Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.

    But when her lightkeeper father rescues a young man from the lake, her sheltered world is turned upside down.Bestselling author Jody Hedlund's Out of the Storm is her first ever novella and introduces readers to Beacons of Hope, a new series set in the 1800s amid the romance, history, and danger surrounding the Great Lakes lighthouses of Michigan.

    She finds refuge with a doctor and his family, but develops a volatile relationship with their neighbor, Richard Madden. His expectations become difficult to ignore, and Sophie must figure out a way to hold off his advances. When a soldier shows up looking identical to Jamie, but not knowing who she is, Sophie decides she must make him remember. Will her love for him help him remember? Will they rediscover their love in the new century, or will Richard threaten their chance to reunite? Will Sophie survive the threat against her life and destiny?

    852 A.D. For decades the Vikings have swept out of the Norse countries and fallen on England, Ireland, whatever lands they could reach aboard their longships. Few could resist the power of their violent onslaught. They came at first to plunder, and then to settle, an encroachment fiercely resisted where ever they went. Such was the case in the southern lands of Ireland. En route to the Viking longphort there, known as Dubh-Linn, Thorgrim Night Wolf and Ornolf the Restless stumble across an Irish ship that carries aboard it a single item - a crown. The Vikings eagerly snatch the prize, unaware of its significance to the people of Ireland and the power granted to the king who wears it. Soon the Norsemen are plunged into the violence and intrigue of Medieval Ireland, where local kings fight with each other and with the invaders from the north for rule of the island nation. With enemies at every hand, and loyalties as fickle as the weather, Thorgrim must lead his men, the white invaders, the Fin Gall, in the fight of their lives, with both Irish and Dane eager to see them dead.

    An English lord. A love that overcomes all boundaries, but at what cost?Lord August Grayson, English landlord, has secretly, and much to the dismay of his father, held in reverence the object of his first fancy: poor Irish tenant Maeve O'Connor. Returning to the Ireland for the first time since his youth, August discovers that Maeve has grown into a woman of beauty and tenacity. August understands, however, that he could offer Maeve nothing but shame if her pursued her. But when circumstances allow him an opportunity to indulge his fancy, even if only in a limited scope, August finds himself unable to resist the temptation. Maeve,for her part, knows the danger falling for August holds, but finds her heart and her good senses becoming confused the longer she spends in his company. As two hearts become hopelessly entangled, both Maeve and August are forced to question the costs of their love. As consequences of their romance manifest, both struggle with the pain and difficulties their love causes, both for them and for their loved ones.Killian McRae's delve into historical romance will challenge reader's presumptions of the genre. A title garnering controversy due to McRae's preference towards historical truth versus genre-standard "love despite the realities of the day" perspectives, it asks at what cost winning love is justified. "A Love by Any Measure" is an exploration of a romance that strives to overcome divisions of cultural, socio-economic, and religious differences in an era where options for lovers in such situations were limited.

    Though her new life as a wedding photographer provides a semblance of purpose, it’s also a distraction from her profound pain.When asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant. Hoping to open Woodmont to the public, Elaine has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process. Libby is immediately drawn to the old greenhouse shrouded in honeysuckle vines.As Libby forms relationships and explores the overgrown—yet hauntingly beautiful—Woodmont estate, she finds the emotional courage to sort through her father’s office. There she discovers a letter that changes everything she knows about her parents, herself, and the estate. Beneath the vines of the old greenhouse lie generations of secrets, and it’s up to Libby to tend to the fruits born of long-buried seeds.

    She pilots a mail-delivery plane in the forbidding Alaskan wilderness, the lone woman in a male profession. But even that seems easy compared to finding true love. She likes a fellow pilot and would even consider marrying him--if it weren't for Paul, a mysterious man on her mail route with a gentle spirit and a past to hide. Can Kate break through the walls Paul has put up around his heart? And will her quest for adventure be her demise?

    She knows their brutality first hand, having lost the men from her own family and village to their swords. When she encounters and wounds a Viking warrior one stormy night, she has every right to want him dead. Instead, she allows him shelter in her cottage. Although she fears him, his confidence and teasing manner give her pause. He acts as if she belongs to him. As if he knows her. Ronan didn’t expect Arienh to recognize him. Why should she? They were both just children when his uncle forced him into a raid against her village. But Ronan risked his life to protect the young Arienh from his marauding kinsmen. Now that the time has come for Ronan and the other warriors to choose wives, he has returned to claim the beautiful girl who captured his heart so long ago.But for men accustomed simply to taking what they want, wooing the courageous, headstrong Celtic women is easier said than done. And for Arienh, who always sacrificed her own happiness for the sake of her people, trusting—and loving—a Northman may be impossible. By turns poignant and humorous, Loki’s Daughters is a stirring tale of unlikely lovers, forged in dangerously opposite worlds yet bound together by sacrifice, strength, and undeniable passion.

    . .Charlotte Fallon let her guarded virtue fall once--and she's paid dearly for it ever since. She swore she'd never succumb to men's desires again. But even a village spinster's life miles from temptation can't save her from a sister with no shame whatsoever. Or a heart that longs for more, whatever the cost. . .Sir Michael Bayard found more than he expected in his bed when he finally joined his new mistress. He'd fantasized about her dewy skin and luscious curves, assured her understanding that what passed between them was mere dalliance. But he didn't expect the innocence and heat of her response in his arms. Nor her surprisingly sharp tongue once she was out of them. . .A few days of abandon cannot undo the hard-learned lessons of a lifetime. Nor can an honest passion burn away the restraints of society's judgments. Unless, of course, one believes in nonsense like true love. . .

    Is the man buried with the priestess really her husband? Or was she actually in love with a scribe called Kamenwati and separated from him in life as well as death? To answer these questions, Dame Ursula turns to Egyptology student and artist Lily Evans, who reluctantly agrees to help. Lily learns that she is psychically linked to Amisihathor and experiences a strange, unsettling phenomenon—the memories and emotions of the Egyptian woman. Luckily, Lily has her beloved pet Cleocatra and her irrepressible friend Katy to keep her grounded in reality. Or so she hopes.Dealing with the challenges of falling in love with Ursula’s grandson Kent, the reappearance of her ex-fiance Stephen and the demands of her mother and her boss Professor Briggs, Lily soon realizes she has taken on much more than she bargained for

    All four find themselves on an ocean liner headed for England together, and typically Wodehousian romantic shenanigans ensue.

    Clara is an idealistic journalist determined to defend underprivileged workers.Can they withstand the cost of their convictions while their hearts--and lives--hang in the balance?

    Why, just about anyone would make a more suitable match...even her own paid companion, Emily Townsend! But if her dear, practical-minded Robert were to back out of the betrothal, the tongues of the ton would never stop wagging...At the very least, the dowager decides, she will extract a promise from her grandson to find Emily a husband. But when the handsome, rakish earl comes to know the charms of Emily Townsend, he suddenly regrets his hasty engagement-and is sorely tempted to win her hand for himself.

    This is the story of how one of those men trades his wealth for his life—and lives to pay for his act in utterly unexpected ways.

    Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack. Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie. Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted,