And everything changes.While Róisín grew up in a tiny village in Ireland, ablaze with a passion for science and the skies and for all there is to discover about the world, François was raised by his beautiful young mother, who dreamt of new worlds but was unable to turn her back on her past.As we loop back through their lives, glimpsing each of them only when a comet is visible in the skies above, we see how their paths cross as they come closer and closer to this moment.Theirs are stories filled with love and hope and heartbreak, that show how strangers can be connected and ghosts can be real, and the world can be as lonely or as beautiful as the comets themselves.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

    In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman’s frequent unexplained disappearances.You Are Eating an Orange. You Are Naked. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King’s debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature.Praise for You Are Eating an Orange. You Are Naked.:Longlisted for CBC's Canada Reads 2021“One of the best book debuts of 2020” — The Globe and Mail“Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.”—Kyo Maclear, author of Birds Art Life“A tale of two rich and rootless people that oozes the horror and confusion of love, while staying somehow still desperately romantic, and so gloriously sad. This novel is also about something else: it gives the cold shoulder to the dominant gaze and its demands to control the Asian body, carving out a thrilling space beyond whiteness. I didn’t want it to end.” —Thea Lim, author of An Ocean of Minutes, a finalist for the Scotiabank Giller Prize“In a cruel paradox for writers who are just trying to recount their lives, the tropes of diasporic lit have made it nearly impossible to write about belonging without also placing whiteness at the center of attention—the tropes exist because stories that do this are regularly rewarded with publication. But You Are Eating an Orange. You Are Naked. sidesteps this trap all together: It is bored by Western approval.” — Thea Lim, The Nation.“He practically sets the page on fire." —Brett Josef Grubisic, Toronto Star

    And the big ones, too. But when the twinset-wearing president of the local Parent Teacher Organization steps out of line one too many times, Caroline musters the courage to assert herself. With a four-letter word, no less.Caroline's outburst has awakened something in her. Not just gumption, but a realization that the roots of her tirade can be traced back to something that happened to her as a teenager, when her best friend very publicly betrayed her. So, with a little bit of bravery, Caroline decides to go back to her home town and tell off her childhood friend. She busts her daughter out of school, and the two set off to deliver the perfect comeback...some twenty-five years later. But nothing goes as planned. Long buried secrets rise to the surface, and Caroline finds she has to face much more than one old, bad best friend.The Perfect Comeback of Caroline Jacobs is an enchanting novel about the ways in which our childhood experiences reverberate through our lives. It's the story of a woman looking to fix her life through an act of bravery, and of a mother and daughter learning to understand one another. Deceptively simple and highly engaging, this latest novel by Matthew Dicks is perfect for those of us who were last to be picked at sports, and for everyone who is thrilled not to be in high school any more.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    Fleeing a devastating loss, Rosie takes a job as an au pair with a Parisian family and soon finds the comfort and intimacy she longs for with their children and the father, Marc. Only Nicole, the children's distant, impeccably polished mother, is unwilling to embrace the young American. But when Rosie realizes that her attachments have become transgressions, she leaves for the south of France. There she learns about Nicole's own haunted past and the losses that link the two women more closely than either could have imagined.

    A forty-six-year-old divorcee whose beloved, clueless only child has just left for college, Eve is slowly learning to contend with life on her own when, late one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, “U r my MILF!” It's nothing--just an annoying prank--but she can't get it out of her head. As Eve makes new friends, takes a community college course in Gender Studies, and reaches out to a younger co-worker, the message continues to haunt her, leading her into an online fixation that threatens to upend her quiet suburban existence.Meanwhile, Eve’s son Brendan, is discovering that the oafish frat-boy charm that impressed high school girls may not be so enticing to college women. Increasingly isolated, with mediocre grades and a confusing crush on a softball-playing social justice champion, Brendan struggles to adjust to a campus ill disposed to his brand of white-dude bravado. As the New England autumn turns cold, both mother and son find themselves enmeshed in ethically fraught situations that come to a head one fateful November night.A coming-of-age novel about the sexual awakening of a middle-aged woman, Mrs. Fletcher is a provocative, witty look at contemporary sexual politics and timeless moral dilemmas--a moving and funny examination of sexuality, identity, and the big clarifying mistakes people can make when they're no longer sure who they are and where they belong.

    Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.   Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.

    The Mems exist as mirror-images of their source ― zombie-like creatures destined to experience that singular memory over and over, until they expire in the cavernous Vault where they are kept. And then there is Dolores Extract #1, the first Mem capable of creating her own memories. An ageless beauty shrouded in mystery, she is allowed to live on her own, and create her own existence, until one day she is summoned back to the Vault.

    Although leading entirely different lives, each has found herself at a similar, jarring crossroads. Right when these women thought they'd be comfortably settling into middle age, their carefully curated futures have turned out to be dead ends.The sender of the invitation is Willa Silvester, who is reeling from the untimely death of her beloved husband and the reality that she must say goodbye to the small mountain town they founded together. Yet as Willa mourns her losses, an impossible question keeps staring her in the face: So now what?Struggling to find the answer alone, fiercely independent Willa eventually calls a childhood friend who happens to be in her own world of hurt--and that's where the idea sparks. They decide to host a weeklong interlude from life, and invite two other friends facing their own quandaries. Soon the four women converge at Willa's Montana homestead, a place where they can learn from nature and one another as they contemplate their second acts together in the rugged wilderness of big sky country.