guide places the evil Skeletor in a variety of troubling scenarios that will be familiar to any reader--from 'Family and Frenemies' to 'Career' and 'Downtime'--and asks the all-important question: What Would Skeletor Do? Combining words of devilish wisdom with appropriate (or inappropriate!) pictures from the original cartoons, this book lets Skeletor tell you how to handle any awkward situation with aplomb. With tongue planted very firmly in cheek, What Would Skeletor Do? is the perfect inspirational resource for pop-culture aficionados of all ages.

     Terry Pratchett's Discworld is an epic, groundbreaking work of fantasy often hailed for its originality, humour and deep, layered intelligence. But what about the women? Award-winning author & pop culture critic Tansy Rayner Roberts looks at the portrayal of female characters in many of Pratchett's best loved books, from the early years of fantasy satire and sexy lamps to the more complex, iconic characters of the witches, werewolves, dwarves and queens. Contains 10 essays about gender and the Discworld, including "Socks, Lies & the Monstrous Regiment" which is exclusive to this collection.

    It is a comedic, self-deprecating, look into the harsh, scary, and often sad world of infertility. Hilariously Infertile will make you laugh out loud while wishing you could have a glass of wine with the author and discuss how you relate to her story is. The author pokes fun at the infertility world, with jokes, such as, equating the constant gynecological exams to her sluttiest days in college, and wondering if her husband will be home in time to stick it (the IVF ass shot) into her butt.We follow the author's journey from trying to conceive on her own, discovering she is infertile, getting pregnant, and then doing it all again for her second child. The entire journey is marked with uproarious scenes that any woman who has ever been to the gynecologist can identify with. At times, the author's candor will surely lead the reader to conclude that the outlandish stories cannot be true. But they are, all of them.Included in the journey is a chapter on being a new mom. This chapter is funny and real. It does not boast about being a parent, to those who still may be on that path; rather, it speaks candidly about the adjustment to a new life that the author worked hard to achieve, via fertility treatments, and yet still was not ready for.There is no filter for the author of Hilariously Infertile. This book tells it like it is, from sex, to infertility, to being a mother and a wife. If you have thought it somewhere deep down inside, this book says it aloud.

    For more than five decades she edited the likes of V. S. Naipaul and Jean Rhys, for whom she was a confidante and caretaker. As a writer, Diana Athill has made her reputation for the frankness and precisely expressed wisdom of her memoirs. Now in her ninety-first year, "entirely untamed about both old and new conventions" (Literary Review) and freed from any of the inhibitions that even she may have once had, Athill reflects candidly, and sometimes with great humor, on the condition of being old—the losses and occasionally the gains that age brings, the wisdom and fortitude required to face death. Distinguished by "remarkable intelligence...[and the] easy elegance of her prose" (Daily Telegraph), this short, well-crafted book, hailed as "a virtuoso exercise" (Sunday Telegraph) presents an inspiring work for those hoping to flourish in their later years.

    But now meet another Terry Pratchett – a man of serious metaphysical ideas and sophisticated philosophical insights. In Philosophy and Terry Pratchett thirteen professional philosophers survey such key philosophical issues as personal identity, the nature of destiny, the value of individuality, the meaning of existentialism, the reality of universals and the existence of alternative realities. In considering these and many other equally fascinating themes, close reference is made to more than 35 Discworld novels as well as to the ideas of some of history's greatest philosophers including Aristotle, Hobbes, Rousseau, Kant, Mill, Kierkegaard, Wittgenstein and Rawls.During your journey, you will be surprised by numerous provocative conclusions including the startling claim that the existence of Discworld is logically possible!

    From early obsessions with the March sisters to her later idolization of Sylvia Plath, Ellis evaluates how her heroines stack up today. And, just as she excavates the stories of her favorite characters, Ellis also shares a frank, often humorous account of her own life growing up in a tight-knit Iraqi Jewish community in London. Here a life-long reader explores how heroines shape all our lives.

    Why? Because as the only openly vampire police officer in the world, even after disclosure, he's been put on one of the very few supernatural divisions anywhere. Meaning it's his job.It also doesn't hurt that the demon whose area he works in has been targeted as well, seemingly by the same group.If he and his new partner can't figure the case out in time, things might well end up going very badly, indeed.

    

    There is absolutely nothing as great, challenging, or rewarding as raising a child." So says Über-mom Rose Rock, who has raised 10 children in addition to caring for 17 foster children in her 40-plus years as a mother.As a mother who does not shy away from the hard conversations, Rose isn't afraid to present strong ideas about boundaries, discipline, choices, and consequences—and she tells it like it is. In Mama Rock's Rules, Rose shares the funny and highly practical lessons she learned both as a parent and an educator, while offering strategies for teaching a child to be self-reliant in this world.Written with a kicky blend of maternal spirituality and a "don't mess with me or you won't get old" sense of authority, the book spotlights 10 vital rules, each tackling a specific parenting issue. From "I Am Your Mama, Not Your Friend," which helps parents regain their authority and establish respectful relationships with their children, to "Don't Lie Down with Anything You Don't Want to Live with Forever," which takes a different approach to the often tricky conversation about sex, each topic is lovingly explained and bolstered by stories from Rose Rock's own childhood and parenting experiences. We will also hear from her own kids, as they share memories and anecdotes about what it was like to grow up in the Rock household.Rose's heartfelt and no-nonsense advice—delivered with a dose of wit and homespun humor—will resonate with thousands of parents and will inspire them to teach their kids right, whether their brood is one child or ten.