In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    Her fist book, Pole Dancing to Gospel Hymns opened the door to Gibson's unapologetic voice, yet The Madness Vase manages to take an even more intimate look at the subjects of family, war, spirituality, gender, grief and hope. The poems' topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson's work seizes us by the collar and hauls us inside some of her darkest moments, then releases out the other side. Moments later, we find ourselves inhaling words that fill us with light. Her luminous imagery is a buoy that allows us to resurface from her world clutching new possibilities of our own. Throughout her career, Gibson's poems have always been a call to social justice. But this collection goes beyond awareness. Her images linger in our psyches and entreat us to action. They challenge us to grow into our own skin. The journey may be raw at times but we are continuously left inspired, held, and certain we are not alone. By the time you finish reading The Madness Vase, you too will believe, "Folks like us/We've got shoulder blades that rust in the rain/But they are still G-sharp/Whenever our spinal chords are tuned to the key of redemption/So go ahead world/Pick us/To make things better."

    Their guns are drawn on the bank manager. She nervously recites the alarm code, and the tumblers within the huge vault fall. The timing and execution are brilliant. It could be the perfect heist. But as the huge sum of cash is stolen, so too is one man's heart -- and that man is the Prince of Thieves...Charlestown, a blue-collar Boston neighborhood, produces more bank robbers and armored car thieves than any square mile in the world. In this gripping, intricately plotted thriller, Claire Keesey, the branch manager for a Boston bank and one of an influx of young professionals chipping away at the neighborhood's insularity, is taken hostage during a robbery. She is released, but Doug MacRay, the brains behind the tough, tight-knit crew of thieves, can't get her out of his mind. Tracking her down without his mask and gun, Doug introduces himself, and as soon as he and Claire meet, their mutual attraction is undeniable -- as are the risks of a relationship. Meanwhile, Doug's crew pulls off another audacious, meticulously planned job. Frustrated by their ingenuity and brazen ambition, FBI Agent Adam Frawley begins to zero in on Doug and his pals -- and against his own better judgment, he, too, develops more than a professional interest in Claire.Under pressure from Frawley's ever-closer investigation, Doug imagines a life for himself away from bank robberies and Charlestown. But before that can happen, the crew learns that there may be a way to rob Boston's venerable baseball stadium, Fenway Park. It's a magnificently dangerous and utterly irresistible opportunity -- yet for Doug, pursuing his former hostage may be the most dangerous act of all... Chuck Hogan's brash tale of four men -- thieves, rivals, friends -- being hunted through the streets of Boston by a tenacious FBI agent, and the woman who may destroy them all, is a spectacular, stylish, heart-pounding thriller.

    This is Maya Angelou talking from the heart, down to earth and real, but also inspiring. This is a book to treasured, a book about being in all ways a woman, about living well, about the power of the word, and about the power do spirituality to move and shape your life. Passionate, lively, and lyrical, Maya Angelou's latest unforgettable work offers a gem of truth on every page. "From the Paperback edition."

    There he finds none other than Benjamin Franklin, who reveals the brilliant soldier's assignment: He is to travel to Russia disguised as a British mercenary and convince Catherine the Great not to join the British in their war with America. It is not a quest for the weak of heart, for to succeed, Selkirk must survive savage terrain, starving wolves, secret assassins, marauding Cossacks, a court of seductive young women, and even a dramatic romantic face-off with the legendary Tsarina herself.

    Together, the cookbooks contain over 550 of Paula’s classic, down home, Southern recipes and this boxed set makes a tempting addition to any cookbook collection, and a great gift for friends!

    In Narcissus Leaves the Pool, he displays his signature verve and charm in sixteen agile, entertaining pieces. Among his targets in this collection are name-dropping, talent versus genius, the cult of youthfulness, and the information revolution.

    Drawing on sources as diverse as Dr. Seuss and Simone Weil, P. G. Wodehouse and Isaiah Berlin, Pulitzer Prize–winning critic Michael Dirda shows how the wit, wisdom, and enchantment of the written word informs and enriches nearly every aspect of life, from education and work to love and death.Organized by significant life events and abounding with quotations from great writers and thinkers, Book by Book showcases Dirda's capacious love for and understanding of books. Favoring showing as much as telling, Dirda draws us deeper into the classics, as well as lesser-known works of literature, history, and philosophy, always with an eye to how we might better understand our lives.

    Elvis Oke, a teenage Elvis impersonator spurred on by the triumphs of heroes in the American movies and books he devours, pursues his chosen vocation with ardent single-mindedness. He suffers through hours of practice set to the tinny tunes emanating from the radio in the filthy shack he shares with his alcoholic father, his stepmother and his stepsiblings. He applies thick makeup that turns his black skin white, to make his performances more convincing for American tourists and hopefully net him dollars. But still he finds himself constantly broke. Beset by hopelessness and daunted by the squalor and violence of his daily life, he must finally abandon his dream.With job prospects few and far between. Elvis is tempted to a life of crime by the easy money his friend Redemption tells him is to be had in Lago's underworld. But the King of the Beggars, Elvis's enigmatic yet faithful adviser, intercedes. And so, torn by the frustration of unrealizable dreams and accompanied by an eclectic chorus of voices, Elvis must find a way to a Graceland of his own making.Graceland is the story of a son and his father, and an examination of postcolonial Nigeria, where the trappings of American culture reign supreme.

    Indeed it was with a Salon review that he made his literary debut: and it is significant that even at this early stage - in 1845 - he was already articulating the need for a painter who could depict the heroism of modern life. This he was to find in Constantin Guys, whom he later celebrated in the famous essay which provides the title-piece for this collection. Other material in this volume includes important and extended studies of three of Baudelaire's contemporary heroes - Delacroix, Poe and Wagner - and some more general articles, such as those on the theory and practice of caricature, and on what Baudelaire, with intentional scorn, called philosophic art. This last article develops views only touched on in Baudelaire's other writings. This volume is extensively illustrated with reproductions of works referred to in the text and otherwise relevant to it. It provides a survey of some of the most important ideas and individuals in the critical world of the great poet who has been called the father of modern art criticism.

    M. Coetzee, Nadine Gordimer, and Salman Rushdie, the new Major Authors edition is a library between two covers -- an indispensable addition to the family bookshelf.