Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    He leaves no clues and the police are helpless.When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of.Reluctantly partnered with the brilliant but socially awkward civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it.As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he's ever believed about himself, Poe will learn that there are things far worse than being burned alive...

    For Harry Angel, a routine missing-persons case soon turns into a fiendish nightmare of voodoo and black magic, of dizzying peril and violent death. Many people feel that Falling Angel is the greatest American supernatural horror novel of the 20th century.With a new foreword by Ridley Scott, an introduction by the late James Crumley, and a new afterword by the author and a bonus short story, plus a letter from Stephen King, the first time that the letter has ever been published in its complete form.The hardcover edition is limited to just 300 copies and is signed by William Hjortsberg. Bound in cloth with a dustjacket with the original Stanislaw Zagorski wraparound dustjacket printed against a black background with spot varnish.

    This is no ordinary suicide but a symbolic act. And thanks to the media, it is witnessed by the entire world.But few understand it. For charity worker Kathryn Mann and a handful of others in the know, it is what they have been waiting for. The cowled and secretive fanatics that live in the Citadel suspect it could mean the end of everything they have built – and they will kill, torture and break every law to stop that. For Liv Adamsen, New York crime reporter, it begins the next stage of a journey into the heart of her own identity.And at that journey's end lies a discovery that will change EVERYTHING …SANCTUS is an apocalyptic conspiracy thriller like no other – it re-sets the bar for excitement and fascination, and marks the debut of a major talent in Simon Toyne.

    -- so when his assistant tells him about a ghost for sale on an online auction site, he immediately puts in a bid and purchases it. The black, heart-shaped box that Coyne receives in the mail not only contains the suit of a dead man but also his vengeance-obsessed spirit. The ghost, it turns out, is the stepfather of a young groupie who committed suicide after the 54-year-old Coyne callously used her up and threw her away. Now, determined to kill Coyne and anyone who aids him, the merciless ghost of Craddock McDermott begins his assault on the rocker's sanity.

    In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Temperance detects an alarming pattern and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her, her best friend and her own daughter, in mortal danger...

    He is never wrong.When Arlen awakens on a train one hot Florida night and sees death's telltale sign in the eyes of his fellow passengers, he tries to warn them. Only 19-year-old Paul Brickhill believes him, and the two abandon the train, hoping to escape certain death. They continue south, but soon are stranded at the Cypress House--an isolated Gulf Coast boarding house run by the beautiful Rebecca Cady--directly in the path of an approaching hurricane.The storm isn't the only approaching danger, though. A much deadlier force controls the county and everyone living in it, and Arlen wants out--fast. But Paul refuses to abandon Rebecca to face the threats alone, even though Arlen's eerie gift warns that if they stay too long they may never leave. From its chilling beginning to terrifying end, The Cypress House is a story of relentless suspense from "one of the best of the best" (Michael Connelly).

    Running for his life, but not before he picks up a bloodstained letter opener that puts the president at the scene of the crime, the burglar becomes the target of a clandestine manhunt orchestrated by leading members of the executive branch.Meanwhile, Jack Graham, once a public defender and now a high-powered corporate attorney, gets drawn into the case because the on-the-lam burglar just happens to be the father of his former financee, a crusading Virginia prosecutor. Embroidering the narrative through assorted plot whorls are the hero's broken romance; his conflict over selling out for financial success; the prosecutor's confused love-hate for her burglar father; the relentless investigation by a northern Virginia career cop; the dilemma of government agents trapped in a moral catch-22; the amoral ambitions of a sexy White House Chief of Staff; and the old burglar's determination to bring down the ruthless president. Meanwhile, lurking at the novel's center like a venomous spider is the sociopathic president.

    Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end—a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household. In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

    John of Washington, D.C., seeking sanctuary, and FBI Special Agent James Quinlan who's undercover and after her. He's got a murder to solve, and he believes she's the key. But is she really?

    Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.When the garden is discovered, a survivor is brought in for questioning. FBI agents Victor Hanoverian and Brandon Eddison are tasked with piecing together one of the most stomach-churning cases of their careers. But the girl, known only as Maya, proves to be a puzzle herself.As her story twists and turns, slowly shedding light on life in the Butterfly Garden, Maya reveals old grudges, new saviors, and horrific tales of a man who’d go to any length to hold beauty captive. But the more she shares, the more the agents have to wonder what she’s still hiding...

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    His brutal murders confound the local task force, despite the gifted profiling skills of Special Agent Karen Vail. But along with Vail’s insight and expertise comes considerable personal and professional baggage. On leave pending a review of her assault on her abusive ex-husband, Vail must battle forces determined to bring her down, as she fights to find Dead Eyes before he murders more young women. But the seventh victim is the key to all that stirs this killer...the key that will unlock secrets perhaps too painful for Vail to bear. These are secrets that threaten to destroy her, secrets that will bring down her storied career. For Karen Vail, the truth rests at the heart of a lie. And uncovering it could get her killed...With material meticulously researched during seven years of study with the Bureau’s vaunted profiling unit, Alan Jacobson brings refreshing realism and unprecedented accuracy to his pages.The 7th Victim is a page-turner as only Alan Jacobson can write, with a stunning twist of an ending that will satisfy even the most discerning thriller reader.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.