The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.

    Nobody. But when neuropsychiatrist Dr. Emma Lewis is invited to assess him, she discovers he does recall something about her own past that no one else knows.

    He contacted one man before he died: investigative journalist, Jack Logan. He left Jack a single clue to help him uncover the truth and keep Phillips’s widow, Taylor, safe. But safe from whom? Jack and Taylor’s desperate hunt leads them to a vast network of corrupt authority, controlling everything from social media and television programming to law enforcement and US legislation. The key to unraveling a complex web of lies is a set of ancient relics, dating back to the time of Christ. But what do these relics have to do with a senator’s death? Allies turn to foes when Jack and Taylor discover that those closest to them are part of the conspiracy and that they too have been manipulated. How long has a puppet master been pulling their strings—and will Jack and Taylor trust the right people long enough to win what becomes a colossal battle for souls?

    A man to whom Wardell is no stranger.Along with Elaine Banner, an ambitious special agent juggling life as a single mother with her increasingly high-flying career, Blake must track Wardell down as he cuts a swathe across America, apparently killing at random.But Blake and Banner soon find themselves sidelined from the case. And as they try desperately to second-guess a man who kills purely for the thrill of it, they uncover a hornets' nest of lies and corruption. Now Blake must break the rules and go head-to-head with the FBI if he is to stop Wardell and expose a deadly conspiracy that will rock the country.Slick, fast-paced and assured, The Killing Season is the first novel in the gripping new Carter Blake series.

    A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.

    Hen (short for Henrietta) is an illustrator and works out of a studio nearby, and has found the right meds to control her bipolar disorder. Finally, she’s found some stability and peace.But when they meet the neighbors next door, that calm begins to erode as she spots a familiar object displayed on the husband’s office shelf. The sports trophy looks exactly like one that went missing from the home of a young man who was killed two years ago. Hen knows because she’s long had a fascination with this unsolved murder—an obsession she doesn’t talk about anymore, but can’t fully shake either...

    After a childhood moving from one academic outpost to another with her father (a man prone to aphorisms and meteoric affairs), Blue is clever, deadpan, and possessed of a vast lexicon of literary, political, philosophical, and scientific knowledge—and is quite the cineaste to boot. In her final year of high school at the elite (and unusual) St. Gallway School in Stockton, North Carolina, Blue falls in with a charismatic group of friends and their captivating teacher, Hannah Schneider. But when the drowning of one of Hannah's friends and the shocking death of Hannah herself lead to a confluence of mysteries, Blue is left to make sense of it all with only her gimlet-eyed instincts and cultural references to guide—or misguide—her.

    I’ve put through a refund to your credit card for the full amount, minus $200 to replace the sheets. I couldn’t get the stain out despite professional laundering and bleaching. . .MirandaAll Dawn wanted was to stay in a beautiful beach house with her husband, to live like money’s no object, for just one long weekend. Then Miranda, the home’s owner, has to send an e-mail like this, full of lies and the suggestion that Dawn’s so dirty, she needs to throw out her sheets. Someone needs to teach Miranda a lesson.Beware of your "host"I wouldn’t leave a review on Getaway.com at all, if I didn’t feel it was my civic duty to warn others . . .DawnMiranda cannot believe her eyes. Yes, she may be a doctor’s wife, but she needs the rental money from the beach house desperately. Someone needs to teach this Dawn a lesson.Two very different women with one thing in common: Each one knows she’s right, and each is determined to win this battle of words and wills and (eventually) worse. Neither will yield, not before they’ve dredged up hidden secrets, old hurts, and painful truths that threaten to shatter the foundations of their lives.Because it’s never really just about the sheets, is it?This is not over.This is so not over.

    Four years later, Jack is free and he wants out of the game, but his boss won't let him go. Forced to take on one last job to make amends for what landed him in prison, he travels to the small town of Rockland Cove, Maine. There, he not only discovers that the target and money have disappeared; he finds himself falling for a damaged woman, and befriending an unruly son left behind. Under mounting pressure from his boss and local police--as well as the ghosts of his past--he must unravel the mystery and decide where his loyalties lie...before it's too late.

    That's what his mother always told him.Now, he is a true crime writer, with one grisly success--and movie adaptation--to his name, along with a series of subsequent lesser efforts that have paid the bills but not much more. But now he is being offered the chance for the big break: To move into the house--what the locals call "The Devil House"--in which a briefly notorious pair of murders occurred, apparently the work of disaffected 1980s teens. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is.

    Someone is slaughtering every woman, girl and child named Natasha Mehra . . .Which is what Natasha Mehra, the most unpopular girl on campus, discovers. Though she’s always hated her name, she would’ve never imagined that it would be the reason she would be on the run from a gruesome death. But these murders aren’t random acts of madness. Rather, they are part of a conspiracy hatched by the Kul, an all-powerful secret organisation with tentacles everywhere. And the success or failure of this 2000-year-old mission will determine the future of humankind . . .About the AuthorAnand Sivakumaran has been telling stories since he was five. After passing out of IIT Bombay, he did stints in journalism, advertising, event management and youth marketing, before landing up in the entertainment business. His credits include films like Kalyug and Nazar and TV shows like The Buddy Project, Sadda Haq, Miley Jab Hum Tum, Jassi Jaisi Koi Nahin, Rishtey, Adhafull, etc. He has directed two films as well—Detour and Money Devo Bhava (awaiting release).He currently runs CROCTALES, a creative shop that makes and runs web series, films and TV shows.Anand also does live, interactive storytelling which involves making up stories on the spot in front of a live audience using their words. He also has a storytelling podcast—The Croc’s Tales—again telling stories using listener’s prompts.Mumbai is his base in between exploring the world.

    Eric Parrish is the Chief of the Psychiatric Unit at Havemeyer General Hospital outside of Philadelphia. Recently separated from his wife Alice, he is doing his best as a single Dad to his seven-year-old daughter Hannah. His work seems to be going better than his home life, however. His unit at the hospital has just been named number two in the country and Eric has a devoted staff of doctors and nurses who are as caring as Eric is. But when he takes on a new patient, Eric's entire world begins to crumble. Seventeen-year-old Max has a terminally ill grandmother and is having trouble handling it. That, plus his OCD and violent thoughts about a girl he likes makes Max a high risk patient. Max can't turn off the mental rituals he needs to perform every fifteen minutes that keep him calm. With the pressure mounting, Max just might reach the breaking point. When the girl is found murdered, Max is nowhere to be found. Worried about Max, Eric goes looking for him and puts himself in danger of being seen as a "person of interest" himself. Next, one of his own staff turns on him in a trumped up charge of sexual harassment. Is this chaos all random? Or is someone systematically trying to destroy Eric's life?

    She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm. Her husband would be furious if he knew she’d broken her promise not to take that shortcut home. And she probably would only have been hurt herself if she’d stopped.But since then, she’s been forgetting every little thing: where she left the car, if she took her pills, the alarm code, why she ordered a pram when she doesn’t have a baby.The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt.Or the silent calls she’s receiving, or the feeling that someone’s watching her…

    Is your daughter involved, or is she next?Your daughter is in danger. But can you trust her?When Karen Finch’s seventeen-year-old daughter Sophie arrives home after a night out, drunk and accompanied by police officers, no one is smiling the morning after. But Sophie remembers nothing about how she got into such a state.Twelve hours later, Sophie’s friend Amy has still not returned home. Then the body of a young woman is found.Karen is sure that Sophie knows more than she is letting on. But Karen has her own demons to fight. She struggles to go beyond her own door without a panic attack.As she becomes convinced that Sophie is not only involved but also in danger, Karen must confront her own anxieties to stop whoever killed one young girl moving on to another – Sophie.A taut psychological thriller, perfect for fans of The Girl on the Train and I Let You Go.