In the dark realm of Atala, an evil goddess prepares to do the unspeakable. And a Yakshi finds herself at the heart of an other-worldly storm.Ardra has only known life as a Yakshi, designed to seduce and kill men after drawing out their deepest, darkest secrets for her evil mistress Hera, queen of the forsaken realm of Atala. Then, on one strange blood moon night, her victim, Dwai, survives, and her world spins out of control. Now Ardra must escape the wrath of Hera, who is plotting the unthinkable, ready to throw the universe into chaos.To stop Her, Ardra must find answers to questions she hasn’t dared to ask before. What is the significance of the blood moon? Do Gandharvas and Apsaras exist or are they as much a myth as the sky city of Aakasha? Who is the mysterious Dara and what makes Dwai impervious to her powers?Combining fantasy with the rich tapestry of folklore, Dark Things is a strange fairytale wrought of intrigue and enchantment, of shadows and secrets, of evil and those who battle it.

    In the intimate atmosphere of the all-women sleeping car - the 'Ladies Coupe' - Akhila asks the five women the question that has been haunting her all her adult life: can a woman stay single and be happy, or does she need a man to feel complete?This wonderfully atmospheric, deliciously warm novel takes the reader into the heart of women's lives in contemporary India, revealing how the dilemmas that women face in their relationships with hunsbands, mothers, friends, employers and children are the same world over.

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.

    His wife, Sumi, returns with their three daughters to the shelter of the Big House where her parents, Kalyani and Shripati, live in oppressive silence: they have not spoken to each other in thirty-five years. As the mystery of this long silence is unraveled, a horrifying story of suffering and loss is laid bare, a story that seems to be repeating itself in Sumi's life.Set in present day Karnataka, A Matter of Time explores the intricate relationships within an extended family encompassing three generations. Images from Hindu religion, myth, and local history twine delicately with images of contemporary India as this family faces and accepts the changes that have suddenly become part of their lives. As their secrets and strengths are revealed, so are the complications of family and culture. This multigenerational story, told in the individual voices of the characters, catches each in turn in the cycles of love, loss, strength, and renewal that become an essential part of their identities.

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

     The Mahabharata belongs in the annals of world literature, and every educated person should be familiar with it. Its message is timeless (without it being a "message" book), and especially relevant in these turbulent times. Western readers in particular should be reading the Mahabharata, including non-resident Indians who may have lost touch with their roots.SONS OF GODS -- MAHABHARATA is kaleidoscopic in its beauty and intricacy. The hurdle of the tale's massive scope has always daunted translators, and the difficulty of prising the right tone from an ancient grand epic to suit a modern and Western audience has relegated it to largely academic obscurity.

What's saved it for us is that Sharon Maas knows full well that love, betrayal, lust, envy, pride, devotion, and heroism never go out of style. SONS OF GODS is a literary soap opera with a soul that spans the full horizon."The highest literature transcends regionalism, and through it, when we are properly attuned, we realise the essential oneness of the human family."The Mahabharata is of this class. It belongs to the world and not only to India. To the people of India, indeed, this epic has been an unfailing and perennial source of spiritual strength. Learnt at the mother’s knee with reverence and love, it has inspired great men to heroic deeds as well as enabled the humble to face their trials with fortitude and faith."From: Preface to the Second Edition of The Mahabharata, by C. Rajagopalachari; Madras 1952

    Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the King of Gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, yet Yayati unabashedly declares, My lust for pleasure is unsatisfied. His quest for the carnal continued, sparing not even his youngest son, and exchanging his old age for his son s youth.

    Combining stories from the Adi Parva which precede the main narrative of the Pandav-Kaurav war for succession.

    While unrest surrounding the sudden death of the king of Devangarh grows, young prince Rudra Pratap Chauhan prepares to ascend the throne.But the kingdom is in turmoil. The Devangarh army is outnumbered and the British forces are closing in. To make matters worse, Rudra discovers the king’s death may not have been accidental after all. The strange appearance and disappearance of a mysterious hooded stranger and a series of ritualistic murders in which the bodies have been drained of blood, spread panic across the realm.As Rudra struggles to manage his new responsibilities and investigate his father’s death, dark secrets will be uncovered that will disrupt life as he knows it.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    Born out of the sacred fire, Draupadi is no ordinary woman, and her destiny cannot be to walk the beaten path. Witnessing estrangement and betrayal within her own family makes her perceptive and intuitive beyond her years. Complicated marital relationships, a meteoric rise and a fateful loss, humiliation unheard of and a pledge of revenge, all culminating in a bloody war—her ordeal seemed never-ending. Yet she stands up to it all—never succumbing, never breaking. One of the most unforgettable characters of the Mahabharata, Draupadi shows what a woman is capable of. Told with great sensitivity and passion, this book brings alive a character of epic proportions that resonates with every reader across space and time.

    T. Vasudevan Nair. It was translated into English as Second Turn in 1997. M. T. Vasudevan Nair won Vayalar Award, given for the best literary work in Malayalam, for the novel in 1985. Later, in the year 1995, Mr. Nair was awarded the highest literary award in India, Jnanpith Award, for his overall contribution to Malayalam literature.The novel is set as a retelling of the Indian epic Mahabharata, from the view of Bhima, the second Pandava.

    It is on this night that I dedicate myself - to my self, to who I truly am, to what is invincible and without bondage of time, that predates me, that will outlive me.Ninth century. In Puduvai, a small town in what we now know as Tamil Nadu, young Kodhai is taught to read and to write by her adoptive father, a garland-weaving poet. As she discovers the power of words, she also realizes that the undying longing for a great love that she has been nursing within her - one that does not suppress her desire for freedom - is likely to remain unfulfilled. Then, she hears of a vow that she can undertake that might summon it to her.In deepest winter, the sixteen-year-old begins praying for a divinely sensual love - not knowing that her words will themselves become prayers, and echo through the centuries to come.Rich with the echoes of classical poetry, in The Queen of Jasmine Country, Sharanya Manivannan imagines the life of the devotional poet Andal, whose sublime and erotic verses remain beloved and controversial to this day.

    At 15, she moves to the home of a "liberal" uncle in Lucknow. Here, during the 1930s, as the struggle for independence sharpens, Laila is surrounded by relatives and university friends caught up in politics. But Laila is unable to commit herself to any cause: her own fight for independence is a struggle with traditional life as she falls in love with a man not chosen by her family. With its beautiful evocation of India, its political insight and unsentimental understanding of the human heart, this is a classic of Muslim life.

    For the first time, take a sneak peak into the life of the sister of the God who shaped Mahabharata to become the progenitor of the Kuru race after everything was reduced to nothing in the battle of Kurushetra.Krishna’s sister is a mythological fiction of the life and story of Princess Subhadra in the backdrop of the great Mahabharat war and the sacrifice and pain that she went through. It also explores the relationship she shared with her brother and mentor Lord Krishna as well as her husband Arjuna and co-wife Draupadi. Subhadra is also worshipped as a deity in the Jagannath Puri, one of the holiest shrines in India.About the AuthorCorporate Communication professional, an avid travel blogger, foodie and movie buff all rolled into one Priyanka Bhuyan has been doing freelancing since her college days. Her debut book-Kaleidoscope of Love, a collection of short stories is on the varied emotions of love was published in the year 2019 and was adjudged among the top 100 debut authors by Literature Light. She hails from the beautiful green state of Assam and Guwahati is where she calls her home. Currently in a workaholic phase, she has her parents, brother and her dog as her family. For more info you can follow her blog girlsliketotravel.comConnect with Priyanka onInstagram: AuthorpriyankaTwitter:Priyankabhuya16Facebook:Priyanka Bhuyan