Limited to only 1500 copies.

    Howard's stories about Conan the Barbarian.These stories were originally published in Weird Tales magazine between 1933 and 1936.The Conan stories included in the collection are:1. The Frost Giant's Daughter (Gods of the North)2. The Tower of the Elephant3. Rogues in the House4. Shadows in the Moonlight (Iron Shadows in the Moon)5. Black Colossus6. Queen of the Black Coast7. The Slithering Shadow (Xuthal of the Dusk)8. A Witch Shall Be Born9. The Devil in Iron10. The People of the Black Circle11. Shadows in Zamboula (Man-Eaters of Zamboula)12. The Pool of the Black One13. Beyond the Black River14. Red Nails15. Jewels of Gwahlur (The Teeth of Gwahlur)16. The Phoenix on the Sword17. The Scarlet Citadel18. The Hour of the Dragon (Conan the Conqueror)As an added bonus, also included in the set are:Cimmeria—A PoemThe Hyborian Age—Conan's World (This is Howard's background essay on the world of Conan)For ease of navigation, the anthology includes an interactive table of contents. The stories in this collection are ordered roughly in chronological order from Conan's first adventures as a young mercenary adventurer and thief to his final epic clashes as a king and are based on the Rippke chronology.About Conan:Conan the Barbarian (also known as Conan the Cimmerian) is a fictional sword and sorcery hero who originated in pulp fiction magazines and has since been adapted to books, comics, several films (including Conan the Barbarian and Conan the Destroyer), television programs (cartoon and live-action), video games, role-playing games and other media. The character was created by writer Robert E. Howard in 1932 via a series of fantasy stories published in Weird Tales magazine.Conan the Character:Conan is a Cimmerian. From Robert E. Howard's writings (The Hyborian Age among others) it is known that the Cimmerians were based on the Celts or Gaels. He was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian outpost of Venarium. After its demise, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary, and pirate. As he grew older, he began commanding larger units of men and escalating his ambitions.

    Just . . . gone. Surrounding their town was a wall of inky darkness, plummeting Walden into permanent night. Nothing can get in - not light, not people, not even electricity, radio, TV, internet, food, or water. And nothing can get out. No one who dared to penetrate the mysterious barrier has ever been seen again. Only their screams were heard. But for some, the darkness is not the worst of their fears. Driven mad by thirst, hunger, and perpetual night, the residents of Walden are ready to explode. The last few sane prisoners of this small town must prepare a final stand against their neighbors, themselves, and something even worse . . . something out there . . . in the darkness . . .

    The Separation suggests an alternate history lying along a road not taken in World War II. But there are complications. In 1999, history author Stuart Gratton is intrigued by a minor mystery of the European war which ended on 10 May 1941. The British-German armistice signed that month has had far-reaching consequences, including a resettlement of European Jews in Madagascar. In 1936, the identical twin brothers Joe and Jack Sawyer win a rowing medal for Britain in the Berlin Olympics: it's presented to them by Rudolf Hess. The brothers are separated not only by a twin's fierce need "to be treated as a separate human being", but by sexual rivalry and even ideology. When war breaks out Jack becomes a gung-ho bomber pilot, Joe a conscientious objector. Still they're inescapably linked, and sometimes confused. Both suffer injuries and hauntingly similar ambulance journeys. Churchill writes a puzzled memo (later unearthed by Gratton) about the anomaly of a registered-pacifist Red Cross worker flying planes for Bomber Command. Hess has significant, eventually incompatible meetings with both men. Contradictions are everywhere. As in his magical 1995 novel The Prestige Priest is fruitfully fascinated by the legerdemain of twins, doubles, impostors, symmetrical roles. Churchill's double briefly appears. So does the famous conspiracy theory that the Hess who flew to Britain with his quixotic peace deal wasn't the real Hess ring true? Clearly The Separation was impressively, extensively researched. Its evocations of bombing raids--from either side of the bomb sites--are memorable. The unfolding story strands become increasingly disorienting and hallucinatory; the easy escape route of dismissing one strand as delusion is itself subtly undermined. The Separation is filled with a sense of the precariousness of history; of small events and choices with extraordinary consequences. --David Langford

    Erickson's previous books have buried L.A.'s freeways in sand, set bonfires in Paris streets, and hitched along for the 1996 presidential campaign. In terms of madness, doom, and sheer human folly, what could possibly be left? Plenty, as it turns out. As The Sea Came in at Midnight opens, 17-year-old Kristin works in a Japanese "memory hotel," where despite her so-so looks she's in high demand. As an American, "Kristin represents the Western annihilation of ancient Japanese memory and therefore its master and possessor, a red bomb in one hand, a red bottle of soda pop in the other." After one of her best clients expires in the booth, she finally tells him her own story--which turns out to be quite a tale, involving escape from a millennial suicide cult and nude solitary confinement at the behest of a man known only as the Occupant. Add in the novel's other threads, which span 40 years and include a dream cartographer, a chaos-based calendar, time capsules, and both real and faked snuff films, and you have a heady mixture indeed. Fans of Erickson's unsettling, dreamlike style are legion, and they won't be disappointed in his latest take on the End Time, Blade Runner-style. But in a way, the millennium is beside the point; with a plot like this one, a mere flipping of digits seems so much apocalyptic icing on the cake. Combing a lyrical surrealism with a jittery, jump-cut technique, Erickson writes like the 21st-century heir of Pynchon and DeLillo. --Chloe Byrne

    When an opportunity to join the Mechanized Infantry presents itself, Pete is first in line. He knows that he's going to get shot at one way or another, but the idea of sitting in a warm and more importantly, dry mechanized suit appeals to him almost beyond reason. While still training in the jungle, Pete's squad is called out to intervene in a skirmish in a nearby village. Of course, the Marines haven't seen fit to certify his squad with ordnance. The fact that they'll be up against a platoon of squishies doesn't convince him that's it's any better of an idea and things turn quickly to crap when they discover the squishies are protected by grav-tanks. Pete, Popeye and Olive is a fast paced, short-story with plenty of action.

    It is God without men.- Honoré de Balzac, Une passion dans le désert, 1830 Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed - but not unchanged - the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them. Driven by the energy and cunning of Coyote, the mythic, shapeshifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe.

    From the author of Schopenhauer's Telescope comes a beautiful and haunting novel of vengeance, literature, love, isolation, and man's tenuous grasp on reason.

    About a guy and his punk band. Who start out shitty, but persevere, and eventually become pretty popular. If I mentioned that Ben Foster is better known as Ben Weasel from Screeching Weasel, you'll get a much more nuanced idea about what this book is about, and certainly, what this novel MIGHT be based upon. Regardless, it's a great, rollicking read. Whether or not it's entirely true, or entirely false, anyone with any knowledge of 90s punk in America will recognise large chunks of this. And anyone with any interest in, appreciation of, or experience of being in a band, breaking up with a girl, or punk rock, will thoroughly enjoy. It's that good. Though why he had to kill off his guitarist and best friend at the end I'll leave to his shrink to fathom...

    Irina isn’t rich, not quite, but she does have an artificial memory that gives her perfect recall and lets her act as a medium between her various employers and their AIs, which are complex to the point of opacity. It’s a good gig, paying enough for the annual visits to the Mayo Clinic that keep her from aging.Kern has no such access; he’s one of the many refugees in the sprawling drone-built favelas on the city’s periphery, where he lives like a monk, training relentlessly in martial arts, scraping by as a thief and an enforcer. Thales is from a different world entirely—the mathematically inclined scion of a Brazilian political clan, he’s fled to L.A. after the attack that left him crippled and his father dead.A ragged stranger accosts Thales and demands to know how much he can remember. Kern flees for his life after robbing the wrong mark. Irina finds a secret in the reflection of a laptop’s screen in her employer’s eyeglasses. None are safe as they’re pushed together by subtle forces that stay just out of sight.Vivid, tumultuous, and propulsive, Void Star is Zachary Mason’s mind-bending follow-up to his bestselling debut, The Lost Books of the Odyssey.

    With compassion, wit, and what appears to be candor she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.

    . .All her life Eve has been kept away from the opposite sex. Kept from the truth of her past.But at sixteen it's time for Eve to face her destiny. Three potential males have been selected for her. The future of humanity is in her hands. She's always accepted her fate.Until she meets Bram.Eve wants control over her life. She wants freedom.But how do you choose between love and the future of the human race?EVE OF MAN is the first in an explosive new trilogy by bestselling authors Giovanna & Tom Fletcher.

    

    He had no friends and no family; all over town, he was known only as the Man from Primrose Lane. And on a summer day in 2008, someone murdered him.Four years later, David Neff is a broken man. The bestselling author of a true-crime book about an Ohio serial killer, Neff went into exile after his wife’s inexplicable suicide. That is, until an unexpected visit from an old friend introduces him to the strange mystery of “the man with a thousand mittens.” Soon Neff finds himself drawn back into a world he thought he had left behind forever. But the closer he gets to uncovering the true identity of the Man from Primrose Lane, the more he begins to understand the dangerous power of his own obsessions and how they may be connected to the deaths of both his beloved wife and the old hermit.With a deft and singular blend of suspense, literature, and horror, The Man from Primrose Lane boasts as many twists and turns as a roller coaster. It’s a spellbinding journey of redemption and a reflection on the roles of fate, destiny, and obsession when it comes to matters of the heart.

    Set in a small Ohio town in the 1890s, it chronicles - through the voices of various participants and observers - the confrontation between Brackett Omensetter, a man of preternatural goodness, and the Reverend Jethro Furber, a preacher crazed with a propensity for violent thoughts. Omensetter's Luck meticulously brings to life a specific time and place as it illuminates timeless questions about life, love, good and evil.