E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    Written as a diary, Myra Breckinridge, someone determined not to be possessed by any man, recounts her day as she lives it out in the Hollywood of the '60s. Feminism, transsexuality, and a host of cinematic jokes abound.

    Fight Club’s estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basement of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.

    The five novels that Hammett published between 1929 and 1934, collected here in one volume, have become part of modern American culture, creating archetypal characters and establishing the ground rules and characteristic tone for a whole tradition of hardboiled writing. Drawing on his own experiences as a Pinkerton detective, Hammett gave a harshly realistic edge to novels that were at the same time infused with a spirit of romantic adventure. Each novel is distinct in mood and structure. Red Harvest (1929) epitomizes the violence and momentum of his Black Mask stories about the anonymous detective the Continental Op, in a raucous and nightmarish evocation of political corruption and gang warfare in a western mining town. In The Dain Curse (1929) the Op returns in a more melodramatic tale involving jewel theft, drugs, and a religious cult. With The Maltese Falcon (1930) and its protagonist Sam Spade, Hammett achieved his most enduring popular success, a tightly constructed quest story shot through with a sense of disillusionment and the arbitrariness of personal destiny. The Glass Key (1931) is a further exploration of city politics at their most scurrilous. His last novel was The Thin Man (1934), a ruefully comic tale paying homage to the traditional mystery form and featuring Nick and Nora Charles, the sophisticated inebriates who would enjoy a long afterlife in the movies.

    Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena’s heart and remove her from the limelight? “The Bostonians has a vigor and blithe wit found nowhere else in James,” writes A. S. Byatt in her Introduction. “It is about idealism in a democracy that is still recovering from a civil war bitterly fought for social ideals . . . [written] with a ferocious, precise, detailed—and wildly comic—realism.”

    Published in 1938, this was the first book from Wright, who would continue on to worldwide fame as the author of the novels Native Son and Black Boy.

    In the retelling, Olympus becomes small-town Olinger High School; Chiron is George Caldwell, a science teacher there; and Prometheus is Caldwell’s fifteen-year-old son, Peter. Brilliantly conflating the author’s remembered past with tales from Greek mythology, John Updike translates Chiron’s agonized search for relief into the incidents and accidents of three winter days spent in rural Pennsylvania in 1947. The result, said the judges of the National Book Award, is “a courageous and brilliant account of a conflict in gifts between an inarticulate American father and his highly articulate son.”

    P. Lovecraft.The Stories included are:The Nameless CityThe FestivalThe Colour Out of SpaceThe Call of CthulhuThe Dunwich HorrorThe Whisperer in DarknessThe Dreams in the Witch HouseThe Haunter of the DarkThe Shadow Over InnsmouthDiscarded Draft of "The Shadow Over Innsmouth"The Shadow Out of TimeAt the Mountains of MadnessThe Case of Charles Dexter WardAzathothBeyond the Wall of SleepCelephaïsCool AirDagonEx OblivioneFacts Concerning the Late Arthur Jermyn and His FamilyFrom BeyondHeHerbert West-ReanimatorHypnosIn the VaultMemoryNyarlathotepPickman’s ModelThe BookThe Cats of UltharThe DescendantThe Doom That Came to SarnathThe Dream-Quest of Unknown KadathThe Evil ClergymanThe Horror at Red HookThe HoundThe Lurking FearThe Moon-BogThe Music of Erich ZannThe Other GodsThe OutsiderThe Picture in the HouseThe Quest of IranonThe Rats in the WallsThe Shunned HouseThe Silver KeyThe Statement of Randolph CarterThe Strange High House in the MistThe StreetThe TempleThe Terrible Old ManThe Thing on the DoorstepThe TombThe Transition of Juan RomeroThe TreeThe UnnamableThe White ShipWhat the Moon BringsPolarisThe Very Old FolkIbidOld BugsSweet Ermengarde, or, The Heart of a Country GirlA Reminiscence of Dr. Samuel JohnsonThe History of the Necronomicon

    This volume also includes poems and translations never previously collected, and a selection of drafts that demonstrate the poet's constant drive to reimagine his work. Collected Poems at last offers readers the opportunity to take in, in its entirety, one of the great careers in twentieth-century poetry.

    A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century.

    Only John Cheever could deliver these grand themes with the irony, unforced eloquence, and exhilarating humor that make Falconer such a triumphant work of the moral imagination.

    Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best of the best - fifty-five extraordinary stories that represent a century's worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike's contributions have spanned five consecutive decades, from his first appearance, in 1959. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.

    As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.

    Set on a Louisiana sugarcane plantation in the 1970s, A Gathering of Old Men is a powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man.

    Vollmann's growing reputation as the American writer whose books tower over the work of his contemporaries by virtue of their enormous range, huge ambition, stylistic daring, wide learning, audacious innovation, and sardonic wit (Washington Post Book World). All these qualities are in evidence in this collection in which the character of the writer and that of some of his intimates - both real and imaginary - surface and resurface in a series of extraordinary situations and encounters. Two astonishing stories frame this collection. The first, The Ghost of Magnetism, tells about a young man leaving San Francisco to become a sort of literary hobo living on his freeze-dried memories. The last, The Grave of Lost Stories, describes the death of Poe in a fungus-encrusted tomb somewhere deep in the earth. Here is the colorful and disreputable group of people familiar to us from Vollmann's earlier fiction - pimps, tramps, pornographers, witch doctors and massage-parlor girls. Within these stories, Vollmann gives us one of the most searching, bizarre, and subversive views of America today.