Mother, Come Home is Hornschemeier's graphic novel debut—the quietly stunning tale of a father and son struggling, by varying degrees of escapism and fantasy, to come to terms with the death of the family's mother. The story seamlessly weaves through the surreal and the painfully factual, guided by the careful, somber colors and inventive pacing unique to Hornschmeier's storytelling. Mother, Come Home extracts almost tangible drama from the most tranquil of moments, making that which is unspoken in each panel easily audible, and almost uncomfortably experienced.

    Since her greatest passion is Gothic romance novels, she knows her moment has come. But when Haley leaps into the water to rescue the stranger, she awakens in Willowweep. It certainly looks like the setting of one of her favorite books: A stately manor. A sinister housekeeper. Three brooding brothers. There’s even a ghost.Except Willowweep is not what it seems. Its romantic exterior hides the workings of a pocket universe—the only protection our world has against a great force of penultimate evil, and its defenses are crumbling. Could cruel fate make Haley the heroine that Willowweep needs?

    One of his cartoons sparked riots, shuttered the newspaper Neyestani worked for, and landed the cartoonist and his editor in solitary confinement inside of Iran's notorious prison system. Neyestani's story, which can only be described as Kafkaesque, is vividly brought to life in An Iranian Metamorphosis.Mana Neyestani (b. 1973 in Tehran) is an Iranian cartoonist and illustrator for economic, intellectual, political, cultural, and professional magazines. He is particularly known for his work for the newspaper Zan and Persian language Radio Zamaneh. He is the recipient of the 2010 Cartoonists Rights Network International Courage Award in editorial cartooning.

    From school to work to relationships, this book offers an unparalleled insight into asexuality. 'When I was in school, everyone got to a certain age where they became interested in talking about only one thing: boys, girls and sex. Me though? I was only interested in comics.' Growing up, Rebecca assumes sex is just a scary new thing they will 'grow into' as they get older, but when they leave school, start working and do grow up, they start to wonder why they don't want to have sex with other people. In this brave, hilarious and empowering graphic memoir, we follow Rebecca as they navigate a culture obsessed with sex—from being bullied at school and trying to fit in with friends, to forcing themself into relationships and experiencing anxiety and OCD—before coming to understand and embrace their asexual identity.

    Chronicling a year of heartbreaks, writer's block, career highs, emotional lows, and the emergence of a mystery illness, Nothing Lasts Forever is Grace's unflinching exploration of how to pick up the pieces and find hope when absolutely everything falls apart. If life's a show, Grace makes certain that it's worth every pay-per-view.

    In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein's state control, and her family's history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one's homeland and still feel intimately connected yet ultimately estranged.Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte's father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly's memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile.

    She is fearless in her pursuit of justice and equality."--Malala Yousafzai, winner of the Nobel Peace PrizeFrom a young age, Khalida Brohi was raised to believe in the sanctity of arranged marriage. Her mother was forced to marry a thirteen-year-old boy when she was only nine; Khalida herself was promised as a bride before she was even born. But her father refused to let her become a child bride. He was a man who believed in education, not just for himself but for his daughters, and Khalida grew up thinking she would become the first female doctor in her small village. Khalida thought her life was proceeding on an unusual track for a woman of her circumstances, but one whose path was orderly and straightforward.Everything shifted for Khalida when she found out that her beloved cousin had been murdered by her uncle in a tradition known as "honor killing." Her cousin's crime? She had fallen in love with a man who was not her betrothed. This moment ignited the spark in Khalida Brohi that inspired a globe-spanning career as an activist, beginning at the age of sixteen. From a tiny cement-roofed room in Karachi where she was allowed ten minutes of computer use per day, Brohi started a Facebook campaign that went viral. From there, she created a foundation focused on empowering the lives of women in rural communities through education and employment opportunities, while crucially working to change the minds of their male partners, fathers, and brothers.This book is the story of how Brohi, while only a girl herself, shone her light on the women and girls of Pakistan, despite the hurdles and threats she faced along the way. And ultimately, she learned that the only way to eradicate the parts of a culture she despised was to fully embrace the parts of it that she loved.Praise for I Should Have Honor"Khalida Brohi's moving story is a testament to what is possible no matter the odds. In her courageous activism and now in I Should Have Honor, Khalida gives a voice to the women and girls who are denied their own by society. This book is a true act of honor."--Sheryl Sandberg, COO of Facebook and founder of LeanIn.Org and OptionB.Org

    J-kun, a dog person, was coerced into adopting two cats by his fiancee A-ko: Muu, a Norwegian cat, and Yon who has an accursed face. Much to the chagrin of J, the cats do not immediately love him. The difference between fear and comedy is paper thin. Here's a cat comedy from a horror manga author.

    A tale of loyalty, love and courage, set against a vividly realised backdrop of Edwardian Britain, it follows the fortunes of a maid-of-all-work swept up in the feminist militancy of the era. Sally Heathcote: Suffragette is another stunning collaboration from Costa Award winners, Mary and Bryan Talbot. Teamed up with acclaimed illustrator Kate Charlesworth, Sally Heathcote's lavish pages bring history to life.

    Allie Brosh returns with a new collection of comedic, autobiographical, and illustrated essays.Solutions and Other Problems includes humorous stories from Allie Brosh’s childhood; the adventures of her very bad animals; merciless dissection of her own character flaws; incisive essays on grief, loneliness, and powerlessness; as well as reflections on the absurdity of modern life.This full-color, beautifully illustrated edition features all-new material with more than 1,600 pieces of art.

    The history she’d ignored while growing up became a source of comfort and inspiration, and narrowed the gap separating her—an independent, Chinese-American woman—from her Old World Chinese parents.In Forget Sorrow, Yang makes her debut into the graphic form with the story of her father’s family, reunited under the House of Yang in Manchuria during the Second World War and struggling—both together and individually—to weather poverty, famine, and, later, Communist oppression. The parallels between Belle Yang’s journey of self-discovery and the lives and choices of her grandfather, his brothers, and their father (the Patriarch) speak powerfully of the conflicts between generations—and of possibilities for reconciliation.Forget Sorrow demonstrates the power of storytelling and remembrance, as Belle—in telling this story—finds the strength to honor both her father and herself.

    But Jarrett's family is much more complicated than that. His mom is an addict, in and out of rehab, and in and out of Jarrett's life. His father is a mystery -- Jarrett doesn't know where to find him, or even what his name is. Jarrett lives with his grandparents -- two very loud, very loving, very opinionated people who had thought they were through with raising children until Jarrett came along.Jarrett goes through his childhood trying to make his non-normal life as normal as possible, finding a way to express himself through drawing even as so little is being said to him about what's going on. Only as a teenager can Jarrett begin to piece together the truth of his family, reckoning with his mother and tracking down his father.Hey, Kiddo is a profoundly important memoir about growing up in a family grappling with addiction, and finding the art that helps you survive.

    Suddenly, the sentence of her normal life has been interrupted by the opening of a parenthesis that may never close. Based on the real experiences of cartoonist Élodie Durand, Parenthesis is a gripping testament of struggle, fragility, acceptance, and transformation which was deservedly awarded the Revelation Prize of the Angoulême International Comics Festival.

    A practical thirteen year old in charge of the family laundry business, her daily routine features unforgiving customers, unbearable P.E. classes, and the fastidious Mr. Saubertuck who is committed to destroying everything she’s worked for.Wendell is a ghost. A boy who lost his life much too young, his daily routine features ineffective death therapy, a sheet-dependent identity, and a dangerous need to seek purpose in the forbidden human world.When their worlds collide, Marjorie is confronted by unexplainable disasters as Wendell transforms Glatt’s Laundry into his midnight playground, appearing as a mere sheet during the day. While Wendell attempts to create a new afterlife for himself, he unknowingly sabotages the life that Marjorie is struggling to maintain.

    Forced to flee from Syria, they become asylum-seekers in Lebanon, and finally resettled refugees in the West. It is a story that has been replayed thousands of times by other families.When the family home in Aleppo is destroyed by a government-led bomb strike, Walid has no choice but to take his wife and children and flee their war-torn and much loved homeland. They struggle to survive in the wretched refugee camps of Lebanon, and when Youssef becomes fatally ill as a result of the poor hygienic conditions, his father is forced to take great personal risk to save his family.Walid's daughter, the young Amina, a whip-smart grade-A student, tells the story. As she witnesses firsthand the harsh realities that her family must endure if they are to survive -- swindling smugglers, treacherous ocean crossings, and jihadist militias -- she is forced to grow up very quickly in order to help her parents and brother.Kullab's narrative masterfully maps both the collapse and destruction of Syria, and the real-life tragedies faced by its citizens still today. The family's escape from their homeland makes for a harrowing tale, but with their safe arrival in the West it serves as a hopeful endnote to this ongoing worldwide crisis.Beautiful illustrations by Jackie Roche -- whose work on the viral web-comic, Syria's Climate Conflict, was seen prominently in Symboliamag. com, Upworthy.com and Motherjones.com, among others -- bring Kullab's words to life in stunning imagery that captures both the horror of war and the dignity of human will.