Deeply personal, these poems and accompanying line illustrations are playful and profound, sometimes darkly funny, and often acutely moving.

    In these fierce yet tender narrative poems, Thom draws from both memory and mythology to create new maps of gender, race, sexuality, and violence. Descended from the traditions of oral storytelling, spoken word, and queer punk, Thom's debut collection is evocative and unforgettable.Kai Cheng Thom is a trans writer and performance artist whose work has been published in Buzzfeed, Autostraddle, Asian American Literary Review, and xoJane. She writes regularly for Everyday Feminism.

    . . . What could go wrong at a lavish Indian wedding with your best friend and your entire family? Tina Das wants to belong, but she just isn't sure where. India or America? Brooklyn or Bombay? Manhattan or Delhi? Or start from scratch in London--she still has fond memories of her one-night stand with Rocco Gallagher, the handsome Australian, as they traipsed through Covent Garden and Seven Dials, but he never called back so maybe it's time to let that dream go, and focus on finding the next big story for her streaming network instead.She's hoping she'll find it at her cousin's lavish, weeklong Delhi wedding, and has taken her best friend Marianne Laing along for the ride to Delhi's poshest country club, Colebrookes. Marianne has always had international tastes, in life and in love, yet can't help but think of sweet, steady, khaki-clad Tom back home in New York.Also in attendance are Tina's divorced parents: her mother, Radha, who's bringing her American "boyfriend," David, to the wedding, and her father, Neel, who's using the visit to India to explore the idea of dating again, only to discover it and he have both changed completely in the decades he's been away.Infused with warmth, charm, and wicked humor, Destination Wedding grapples with the challenges of work, love, and finding the people who make a place feel like home.

    After moving back home to Tennessee to live with her loving but meddling mother and father, she runs into her childhood nemesis - golden child Daniel Choi - at the local Asian grocery store. The smart, charming lawyer appears to have it all...while Jessie has nothing.Jess begrudgingly accepts Daniel’s help to relaunch her long abandoned Korean cooking YouTube channel Hanguk Hacks, showcasing easy meal prep for busy professionals. But just as she discovers Daniel’s life isn’t as perfect as it seems and there’s more to him than meets the eye, he shows up for a life-changing business opportunity, and their rivalry is back on....

    I've never seen the water, so I've gone there. I will try to remember to come back.Etta's greatest unfulfilled wish, living in the rolling farmland of Saskatchewan, is to see the sea. And so, at the age of eighty-two she gets up very early one morning, takes a rifle, some chocolate, and her best boots, and begins walking the 2,000 miles to water. Meanwhile her husband Otto waits patiently at home, left only with his memories. Their neighbour Russell remembers too, but differently - and he still loves Etta as much as he did more than fifty years ago, before she married Otto.

    It is especially a cry from the heart. As if the tenderness and poetry were dumbfounded before the eruption of a volcano. Natasha Kanapé Fontaine reveals herself as a poet and Innu woman. She loves. She cries. She shouts ... to come into the world again. "A beautiful collection of poems that has the reader enter the Borean “countryside” and walk through it, almost spiritually, and brings us to very roots of a tradition that reunites the dead and living, and with it, the burning ancestral memories that provide a possibility of endless secrets of stones and matter." —Hugues Corriveau, Le Devoir This collection is primarily a search within oneself, of love, the body en route to expectation and ecstasy; a search supported by a lively writing, an explosion of impressions towards nature evocative of a Dali painting. The energy of the image surprises here, one is amazed by the force of this bright and concise language. "Natasha Kanapé Fontaine speaks of blades, vertebrae, back, nerves; she uses a whole lexicon of the skeleton that evokes the structure of the body, its frame, which supports it, which gives it its strength. A call to movement, her poetry is one of action rather than contemplation: we dance, we are walking, we are standing. "—Cousins ​​de personnes (Paris) "Natasha Kanapé Fontaine has written a book as pure as a diamond taken from coal, like the first sentence uttered after awakening from being drunk the night before. She has succeeded, in these deeply moving pages, to begin to ask the fundamental questions of origins, beauty, death and the passage of time.” —Maxime Catellier, Le Libraire (Quebec)

    That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

    Befitting someone who "speaks things into being," Christmas extracts from family history, queer lineage, and the political landscape of a racialized life to create a rich, softly defiant collection of poems. Christmas draws a circle around the things she calls "holy" the family line that cannot find its root but survived to fill the skies with radiant flesh; the body, broken and unbroken and broken and new again; the lover lost, the friend lost, and the loss itself; and the hands that hold them all with brilliant, tender care. Expansive and beautiful, these poems allow readers to swim in Jillian Christmas's mother-tongue and to dream at her shores.

    A Chatelaine Summer Reads pick. Named one of the most anticipated books of the fall by CBC Books and 49th Shelf."But wait, what happened to the girl?" "I don't know," I say. I don't tell him that what will happen to her is what happens to every girl. Nina, a bright, hilarious, and sensitive 14-year-old, doesn't say anything when her best friend begins to pull away, or when her crush on her English teacher intensifies. She doesn't say anything when her mother tries to match her up with local Halifax Indian boys unfamiliar with her Saved by the Bell references, or when her worried father starts reciting Hindu prayers outside her bedroom door. ("How can your dad be happy when his only daughter is unsettled?") And she won't speak of the incident in high school that changes the course of her life. On her tumultuous path from nineties high school student to present-day high school teacher, Nina will learn difficult truths about existing as a woman in the world. And whether she's pushing herself to deliver speeches at Toastmasters meetings, struggling through her MFA program, enduring the indignities of online dating, or wrestling with how to best guide her students, she will discover that the past is never far behind her. Darkly funny, deeply moving, at times unsettling and even shocking, Shashi Bhat's irresistible novel examines the fraught relationships between those who take and those who have something taken. Rich with wry humour and sharp-edged insight, The Most Precious Substance on Earth is an unforgettable portrait of how silence can shape a life.

    The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.