She works at her grandmothers' bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town.One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home.Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.

    There she meets Hyejung and Tina, two other girls who came to Japan to freely forge their own paths. The trio live together, share meals, and even attend the same Japanese-language school, which results in them becoming fast friends. But will they be able to hold one another up as life tests them with new loves, old heartbreaks, and the everyday challenges of being fish out of water?

    . . .performs with virtuoso flair in THE QUITTER"--THE NEW YORKER"Brutally honest."--ROLLING STONE★"A searingly honest memoir. . . . Pekar's work dignifies the struggle of the average man."--PUBLISHERS WEEKLY, starred In this virtuoso graphic novel, Harvey Pekar -- whose American Book Award-winning series American Splendor was the basis for the celebrated film of the same name -- tells the story of his troubled teen years for the first time, when he would beat up any kid who looked at him wrong just to win the praise of his peers. And when he failed to impress, whether on the football team, in math class, in the Navy or on the job, he simply gave up. A true tour-de-force, THE QUITTER is the universal tale of a young man's search for himself through the frustrations, redemptions and complexities of ordinary life.With gritty, atmospheric artwork by indie-comics luminary Dean Haspiel (American Splendor, Opposable Thumbs), THE QUITTER is both Pekar's funniest and most heart-wrenching work yet, an unforgettable graphic novel for all those, like Pekar, who have tried, failed and lived to quit another day.

     In 1961, when Lila was five, she and her family emigrated from Buenos Aires, Argentina, to Marion, Alabama, in the heart of Alabama’s Black Belt. As educated, middle-class Latino immigrants in a region that was defined by segregation, the Quinteros occupied a privileged vantage from which to view the racially charged culture they inhabited. Weaver and her family were firsthand witnesses to key moments in the civil rights movement.  But Darkroom is her personal story as well: chronicling what it was like being a Latina girl in the Jim Crow South, struggling to understand both a foreign country and the horrors of our nation’s race relations. Weaver, who was neither black nor white, observed very early on the inequalities in the American culture, with its blonde and blue-eyed feminine ideal. Throughout her life, Lila has struggled to find her place in this society and fought against the discrimination around her.

    Photographs and essays by family and friends will help to tell Esther’s story along with an introduction by award-winning author John Green who dedicated his #1 bestselling novel The Fault in Our Stars to her.

    Yet [this] new extraordinary work in the form of a nonfiction graphic novel for children is a valiant attempt to do just that. These testimonials... serve as a reminder never to allow such a tragedy to happen again."--BookTribBetween 1933 and 1945, Adolf Hitler and the Nazi party were responsible for the persecution of millions of Jews across Europe. This extraordinary graphic novel tells the true stories of six Jewish children who survived the Holocaust. From suffering the horrors of Auschwitz, to hiding from Nazi soldiers in war-torn Paris, to sheltering from the Blitz in England, each true story is a powerful testament to the survivors' courage. These remarkable testimonials serve as a reminder never to allow such a tragedy to happen again.Features a current photograph of each contributor and an update about their lives, along with a glossary and timeline to support reader understanding of this period in world history.

    Printz Award winner and New York Times bestseller Monster, adapted by Guy Sims and illustrated by Dawud AnyabwileMonster is a multi-award-winning, provocative coming-of-age story about Steve Harmon, a teenager awaiting trial for a murder and robbery. As Steve acclimates to juvenile detention and goes to trial, he envisions the ordeal as a movie. Monster was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist.Now Monster has been adapted into a graphic novel by Guy Sims, with stunning black-and-white art from Dawud Anyabwile, Guy's brother.Fans of Monster and of the work of Walter Dean Myers—and even kids who think they don't like to read—will devour this graphic adaptation.

    With a bright, positive outlook and a sense of humor, Super Chill tells a story that is both highly relatable and intensely personal.

    One day, while Guerrero was at school, her undocumented immigrant parents were taken from their home, detained, and deported. Guerrero's life, which had been full of the support of a loving family, was turned upside down.

    In 1975, the Khmer Rouge seized power in the capital city of Phnom Penh. Immediately after declaring victory in the war, they set about evacuating the country’s major cities with the brutal ruthlessness and disregard for humanity that characterized the regime ultimately responsible for the deaths of one million citizens.Cartoonist Tian Veasna was born just three days after the Khmer Rouge takeover, as his family set forth on the chaotic mass exodus from Phnom Penh. Year of the Rabbit is based on firsthand accounts, all told from the perspective of his parents and other close relatives. Stripped of any money or material possessions, Veasna’s family found themselves exiled to the barren countryside along with thousands of others, where food was scarce and brutal violence a constant threat.Year of the Rabbit shows the reality of life in the work camps, where Veasna’s family bartered for goods, where children were instructed to spy on their parents, and where reading was proof positive of being a class traitor. Constantly on the edge of annihilation, they realized there was only one choice—they had to escape Cambodia and become refugees. Veasna has created a harrowing, deeply personal account of one of the twentieth century’s greatest tragedies.

    Baking disasters. Puffed sleeves. Explore the violet vales and glorious green of Avonlea in this spirited adaptation.The magic of L.M. Montgomery’s treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike. When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manage their family farm, they have no idea what delightful trouble awaits them. With flame-red hair and an unstoppable imagination, 11-year-old Anne Shirley takes Green Gables by storm.Anne’s misadventures bring a little romance to the lives of everyone she meets: her bosom friend, Diana Barry; the town gossip, Mrs. Lynde; and that infuriating tease, Gilbert Blythe. From triumphs and thrills to the depths of despair, Anne turns each everyday moment into something extraordinary.The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. — Brian Selznick, author/illustrator of “The Invention of Hugo Cabret” and “The Marvels”

    Forced to flee from Syria, they become asylum-seekers in Lebanon, and finally resettled refugees in the West. It is a story that has been replayed thousands of times by other families.When the family home in Aleppo is destroyed by a government-led bomb strike, Walid has no choice but to take his wife and children and flee their war-torn and much loved homeland. They struggle to survive in the wretched refugee camps of Lebanon, and when Youssef becomes fatally ill as a result of the poor hygienic conditions, his father is forced to take great personal risk to save his family.Walid's daughter, the young Amina, a whip-smart grade-A student, tells the story. As she witnesses firsthand the harsh realities that her family must endure if they are to survive -- swindling smugglers, treacherous ocean crossings, and jihadist militias -- she is forced to grow up very quickly in order to help her parents and brother.Kullab's narrative masterfully maps both the collapse and destruction of Syria, and the real-life tragedies faced by its citizens still today. The family's escape from their homeland makes for a harrowing tale, but with their safe arrival in the West it serves as a hopeful endnote to this ongoing worldwide crisis.Beautiful illustrations by Jackie Roche -- whose work on the viral web-comic, Syria's Climate Conflict, was seen prominently in Symboliamag. com, Upworthy.com and Motherjones.com, among others -- bring Kullab's words to life in stunning imagery that captures both the horror of war and the dignity of human will.

    . . but what happens behind the curtain is pure magic literally! When Jory transfers to an all-boys private high school, he's taken in by the only ones who don't treat him like a new kid, the lowly stage crew known as the Backstagers. Not only does he gain great, lifetime friends, Jory is also introduced to an entire magical world that lives beyond the curtain. With the unpredictable twists and turns of the underground world, the Backstagers venture into the unknown, determined to put together the best play their high school has ever seen. James Tynion IV (Detective Comics, The Woods) teams up with artist Rian Sygh (Munchkin, Stolen Forest) for an incredibly earnest story that explores what it means to find a place to fit in when you're kinda an outcast.Collects the first four issues.

    To train for her entrance exams, Sophie is sent to relatives she’s never met.Cousin Sage and Great-Aunt Lan seem more interested in giving Sophie chores than in teaching her magic. Frustrated, Sophie attempts magic on her own, but the spell goes wrong, and she accidentally entangles her magic with the magic of a young water dragon named Lir.Lir is trapped on land and can’t remember where he came from. Even so, he’s everything Sophie isn’t—beloved by Sophie’s family and skilled at magic. With his help, Sophie might just ace her entrance exams, but that means standing in the way of Lir’s attempts to regain his memories. Sophie knows what she’s doing is wrong, but without Lir’s help, can she prove herself?

     For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Maus creator Art Spiegelman, and even more than most mothers, hers—French-born New Yorker art director Françoise Mouly—exerted a force over reality that was both dazzling and daunting. As Nadja’s body changed and “began to whisper to the adults around me in a language I did not understand,” their relationship grew tense. Unwittingly, they were replaying a drama from her mother’s past, a drama Nadja sensed but had never been told. Then, after college, her mother suddenly opened up to her. Françoise recounted her turbulent adolescence caught between a volatile mother and a playboy father, one of the first plastic surgeons in France. The weight of the difficult stories she told her daughter shifted the balance between them.  It had taken an ocean to allow Françoise the distance to become her own person. At about the same age, Nadja made the journey in reverse, moving to Paris determined to get to know the woman her mother had fled.  Her grandmother’s memories contradicted her mother’s at nearly every turn, but beneath them lay a difficult history of her own. Nadja emerged with a deeper understanding of how each generation reshapes the past in order forge ahead, their narratives both weapon and defense, eternally in conflict. Every reader will recognize herself and her family in this gorgeous and heartbreaking memoir, which helps us to see why sometimes those who love us best hurt us most.