In this brief yet profound meditation on the meaning of the Seventh Day, Heschel introduced the idea of an "architecture of holiness" that appears not in space but in time. Judaism, he argues, is a religion of time: it finds meaning not in space and the material things that fill it but in time and the eternity that imbues it, so that "the Sabbaths are our great cathedrals."

    Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present.Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.

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    Fallenberg’s Tel Aviv-set tale that will resonate with readers of Wladyslaw Szpilman’s The Pianist, Dalia Sofer’s The Septembers of Shiraz, and Thrity Umrigar’s The Space Between Us, as well as any who have been touched by war or diaspora, as two characters’ intimate journey poignantly explores the pain of fractured pasts, the hope for second chances, the potency of artistic catharsis, and the certainty that love can conquer all.

    Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence, the Lagnados, too, must make their escape. With all of their belongings packed into twenty-six suitcases, their jewels and gold coins hidden in sealed tins of marmalade, Leon and his family depart for any land that will take them. The poverty and hardships they encounter in their flight from Cairo to Paris to New York are strikingly juxta-posed against the beauty and comforts of the lives they left behind.An inversion of the American dream set against the stunning portraits of three world cities, Lucette Lagnado's memoir offers a grand and sweeping story of faith, tradition, tragedy, and triumph.Winner of the Sami Rohr Prize for Jewish Literature and hailed by the New York Times Book Review as a "brilliant, crushing book" and the New Yorker as a memoir of ruin "told without melodrama by its youngest survivor," The Man in the White Sharkskin Suit recounts the exile of the author's Jewish Egyptian family from Cairo in 1963 and her father's heroic and tragic struggle to survive his "riches to rags" trajectory.

    The most adventurous among them took to the high seas as freewheeling outlaws. In ships bearing names such as the Prophet Samuel, Queen Esther, and Shield of Abraham, they attacked and plundered the Spanish fleet while forming alliances with other European powers to ensure the safety of Jews living in hiding. JEWISH PIRATES OF THE CARIBBEAN is the entertaining saga of a hidden chapter in Jewish history and of the cruelty, terror, and greed that flourished during the Age of Discovery. Readers will meet such daring figures as “the Great Jewish Pirate” Sinan, Barbarossa’s second-in-command; the pirate rabbi Samuel Palache, who founded Holland's Jewish community; Abraham Cohen Henriques, an arms dealer who used his cunning and economic muscle to find safe havens for other Jews; and his pirate brother Moses, who is credited with the capture of the Spanish silver fleet in 1628--the largest heist in pirate history.Filled with high-sea adventures—including encounters with Captain Morgan and other legendary pirates—and detailed portraits of cities stacked high with plunder, such as Port Royal, Jamaica, JEWISH PIRATES OF THE CARIBBEAN captures a gritty and glorious era of history from an unusual and eye-opening perspective.

    Rose Pastor arrived in New York City in 1903, a Jewish refugee from Russia who had worked in cigar factories since the age of eleven. Two years later, she captured headlines across the globe when she married James Graham Phelps Stokes, scion of one of the legendary 400 families of New York high society. Together, this unusual couple joined the burgeoning Socialist Party and, over the next dozen years, moved among the liveliest group of activists and dreamers this country has ever seen. Their friends and houseguests included Emma Goldman, Big Bill Haywood, Eugene V. Debs, John Reed, Margaret Sanger, Jack London, and W.E.B. Du Bois. Rose stirred audiences to tears and led strikes of restaurant waiters and garment workers. She campaigned alongside the country’s earliest feminists to publicly defy laws against distributing information about birth control, earning her notoriety as “one of the dangerous influences of the country” from President Woodrow Wilson. But in a way no one foresaw, her too-short life would end in the same abject poverty with which it began. By a master of narrative nonfiction, Rebel Cinderella unearths the rich, overlooked life of a social justice campaigner who was truly ahead of her time.

    I cut off her hair, thick and beautiful, and she grasps my hand and begs me to remember that I too am a Jew. She knows that she is lost. ‘But remember,‘ she says, ‘you see what is being done to us. That‘s why my wish for you is that you will survive and take revenge for our innocent blood, which will never rest.‘ She has not had time to get up when a murderer who is walking between the benches lashes her on the head with his whip. Blood shows on her now shorn head. That evening, the blood of tens of thousands of victims, unable to rest, thrust itself upwards to the surface.—from The Last Jew of TreblinkaWhy do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution. There was no pretense of work here like in Auschwitz or Birkenau. Only a train platform and a road covered with sand. A road that led only to death. But not for Chil Rajchman, a young man who survived working as a “barber” and “dentist,” heartsick with witnessing atrocity after atrocity. Yet he managed to survive so that somehow he could tell the world what he had seen. How he found the dress of his little sister abandoned in the woods. How he was forced to extract gold teeth from the corpses. How every night he had to cover the body-pits with sand. How ever morning the blood of thousands still rose to the surface.Many have courageously told their stories, and in the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945 without hope or agenda other than to bear witness, Rajchman’s tale shows that sometimes the bravest and most painful act of all is to remember.

    They kept up their intrigues and opium smuggling while helping to rescue 18,000 Jews from Hitler's Europe, and though they soon faced the tsunami that was communism, their legacy remains today.

    Now, in this important work of historical restoration, Amos Elon takes us back to the beginning, chronicling a period of achievement and integration that at its peak produced a golden age second only to the Renaissance.Writing with a novelist's eye, Elon shows how a persecuted clan of cattle dealers and wandering peddlers was transformed into a stunningly successful community of writers, philosophers, scientists, tycoons and activists. He peoples his account with dramatic figures: Moses Mendelssohn, who entered Berlin in 1743 through the gate reserved for Jews and cattle, and went on to become "the German Socrates;" Heinrich Heine, beloved lyric poet who famously referred to baptism as the admission ticket to European culture; Hannah Arendt, whose flight from Berlin signaled the end of the German-Jewish idyll. Elon traces how this minority-never more than one percent of the population-came to be perceived as a deadly threat to national integrity, and he movingly demonstrates that this devastating outcome was uncertain almost until the end.A collective biography, full of depth and compassion, The Pity of It All summons up a splendid world and a dream of integration and tolerance that, despite all, remains the essential ennobling project of modernity.(less)

     Read each year around the seder table, the Haggadah recounts through prayer, song, and ritual the extraordinary story of Exodus, when Moses led the Israelites out of slavery in Egypt to wander the desert for forty years before reaching the Promised Land. Now, Jonathan Safran Foer has orchestrated a new way of experiencing and understanding one of our oldest, most timeless, and sacred stories, with a new translation of the traditional text by Nathan Englander and provocative commentary by major Jewish writers and thinkers Jeffrey Goldberg, Lemony Snicket, Rebecca Newberger Goldstein, and Nathaniel Deutsch. Ravishingly designed and illustrated by the acclaimed Israeli artist and calligrapher Oded Ezer, New American Haggadah is an utterly unique and absorbing prayer book, the first of its kind, that brings together some of the preeminent voices of our time. "The best book of modern religious thought in recent memory." --The Millions "What makes this haggadah shine is the combination of commentary, design, and illustration." --Financial Times

    With cinematic power and beauty, bestselling author David Laskin limns his own genealogy to tell the spellbinding tale of the three drastically different paths that his family members took across the span of 150 years. In the latter half of the nineteenth century Laskin’s great-great-grandfather, a Torah scribe named Shimon Dov HaKohen, raised six children with his wife, Beyle, in a yeshiva town at the western fringe of the Russian empire. The pious couple expected their sons and daughters to carry the family tradition into future generations. But the social and political upheavals of the twentieth century decreed otherwise. The HaKohen family split off into three branches. One branch emigrated to America and founded the fabulously successful Maidenform Bra Company; one branch went to Palestine as pioneers and participated in the contentious birth of the state of Israel; and the third branch remained in Europe and suffered the Holocaust. In tracing the roots of his own family, Laskin captures the epic sweep of twentieth-century history. A modern-day scribe, Laskin honors the traditions, the lives, and the choices of his ancestors: revolutionaries and entrepreneurs, scholars and farmers, tycoons and truck drivers. The Family is an eloquent masterwork of true grandeur—a deeply personal, dramatic, and universal account of a people caught in a cataclysmic time in world history.

    When Itsik's poems get him into trouble in czarist Russia, he begins an odyssey -- with a picture of his beloved Sasha in his coat. Her image stays with him as he labors at a small print shop in Odessa and through a long, hazardous passage to America. And it keeps him company until he settles in New York's garment district. In fact, Sasha stays with Itsik until the eve of his first public appearance as a poet, when she appears in person, as if by magic. But their happiness together is short-lived -- Sasha leaves him before the birth of their first child.Years later, a young man in Boston who toils at preserving Yiddish books responds to an urgent call from New York, where he meets the elderly Malpesh, in need of a translator for his life story. In weaving together Itsik's tale of colorful characters, the two stumble upon an unlikely connection neither could have foreseen. A tale of love -- of homeland, a new country, a girl, and a culture -- Songs for the Butcher's Daughter is a novel about the way history is captured for the ages through the lives and words of seemingly "average" men.(Holiday 2008 Selection)

    But today’s conflict is only the latest in a long history of battles over Ukraine’s existence as a sovereign nation. As award-winning historian Serhii Plokhy argues in The Gates of Europe, we must examine Ukraine’s past in order to understand its fraught present and likely future.Situated between Europe, Russia, and the Asian East, Ukraine was shaped by the empires that have used it as a strategic gateway between East and West—from the Romans and Ottomans to the Third Reich and the Soviet Union, all have engaged in global fights for supremacy on Ukrainian soil. Each invading army left a lasting mark on the landscape and on the population, making modern Ukraine an amalgam of competing cultures.

    In fact, her career is dedicated to helping Christians and Jews understand the Jewishness of Jesus, thereby deepening the understanding of him, and facilitating greater interfaith dialogue. In this book, she shows how liberal Christians misunderstand Judaism, misunderstand the New Testament, and thus yank Jesus out of his Jewish context and wind up promoting hatred of Jews. Only with the deeper understanding this top Jewish, Southern–born New Testament scholar provides can we hope to respect each other's beliefs, as well as enrich our own.Through a extremely busy teaching and speaking schedule, Levine has honed her message at synagogues, Catholic conferences, Jewish Community Centers, denominational meetings, in the classroom and in her highly successful Teaching Company audios and videos. Levine is brilliant, charming, funny and forceful, and uses these traits to give a completely fresh perspective on Jesus and the New Testament. In addition to offering new insights with great skill, she has the remarkable ability to be tough, pointing out how even liberal Christians can be unwittingly anti–Semitic in their understanding of what Jesus stood for.Her truth–telling here will provoke honest dialogue on how Christians and Jews should understand Jesus and our New Testament heritage.