Murder is obsolete. Death is just the beginning.In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased.Yet Britain isn’t the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god.When SIS agent Rachel White gets a lead on one of the Soviet moles, blowing the whistle puts her hard-earned career at risk. The spy has friends in high places, and she will have to go rogue to bring him in.But how do you catch a man who’s already dead?

    Red-sailed ships followed in the explorers’ wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I’s capital?Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul.

    One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes.But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

    Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

    Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he’ll face is a paper cut. But Peter’s prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter’s ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

    To fight these monstrous forces, Van Helsing raises a legendary monster from centuries of slumber... Prince Dracula himself.Once he was the ruler of Transylvania. Prince Vlad Dracul, is, above all else, a patriot. He proves more than willing to once again drive out his country’s invaders. Upshot: No one minds if he drinks all the German blood he desires.In Berlin, when Hitler hears about the many defeats his forces are suffering at the hands of an apparent true vampire, he is seduced by the possibility of becoming immortal. Thus two forces are set upon a collision course, the ultimate confrontation: Superpower against superpower.

    His eyes are sparkling gold, and when he graces you with his smile you are his friend for life, but his promised land is not Neverland. Fourteen-year-old Nick would have been murdered by the drug dealers preying on his family had Peter not saved him. Now the irresistibly charismatic wild boy wants Nick to follow him to a secret place of great adventure, where magic is alive and you never grow old. Even though he is wary of Peter's crazy talk of faeries and monsters, Nick agrees. After all, New York City is no longer safe for him, and what more could he possibly lose?There is always more to lose.Accompanying Peter to a gray and ravished island that was once a lush, enchanted paradise, Nick finds himself unwittingly recruited for a war that has raged for centuries—one where he must learn to fight or die among the "Devils," Peter's savage tribe of lost and stolen children.There, Peter's dark past is revealed: left to wolves as an infant, despised and hunted, Peter moves restlessly between the worlds of faerie and man. The Child Thief is a leader of bloodthirsty children, a brave friend, and a creature driven to do whatever he must to stop the "Flesh-eaters" and save the last, wild magic in this dying land.

    A very dark secret.An archivist for the Smithsonian Institute and also a part-time operative for the CIA, no one would ever suspect the handsome ‘thirty-ish’ William is in fact the most reviled human being to ever walk the earth. His infectious warmth and sense of humor make such an assertion especially hard to believe.But long ago, William Barrow had another name…one that is synonymous with shame and betrayal: Judas Iscariot.Forced to walk the earth as a cursed immortal, William/Judas is on a quest to reclaim the thirty silver shekels paid to him in exchange for Jesus Christ. Twenty-one coins have now been recovered—thanks in large part to the help from his latest son, the esteemed Georgetown University history professor, Alistair Barrow.Ever hopeful the complete coin collection will buy him a full pardon from God and end his banishment from heaven, William plans a visit to a remote village deep within Iran’s Alborz Mountains to retrieve ‘silver coin number twenty-two’. But the CIA has a different objective for this trip, one that pits both father and son against an unscrupulous Russian billionaire searching for something else that’s just as precious within the ancient mountains of Iran… something that threatens peace in the modern world if William and Alistair fail to reach it first.

    While there, Phoebe is drawn to a stranger, the enigmatic Nathaniel Samuels who heralds dramatic changes in the lives of all three women. When offered the position of companion to Nathaniel's reclusive wife, Phoebe leaves her life in London's East End for Dinwood Court in Herefordshire — a house that may well be haunted and which holds the darkest of truths. In a gloriously gothic debut, Essie Fox weaves a spellbinding tale of guilt and deception, regret and lost love.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

     Lydia has always known she has no power, especially next to her infamous and more-than-slightly dodgy family. Which is why she carved her own life as a private investigator far away from London. When a professional snafu forces her home, the head of the family calls in a favour, and Lydia finds herself investigating the disappearance of her cousin, Maddie. Soon, Lydia is neck-deep in problems: her new flatmate is a homicidal ghost, the intriguing, but forbidden, DCI Fleet is acting in a distinctly unprofessional manner, and tensions between the old magical families are rising. The Crows used to rule the roost and rumours claim they are still the strongest. The Silvers have a facility for lying and they run the finest law firm in London. The Pearl family were costermongers and everybody knows that a Pearlie can sell feathers to a bird. The Fox family... Well. The less said about the Fox family the better. For seventy-five years, a truce between the four families has held strong, but could the disappearance of Maddie Crow be the thing to break it? The Night Raven is the first book in Crow Investigations, an exciting new paranormal mystery series from bestselling author of magical fiction, Sarah Painter.

    She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    London is a city in transition. The Constantine Affliction - strange malady that kills some of its victims and physically transforms others into the opposite sex - has spread scandal and upheaval throughout society. Scientific marvels and disasters, such as clockwork courtesans, the alchemical fires of Whitechapel, electric carriages, and acidic monsters lurking in the Thames, have forever altered the face of the city.Pembroke "Pimm" Halliday is an aristocrat with an interest in criminology, who uses his keen powers of observation to assist the police or private individuals - at least when he's sober enough to do so. Ellie Skyler, who hides her gender behind the byline "E. Skye," is an intrepid journalist driven by both passion and necessity to uncover the truth, no matter where it hides.When Pimm and Skye stumble onto a dark plot that links the city’s most notorious criminal overlord with the Queen’s new consort, famed scientist Sir Bertram Oswald, they soon find the forces of both high and low society arrayed against them. Can they save the city from the arcane machinations of one of history's greatest monsters - and uncover the shocking origin of . . . THE CONSTANTINE AFFLICTION.

    He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.