Five Quarters of the Orange represents Harris's most complex and sophisticated work yet - a novel in which darkness and fierce joy come together to create an unforgettable story.When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous Mirabelle Dartigen - the woman they still hold responsible for a terrible tragedy that took place during the German occupation decades before. Although Framboise hopes for a new beginning she quickly discovers that past and present are inextricably intertwined. Nowhere is this truth more apparent than in the scrapbook of recipes she has inherited from her dead mother.With this book, Framboise re-creates her mother's dishes, which she serves in her small creperie. And yet as she studies the scrapbook - searching for clues to unlock the contradiction between her mother's sensuous love of food and often cruel demeanor - she begins to recognize a deeper meaning behind Mirabelle's cryptic scribbles. Within the journal's tattered pages lies the key to what actually transpired the summer Framboise was nine years old.Rich and dark. Five Quarters of the Orange is a novel of mothers and daughters of the past and the present, of resisting, and succumbing, and an extraordinary work by a masterful writer.

    Retreating into the past, she finds herself reliving one particular hot summer in Nagasaki, when she and her friends struggled to rebuild their lives after the war. But then as she recalls her strange friendship with Sachiko - a wealthy woman reduced to vagrancy - the memories take on a disturbing cast.

    Hearts are breaking as sons and husbands leave to fight, and when the Vicar decides to close the choir until the men return, all seems lost.But coming together in song is just what the women of Chilbury need in these dark hours, and they are ready to sing. With a little fighting spirit and the arrival of a new musical resident, the charismatic Miss Primrose Trent, the choir is reborn.Some see the choir as a chance to forget their troubles, others the chance to shine. Though for one villager, the choir is the perfect cover to destroy Chilbury’s new-found harmony.Uplifting and profoundly moving, THE CHILBURY LADIES’ CHOIR explores how a village can endure the onslaught of war, how monumental history affects small lives and how survival is as much about friendship as it is about courage.

    Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome." Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

    The suicide of an elderly German Jew explodes into revelation after revelation: a Mafia-like organization called Odessa, a real-life fugitive known at the "Butcher of Riga", a young German journalist turned obsessed avenger...and ultimately, of a brilliant, ruthless plot to reestablish the worldwide power of SS mass murders and to carry out Hitler's chilling "Final Solution."

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    A mysterious night-swimmer climbs aboard, and, in keeping the presence of this fugitive a secret, the skipper risks both his captaincy and the safety of his ship. A test of nerve in the Gulf of Siam ensues.

    That the marriage should fail and poor Lilia die tragically are only to be expected. But that Lilia should have had a baby - and that the baby should be raised as an Italian! - are matters requiring immediate correction by Philip Herriton, his dour sister Harriet, and their well-meaning friend Miss Abbott.

    She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss. Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Clare manages, by using her wits, beauty, and courage, to climb to the highest position a woman could achieve in Restoration England—that of favorite mistress of the Merry Monarch, Charles II. From whores and highwaymen to courtiers and noblemen, from events such as the Great Plague and the Fire of London to the intimate passions of ordinary—and extraordinary—men and women, Amber experiences it all. But throughout her trials and escapades, she remains, in her heart, true to the one man she really loves, the one man she can never have. Frequently compared to Gone with the Wind, Forever Amber is the other great historical romance, outselling every other American novel of the 1940s—despite being banned in Boston for its sheer sexiness. A book to read and reread, this edition brings back to print an unforgettable romance and a timeless masterpiece.

    Better pay and a swanky flat in Soho are all part of the deal. All I need to do to achieve my goal is take out one more scumbag.No big deal.Until it is.When a man with golden eyes and epic wings interrupts my ascension ceremony, everything I knew to be true is turned on its head.I’m a weapon.A key.And I’m one kill away from unlocking the gates to the underworld and unleashing a legion of demons.It’s time to atone and fast.But atonement comes with its own price. Problem is, I’m not sure I’m up to paying it.

    Young Esther Evans has lived her whole life within the confines of her remote mountain village. The daughter of a fiercely nationalistic sheep farmer, Esther yearns for a taste of the wider world that reaches her only through broadcasts on the BBC. Then, in the wake of D-day, the world comes to her in the form of a German POW camp set up on the outskirts of Esther's village. The arrival of the Germans in the camp is a source of intense curiosity in the local pub, where Esther pulls pints for both her neighbors and the unwelcome British guards. One summer evening she follows a group of schoolboys to the camp boundary. As the boys heckle the prisoners across the barbed wire fence, one soldier seems to stand apart. He is Karsten Simmering, a German corporal, only eighteen, a young man of tormented conscience struggling to maintain his honor and humanity. To Esther's astonishment, Karsten calls out to her. These two young people from worlds apart will be drawn into a perilous romance that calls into personal question the meaning of love, family, loyalty, and national identity. The consequences of their relationship resonate through the lives of a vividly imagined cast of characters: the drunken BBC comedian who befriends Esther, Esther's stubborn father, and the resentful young British "evacuee" who lives on the farm-even the German-Jewish interrogator investigating the most notorious German prisoner in Wales, Rudolf Hess. Peter Ho Davies has been hailed for his "all-encompassing empathy that is without borders" (Elle). That trancendent compassion shines through The Welsh Girl, a novel that is both thought-provoking and emotionally enthralling.

    This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Anna's stepson Owen Leath, who wishes to upset social conventions and marry her. When Anna's discovers the intimate history of Darrow and Sophy, she worries about her stepson's affections and feels concerned about the alliance she herself is about to create. Wharton's talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.

    Constitution. Famously, the Constitution never mentions slavery. And yet, of its eighty-four clauses, six were directly concerned with slaves and the interests of their owners. Five other clauses had implications for slavery that were considered and debated by the delegates to the 1787 Constitutional Convention and the citizens of the states during ratification. This “peculiar institution” was not a moral blind spot for America’s otherwise enlightened framers, nor was it the expression of a mere economic interest. Slavery was as important to the making of the Constitution as the Constitution was to the survival of slavery. By tracing slavery from before the revolution, through the Constitution’s framing, and into the public debate that followed, Waldstreicher rigorously shows that slavery was not only actively discussed behind the closed and locked doors of the Constitutional Convention, but that it was also deftly woven into the Constitution itself. For one thing, slavery was central to the American economy, and since the document set the stage for a national economy, the Constitution could not avoid having implications for slavery. Even more, since the government defined sovereignty over individuals, as well as property in them, discussion of sovereignty led directly to debate over slavery’s place in the new republic. Finding meaning in silences that have long been ignored, Slavery’s Constitution is a vital and sorely needed contribution to the conversation about the origins, impact, and meaning of our nation’s founding document.