When it did, the lives of everyone involved in its construction were utterly changed: some for the better, many for the worse.Helen Pitt tells the stories of the people behind the magnificent white sails of the Sydney Opera House. From the famous conductor and state premier who conceived the project; to the two architects whose lives were so tragically intertwined; to the workers and engineers; to the people of Sydney, who were alternately beguiled and horrified as the drama unfolded over two decades.With access to diaries, letters, and classified records, as well as her own interviews with people involved in the project, Helen Pitt reveals the intimate back story of the building that turned Sydney into an international city. It is a tale worthy of Shakespeare himself.'A drama-filled page turner' - Ita Buttrose AO OBE'Helen Pitt tells us so much about the building of the Sydney Opera House we've never heard before' - Bob Carr, former Premier of NSW'Australia in the seventies: mullets, platform shoes and, miraculously, the Opera House. At least we got one of them right. A great read.' - Amanda Keller, WSFM breakfast presenter

    It is based upon the lives of five indigenous people who dealt with the issues for forceful removal by the Australian government.Stolen tells the story of five Aboriginal children, who go by the names of Sandy, Ruby, Jimmy, Anne, and Shirley.Sandy has spent his entire life on the run, never having a set home to live in. Stolen tracks his quest for a place to be, a place where he doesn’t have keep hiding from the government (even though they are no longer after him), and a place he can call home.Ruby was forced to work as a domestic from a young age, and was driven insane by the abuse of her white masters. In the latter part of the play, she spends a lot of her time mumbling to herself, whilst her family desperately try to help her.Jimmy was separated from his mother at a very young age, and she spent her entire life looking for him. He spent a lot of time in prison, and on the day he finally got out, he was told about his mother’s search. As he went to meet her, she died, and he committed suicide in anger. Jimmy thought his mother was dead because everytime she writes him a letter the nuns take it and put it in the cabinet.Anne was removed from her family and placed in a Caucasian family’s home. She was materially happy in this home, a lot happier than many of the other characters, but when her indigenous family tried to meet her, she was caught in crossfire between her two “families”.Shirley was removed from her parents, and had her children removed from her. She only felt relief, safety, and comfort when her granddaughter was born, and not removed.Stolen toured extensively throughout Australia. On top of its seven years in Melbourne (starting in 1998), it was also performed in Sydney, Adelaide, regional Victoria, Tasmania, the UK, Hong Kong, and Tokyo. Furthermore, readings were performed in Canada and New York.Stolen won (along with Aliwa! by Dallas Wimmar) the Kate Challis RAKA award in 1998, on the back of largely successful first season[2][3]Stolen was studied on the Victorian Certificate of Education English syllabus, and the New South Wales Higher School Certificate syllabus. Many other schools throughout Australia have also placed Stolen on their English curriculum

    In 47 Percent, Corn recounts how the 47 percent video fit into the ongoing narrative of the 2012 election and greatly changed the course of the campaign. This instant, on-the-news book also features an astute review of the first debate between President Barack Obama and Governor Mitt Romney and assesses the strengths and weaknesses of each candidate as they head into the final stretch of this historical election.

    One of them, Ayik, was once a ten-year-old boy soldier training in the junior forces of the SPLA and like many of the young boys hating it. He regularly ran away, sometimes to refugee camps, but was found, dragged back and brutally punished by then fourteen-year-old Anyang, the man now sitting opposite him.After a tumultuous life in Africa, Ayik brings that trauma with him to Australia and at various times gets in trouble with the law over violence, alcohol and drugs. He is misdiagnosed as schizophrenic and is wrongly medicated for years. One day at a Brisbane church he looks across and sees his childhood torturer and is filled with hate. They do not interact then, but on their next encounter, a few years later, Ayik speaks with Anyang and says if they were still in Africa he would kill him.Thankfully a number of forces (including the law and parenthood and a better psychiatrist) eventually set Ayik on the straight and narrow. He is studying, working as an actor and volunteering at his local PCYC.An incredibly honest book showing that recovering from torture and war is a process of lifelong learning, choices and challenges.

    

    Anna has survived the worst. So has Nat. Two broken souls, struggling to find a place in a world they no longer fit.Anna, 62, is the victim of a terrorist attack in which eleven others were murdered. Nat, 35, is an Army veteran who fought in Afghanistan. They have so little in common. And so much.A friendship stirs between them, tentative and unlikely, its foundation the violence they have seen and the memories that stalk them. Together, they begin to search for a way back home.But when Nat's wife falls unexpectedly pregnant, terrible ghosts from his wartime past rise up and much more than a friendship is at stake.Here in the After is a poignant and uplifting exploration of the legacy of trauma and the healing power of connection.'Bold, unflinching and courageous, this book dives with sensitivity and compassion into the dark shadows of PTSD to uncover light and acceptance. Heartbreaking and devastating, but luminous, tender and hopeful. The last book I read that moved me so deeply was A Thousand Splendid Suns by Khaled Hosseini.' Karen Viggers, author of The Orchardist's Daughter'A moving meditation on the toll trauma takes on the body and mind, and the human connection that can be its balm.' Vanessa McCausland, author of The Lost Summers of Driftwood'Powerful, insightful and ultimately hopeful, Here in the After is a compelling and poignant exploration of the price exacted by terror and warfare and the redemptive powers of an unlikely friendship.' Suzanne Leal, author of The Deceptions

    I jolted back in surprise as a hot, thrilling, tingling sensation ran up my arm when my bare skin brushed against his… Did he feel that sensation too? How does that happen from touching someone? University student, Wiley Cayton’s world turns upside down when she meets college newcomer Cameron Wilks. With his irresistible good looks, he seems to be nothing but a party-boy and a constant distraction. But is there more to the hottest guy on campus? Even when Wiley finds out about Cameron’s troubled past, she’s determined to keep her distance and her previously shattered heart protected. But with him studying the same degree and falling in with her group of friends, she’s drawn to him in unexplainable, illogical ways. How can one’s heart overrule one’s mind? Inevitably she falls for his charismatic charm and her insecurities take hold. Her life spirals out of control and she struggles to find balance between partying, sex and maintaining her scholarship grades. With her future at risk, her family battle to keep her and Cameron apart, but that only weaves their relationship tighter together. When a college prank goes horribly wrong – threads snap, and just when she needs him most, Cameron disappears. Is their tumultuous romance meant to be or is it just a temporary distraction?

    He worked for the Australian Financial Review in Melbourne, Sydney and Perth before being posted as a correspondent to Jakarta and Shanghai. Andrew is currently a senior business journalist for the Australian in Perth, where he has covered the WA mining boom since 2006. He won the business prize at the West Australian media awards in 2006 and 2009.

    Henry Lawson’s story of the Drover’s Wife pits the stoic silhouette of a woman against the unforgiving Australian landscape, staring down a serpent – it’s our frontier myth captured in a few pages. In Leah’s new play the old story gets a very fresh rewrite. Once again the Drover’s Wife is confronted by a threat in her yard in Australia’s high country, but now it’s a man. He’s bleeding, he’s got secrets, and he’s black. She knows there’s a fugitive wanted for killing whites, and the district is thick with troopers, but something’s holding the Drover’s Wife back from turning this fella in a taut thriller of our pioneering past, this play is full of fury, power and has a black sting to the tail, reaching from our nation’s infancy into our complicated present. (7 male, 1 female).

    It provides hope and new direction for those searching for the answers as to why "the problems" seems to persist in Aboriginal communities. It also offers insights for those who want a greater understanding of the issues involved in achieving true reconciliation. In Arnhem Land, as in Indigenous communities across Australia, the situation is dire; health is poor, unemployment is rife and life is short. Why Warriors lie down provides a fresh analysis of this crisis and offers examples of how the people can once again take control of their own lives. Finding the real cause of this crisis requires the reader to look at it from the other side of the cultural / language divide - the side where the Yolngu people live. The Book Why Warriors Lie Down and Die takes us to that side.

    The roadies see it all, and now they are sharing their secrets. Roadies are the unsung heroes of the Australian music industry. They unload the PAs and equipment, they set it all up, they make sure everything is running smoothly before, during and after the gigs. Then they pack everything up in the middle of the night, put it in the back of the truck and hit the road to another town - to do it all over again. They know everything about the pre- and post-show excesses. They bear witness to overdoses, the groupies, the obsessive fans. They are part of - and often organise - all the craziness that goes on behind the scenes of the concerts and pub gigs you go to. From The Rolling Stones to AC/DC, Bob Marley to Courtney Love, Sherbet to The Ted Mulry Gang, INXS to Blondie - these guys have seen it all. And now they're stepping onto the stage and talking.The Roadies' Creed: If it's wet, drink it. If it's dry, smoke it. If it moves, **** it. If it doesn't move, throw it in the back of the truck. 'Fabulous . . . a bold portrait' SYDNEY MORNING HERALD on Stuart Coupe's GUDINSKI

    The book starts with Adam living openly with his voluptuous half-caste lover on his desert station in the outback, and gradually the fates of succeeding generations intertwine in this Australian family saga.

    A political betrayal. A constitutional crisis. The Palace Letters is the groundbreaking result of one historian’s fight to expose secret letters between the Queen and the then Australian governor general, Sir John Kerr, during the dismissal of prime minister Gough Whitlam in the 1970s. Whitlam was a progressive prime minister whose reforms proved divisive after two decades of conservative leadership in Australia. When he could not get a budget approved, it sparked a political deadlock that culminated in his unexpected and deeply controversial dismissal by Kerr.More than 200 letters between Kerr and the Queen from the period exist in the archive, and historians have long believed that they could reveal the extent to which Buckingham Palace knew about or approved of the dismissal. But until now they have remained hidden in the National Archives of Australia, protected from public scrutiny through their designation as ‘personal’.In the face of this, Professor Jenny Hocking embarked on a 10-year campaign and a four-year legal battle to force the Archives to release the letters. In 2015, she secured a stellar pro bono team that took her case all the way to the High Court of Australia. On 29 May 2020, the court ruled in her favour, requiring the correspondence to be released.Now, Professor Hocking is able to reveal the previously hidden trove of letters. And, drawing on never-before-published material from Kerr’s archives and submissions to the court, Hocking traces the collusion and deception behind the dismissal, and charts the role of High Court judges, the Queen’s private secretary, and the leader of the opposition, Malcolm Fraser, in Kerr’s actions, and any prior involvement of the Queen and Prince Charles in Kerr’s planning.

    Newly divorced Sam is navigating the ‘delights’ of online dating. And Lizzie is flat out juggling four kids and an absent husband.As if that wasn’t enough, this year the trio have decided to embrace their inner parent helper and volunteer to go on the annual school camp.If they think their personal lives are chaotic, this camp’s going to teach them what chaos really means …The hilarious new novel from the popular authors of The Drop-off. Perfect for fans of Big Little Lies by Liane Moriarty.

    Taken by Collingwood at pick 58 in the 2001 ‘super draft’, no one saw a future Brownlow medallist but the scruffy kid knew how to get the ball. Right from the start he made two things clear: he didn’t like training and his mates and social life came first. Swan made front page news in 2003, and faced the sack after playing only three senior games. The infamous Collingwood Rat Pack took him under their wing, he thrived under Mick Malthouse’s coaching, and grew into a talented and nerveless big-occasion player with an incredible mix of power and speed. Off the field, his tattoos, deadpan delivery, transgressions and blunt refusal to become an AFL robot meant he was often used as clickbait.Despite mastering the art of appearing not to care about anything, in Dane Swan: My Story, Swan – for the first time – reveals the pride that drove him to succeed, his loyalty to family, mates and the club that gave him many last chances, and how he worked hard, his way. He takes us inside the highs of the premiership, and through the tumultuous years of the transition from Malthouse to Nathan Buckley. Footy might be only a game, but it’s one hell of a ride with Dane Swan.There’s no one like him at all in this day and age.Nick MaxwellOne of the greatest players in the history of this club. He marched to the beat of his own drum, always, off the ground more so than on it, but I always liked the fact that he was an individual. And whatever he was doing, it worked.Eddie McGuireThe bigger the game, the more turned on he was, and that became evident at the peak of his career because he played his best footy on the biggest stages.Nathan BuckleyWhat made Swanny so good? It was talent, hard work and mental toughness to be that consistent.Ben JohnsonIt was quite extraordinary the way that he just got on with it. He loved winning, he loved the challenge and underneath it, he is a very proud person.Mick MalthouseAbout the author: Dane Swan played 258 games for Collingwood Football Club. He achieved the ultimate team success as a premiership player, and his haul of individual awards is impressive: a Brownlow Medal, three Copeland Trophies, five All Australians, an AFLCA Most Valuable Player award, a Jim Stynes Medal, a couple of Anzac Medals, as well as a swag of top-three finishes in many awards. His unbelievably consistent output meant he averaged 26.85 disposals across 15 seasons, second only to Greg ‘Diesel’ Williams. Swan’s career came to an untimely end in round 1 of 2016. He is acknowledged as one of the best modern midfielders and a one-of-a-kind champion of the competition.