This comprehensive collection includes Asser’s Life of Alfred, extracts from The Anglo-Saxon Chronicle, and Alfred’s own writings, laws, and will.

    It is the connections between the facts that seem to elude us--those subtle nuances of feeling & emotion that a biographer relies on to paint a true, complete portrait. Lacking these, we are almost compelled to make the story up as we go along, weaving together facts, opinions & our own personal biases to flesh out an otherwise bloodless life. For this reason, John Gardner may well be the perfect candidate to construct a life of Chaucer. An award-winning novelist & a translator of Middle English poetry, Gardner dumps into a pile all the facts we know about the beloved English poet & mixes them with a judicious sampling of literary criticism & a heaping dose of lively conjecture. What emerges is a rollicking good tale that might stand on its own, filled with persuasive answers to vexing questions; imaginative reconstructions of the Black Death & other compelling events of the times; & whatever snippets of Chaucer's own poetry may help shed light on his extraordinary age. Black-&-white illustrations.

    The book explores the unique tactics required to win battles with the technology available, and demonstrates how little has changed in some respects of the art of war.The book is divided into five chapters covering the main elements of medieval warfare: infantry, cavalry, generalship, siege warfare, and naval combat. Each chapter features four major battles to demonstrate the strengths, pitfalls, and characteristics of the style of warfare.Using specially-commisioned color and black-and-white artwork to illustrate the battles, equipment, and tactics of the era, Fighting Techniques of the Medieval World shows in detail the methods by which armies, including Norman, Crusader, and Mongol forces, prevailed over their foes, and why other armies were less successful. The book is an essential companion for any reader interested in warfare in the medieval age.

    With a gift for performing, Theodora became an actress in burlesque theater as a young woman. By all accounts, fans of her bawdy act were legion, and she leveraged her popularity in whatever way she could. She eventually caught the attention of Justinian, who was no doubt charmed as much by her beauty as by her cunning.Justinian and Theodora ruled the empire together from their rich and bustling seat of power in Constantinople, making decisions and strategic maneuvers regarding the fate of their kingdom that would reverberate for years to come: they waged battles against the Goths and Vandals, quelled nationalist unrest in Egypt and the Middle East, and suppressed a rebellion at their doorstep by mercilessly slaughtering 30,000 in Constantinople's stadium. Theodora's wisdom and counsel to the emperor saved Justinian's empire -- and their place in history -- time and time again.Hailed by European reviewers as "Book of the Year" upon its publication in Italian, Paolo Cesaretti's book gives the reader a balanced portrait of an intriguing figure who, in the face of those who tried to defame her, rose from the ranks of the poor to build an empire at the side of her ambitious husband.

    Jeannette Lucraft presents this historical biography of Katherine Swynford, a powerful figure in the politics of 14th century England, and an example of how a woman could manipulate the social mores of the time for her own interests.

    It is one of the major early historical works on the French Revolution.

    It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.

    The first section, "The Call to Honor", recounts the confusion and despair triggered by Hitler's blitzkrieg takeover of France. The second section, "Unity" describes de Gaulle's struggles to rally the Free French in Africa and in underground movements throughout Europe, his bitter conflict with the Vichy puppet regime ruling occupied France, and his cooperation with the Allied powers. "Salvation", the final installment, chronicles the turning of the tide of war against Nazi Germany, de Gaulle's triumphant return to France, and the reincarnation of the French Republic as a major international presence.

    But few books have brought to life more vividly the exquisite texture of two women's rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power.Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England's rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

    Drawing upon account books, diaries, letters, records, wills, and other authentic historical documents, she brings to vivid life Bodo, a Frankish peasant in the time of Charlemagne; Marco Polo, the well-known Venetian traveler of the 13th century; Madame Eglentyne, Chaucer's prioress in real life; a Parisian housewife of the 14th century; Thomas Betson, a 15th-century English merchant; and Thomas Paycocke of Coggeshall, an Essex clothier in the days of Henry VII.Largely untouched by fame (with the exception of Marco Polo), the lives and activities of these common people offer a unique glimpse of various aspects of the medieval world — peasant life, monastic life, the wool trade, Venetian trade with the East, domestic life in a middleclass home, and more. Enlivened with charming illustrations and touches of humor, this scholarly, yet highly readable work "possesses a color, a dramatic touch that humanizes the dry bones of charters and documents." — New York Tribune.Students, teachers of history, and anyone interested in medieval life will be delighted with this spirited account that is sure to capture the imaginations of general readers as well.

    A product of Northern French provincial society of the 19th century - austere, catholic and nationalist - de Gaulle was, according to Williams, the last great Frenchman. Whatever the arguments concerning de Gaulle's legacy, in his single-minded devotion to his country, and in his skill and strength in pushing it, there would have been no France if there had been no de Gaulle.