. . and finding herself again . . . in the middle of her life.Maybe it was those extra five pounds I’d gained. Maybe it was because I was about to turn the same age my mother was when I lost her. Maybe it was because after almost twenty years of marriage my husband and I seemed to be running out of things to say to each other.   But when the anonymous online study called “Marriage in the 21st Century” showed up in my inbox, I had no idea how profoundly it would change my life. It wasn’t long before I was assigned both a pseudonym (Wife 22) and a caseworker (Researcher 101).   And, just like that, I found myself answering questions.   7. Sometimes I tell him he’s snoring when he’s not snoring so he’ll sleep in the guest room and I can have the bed all to myself. 61. Chet Baker on the tape player. He was cutting peppers for the salad. I looked at those hands and thought, I am going to have this man’s children. 67. To not want what you don’t have. What you can’t have. What you shouldn’t have. 32. That if we weren’t careful, it was possible to forget one another.   Before the study, my life was an endless blur of school lunches and doctor’s appointments, family dinners, budgets, and trying to discern the fastest-moving line at the grocery store. I was Alice Buckle: spouse of William and mother to Zoe and Peter, drama teacher and Facebook chatter, downloader of memories and Googler of solutions.   But these days, I’m also Wife 22. And somehow, my anonymous correspondence with Researcher 101 has taken an unexpectedly personal turn. Soon, I’ll have to make a decision—one that will affect my family, my marriage, my whole life. But at the moment, I’m too busy answering questions.   As it turns out, confession can be a very powerful aphrodisiac.

    In the north woods of Wisconsin following a forest fire that destroys their town in 1871, 17-year-old Mary James forms a new respect for her older sister.

    She is told she must give up her daughter to avoid a life of poverty and shame. But she chooses to keep her.Pregnant, abandoned by her lover, and banished from her Quaker home and teaching position, Lilli de Jong enters a charity for wronged women to deliver her child. She is stunned at how much her infant needs her and at how quickly their bond overpowers her heart. Mothers in her position have no sensible alternative to giving up their children, but Lilli can't bear such an outcome. Determined to chart a path toward an independent life, Lilli braves moral condemnation and financial ruin in a quest to keep herself and her baby alive. Confiding their story to her diary as it unfolds, Lilli takes readers from an impoverished charity to a wealthy family's home to the perilous streets of a burgeoning American city. Lilli de Jong is at once a historical saga, an intimate romance, and a lasting testament to the work of mothers. "So little is permissible for a woman," writes Lilli, yet on her back every human climbs to adulthood."

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    Only one has told her story.three years after giving up alcohol, Jowita Bydlowska found herself throwing back a glass of champagne like it was lemonade. 'It's a special occasion,' she said to her boyfriend. And indeed it was. It was a party celebrating the birth of their first child. It also marked Jowita's immediate, full-blown return to alcoholism and all that entails for a new mother who is at first determined to keep her problem a secret. Her trips to bottle shops stores are in-and-out missions. Perhaps she's being paranoid, but she thinks people tend to notice the stroller. Walking home, she stays behind buildings, in alleyways, taking discreet sips from a bottle she's stored in the nappy bag. She know she's become a villain: a mother who drinks; a mother who endangers her child. She drinks to forget this. And then the trouble really starts. Jowita Bydlowska's memoir of her relapse into addiction is an extraordinary achievement. the writing is raw and immediate. It places you in the moment - saddened and appalled but never able to look away. With brutal honesty, DRUNK MUM takes us through the binges and blackouts, the self-deception and less successful attempts to deceive others, the humiliations and extraordinary risk-taking. She shines a light on the endless hunger of wanting just one more drink, and one more again, while dealing with motherhood, anxiety, depression - and rehab. Advance Praise for Drunk Mom: 'Jowita is matter of fact, funny, fearless, and irreverent as she lifts the veil to chronicle what it means to be a young mother when both baby and mother have their own bottles - the shame and the inner voices, as well as the joy and relief. this book is for anyone who has ever struggled to make it through a day.' - Laura Albert, a.k.a. Jt LeRoy, author of Sarah, the Heart Is Deceitful Above All things and Harold's End 'Drunk Mom is a stunning, harrowing read. Why harrowing? Not just because of the dramatic story, of a new mother at the edge of her tether. And not only because of Jowita Bydlowska's skill as a writer, and the crisp, original way she tells it. What's most harrowing about Drunk Mom is that you can't stop reading it-this, the dark, now-told tale that lurks in the shadow of every seemingly normal family.' - Ian Brown, author of the Boy in the Moon 'A brave, brilliant and scathing self-portrait. Full of energy and insight. If Frida Kahlo had been a writer, she might have been compared to Jowita Bydlowska.' - Patricia Pearson, author of A Brief History of Anxiety - Yours and Mine. 'Fearless and troubling, and so very humane, Bydlowska explodes the cutesy momoir genre. You'll read it in one sitting.' - Katrina Onstad, author of Everybody Has Everything.

    When the publication is summarily shut down, the colorful staff, who have become an extended family for Billie, must pick up their lives and move on. Not Billie, though. She is offered a new job: staying behind in the magazine's deserted downtown mansion offices to uphold the "Delicious Guarantee"-a public relations hotline for complaints and recipe inquiries-until further notice. What she doesn't know is that this boring, lonely job will be the portal to a life-changing discovery.Delicious! carries the reader to the colorful world of downtown New York restaurateurs and artisanal purveyors, and from the lively food shop in Little Italy where Billie works on weekends to a hidden room in the magazine's library where she discovers the letters of Lulu Swan, a plucky twelve-year-old, who wrote to the legendary chef James Beard during World War II. Lulu's letters lead Billie to a deeper understanding of history (and the history of food), but most important, Lulu's courage in the face of loss inspires Billie to come to terms with her own issues-the panic attacks that occur every time she even thinks about cooking, the truth about the big sister she adored, and her ability to open her heart to love.

    Neva Bradley, a third-generation midwife, is determined to keep the details surrounding her own pregnancy—including the identity of the baby’s father— hidden from her family and co-workers for as long as possible. Her mother, Grace, finds it impossible to let this secret rest. For Floss, Neva’s grandmother and a retired midwife, Neva’s situation thrusts her back 60 years in time to a secret that eerily mirrors her granddaughter’s—a secret which, if revealed, will have life-changing consequences for them all. Will these women reveal their secrets and deal with the inevitable consequences? Or are some secrets best kept hidden?

    From extraordinary highs - patronage by the Medicis, friendship with Galileo and, most importantly of all, beautiful and outstandingly original paintings - to rape by her father's colleague, torture by the Inquisition, life-long struggles for acceptance by the artistic Establishment, and betrayal by the men she loved, Artemisia was a bold and brilliant woman who lived as she wanted, and paid a high price.

    Residing in a grand manor on the glittering Sydney Harbour, her family finds their life has turned upside down. As she navigates this strange new world, Alice must weave an existence from its shimmering mirage.Lies and self-deception are at the heart of this keenly observed story. This is a sharp, biting, and playful tale with a cast of unscrupulous characters adrift in a dream life of their own making. Written with the characteristic delicacy of touch, humor, and emotional insight that make Claire Messud one of our greatest writers."A novelist of unnerving talent." --The New York Times Book Review"[Messud is] among our greatest contemporary writers." --The New Yorker"A perfect frolic of a book, puffed on breezes of beauty and wit: it waltzes you through a little fear, a little darkness, and tips you out, refreshed and laughing, into the sun." --Helen Garner

    A solitary child, she spends her spare time learning the art of taxidermy, completely fascinated by the act of bringing new and eternal life to the bodies of the dead. At fourteen, her parents marry her off to Erastus Hammer, a polygamous horse breeder and renowned hunter, who does not want to bed her. The role he has in mind for his fourth and youngest wife is creator of trophies of his most impressive kills, an urgent desire in him as he is slowly going blind. Happy to be given this work, Dorrie secludes herself in her workshop, away from Mother Hammer’s watchful eyes and the rivalry between the elder wives.But as the novel opens, Hammer has brought Dorrie his latest kills, a family of wolves, and for the first time in her short life she struggles with her craft, dreaming each night of crows and strange scenes of violence. The new hand, Bendy Drown, is the only one to see her dilemma and to offer her help, a dangerous game in a Mormon household. Outside, a lone wolf prowls the grounds looking for his lost pack, and his nighttime searching will unearth the tensions and secrets of this complicated and conflicted family.Inspired by the real events of the Mountain Meadows Massacre in 1857, Alissa York blends fact with fiction in a haunting story of a family separated by secrets and united by faith.

    Raised up from poverty by a determined single mother, the gifted and beautiful twins were able to create a private haven of splendor and merriment between themselves and then earn their way to a prestigious college and to careers as artists (a photographer and a writer, respectively) and to young marriages. But, haunted by childhood experiences with father figures and further damaged by being raped as a young adult, Cara veered off the path to robust work and life and in to depression, drugs and a shocking early death.A few years after Cara was gone, Christa read that when an identical twin dies, regardless of the cause, 50 percent of the time the surviving twin dies within two years; and this shocking statistic rang true to her. "Flip a coin," she thought," those were my chances of survival." First, Christa fought to stop her sister's downward spiral; suddenly, she was struggling to keep herself alive.Beautifully written, mesmerizingly rich and true, Christa Parravani's account of being left, one half of a whole, and of her desperate, ultimately triumphant struggle for survival is informative, heart-wrenching and unforgettably beautiful.Wall Street Journal, "Favorite Books of the Year 2013"Cosmopolitan, "Best Books of the Year for Women"Library Journal, "Best Books of 2013"Salon, "Best Books of 2013"

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    His niece Annie Bird, beautiful and self-reliant, has returned from her own perilous journey to sit beside his bed. Broken in different ways, the two take silent communion in their unspoken kinship, and the story that unfolds is rife with heartbreak, fierce love, ancient blood feuds, mysterious disappearances, fires, plane crashes, murders, and the bonds that hold a family, and a people, together. As Will and Annie reveal their secrets-the tragic betrayal that cost Will his family, Annie's desperate search for her missing sister, the famous model Suzanne-a remarkable saga of resilience and destiny takes shape. From the dangerous bush country of upper Canada to the drug-fueled glamour of the Manhattan club scene, Joseph Boyden tracks his characters with a keen eye for the telling detail and a rare empathy for the empty places concealed within the heart. Sure to appeal to readers of Louise Erdrich and Jim Harrison, Through Black Spruce establishes Boyden as a writer of startling originality and uncommon power.

    . . . Tamila Soroush wanted it all. But in the Islamic Republic of Iran, dreams are a dangerous thing for a girl. Knowing they can never come true, Tami abandons them. . . . Until her twenty-fifth birthday, when her parents give her a one-way ticket to America, hoping she will “go and wake up her luck.” If they have their way, Tami will never return to Iran . . . which means she has three months to find a husband in America. Three months before she’s sent back for good.From her first Victoria’s Secret bra to her first ride on a motor scooter to her first country line-dance, Tami drinks in the freedom of an American girl. Inspired to pursue her passion for photography, she even captures her adventures on film. But looming over her is the fact that she must find an Iranian-born husband before her visa expires. To complicate matters, her friendship with Ike, a young American man, has grown stronger. And it is becoming harder for Tami to ignore the forbidden feelings she has for him.It’s in her English as a second language classes that Tami finds a support system. With the encouragement of headstrong Eva, loyal Nadia, and Agata and Josef, who are carving out a love story of their own, perhaps Tami can keep dreaming—and find a way to stay in America.