The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    In beautiful and simple language, The Gospel according to Moses illustrates Dickson's journey of faith exploring some of the primary theological differences and similarities between Christianity and Judaism. He draws generously on both Old and New Testament scriptures, looking at Christian and Jewish perspectives on topics such as suffering, grace vs. works, and the place of Jesus in the Hebrew Scriptures.

    Rabbi David Small, the new leader of Barnard's Crossing's Jewish community, can't even enjoy his Sabbath without things getting stirred up in a most unorthodox manner: It seems a young nanny has been found strangled, less than a hundred yards from the Temple's parking lot -- and all the evidence poi

    95 four-color, 30 two-color, and 30 black-and-white illustrations.

    Nights with Uncle Remus gathers seventy-one of Harris's most popular narratives, featuring African American trickster tales, etiological myths, Sea Island legends, and chilling ghost stories. Told through the distinct voices of four slave storytellers, indispensable tales like "The Moon in the Mill-Pond" and other Brer Rabbit stories have inspired writers from Mark Twain to William Faulkner, Zora Neale Hurston to Toni Morrison, and helped revolutionize modern children's literature and folktale collecting.

    Asher Lev is an artist who is compulsively driven to render the world he sees and feels even when it leads him to blasphemy. In this stirring and often visionary novel, Chaim Potok traces Asher’s passage between these two identities, the one consecrated to God, the other subject only to the imagination.Asher Lev grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. But in time his gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous portrait of the artist, by turns heartbreaking and exultant, a modern classic.

    Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.

    On this occasion, their ringleader is inspired to rebellion after reading some books on philosophy and science.Anatole France's 1914 satire of war, government, and religion offers an ever-resonant protest against violence and tyranny.

    Borg and Crossan focus on discovering the actual literary story that the Gospels tell. Borg and Crossan feel that history has biased our readings of these texts; we are all so familiar with the nativity story that we don't really hear it anymore. The First Christmas will help us see the nativity story afresh and be able to appreciate the powerful message the Gospels contain.

    That fervor animates American history as much as it does the Middle East, in the present as deeply as in the past. In Carroll’s provocative reading of the deep past, the Bible came into being as an act of resistance to the violence that threatened Jerusalem from the start. Centuries later, holy wars burned apocalyptic Jerusalem into the Western mind, sparking expressly religious conflict among Jews, Christians, and Muslims. The heat stretched from Richard the Lionheart to Field Marshal Edmund Allenby, whose World War I conquest of the city relit the fuse for a war that still rages. Carroll’s brilliant leap is to show how, as Christopher Columbus was dispatched from the Crusades-obsessed Knights Templar’s last outpost in Iberia, the New World too was powerfully shaped by the millennial obsessions of the City on a Hill — from Governor Winthrop to Abraham Lincoln to Woodrow Wilson to Ronald Reagan. Heavenly Jerusalem defines the American imagination — and always, the earthly city smolders. Jerusalem fever, inextricably tied to Christian fervor, is the deadly — unnamed — third party to the Israeli-Palestinian wars. Understanding Jerusalem fever is the key that unlocks world history, and the diagnosis that gives us our best chance to reimagine peace.

    There she finds what she is searching for in the arms of a masked stranger, whose rough hands and scorching kisses leave her breathless.She never expects to see him again, but he seeks her out and tempts her with the promise of a night dedicated solely to her pleasure a dangerous proposition for a respectable widow with secrets to protect. She agrees to be his lover on the condition they remain anonymous.Merchant prince Dante Valaresso has returned to Venice to restore his family s fortune and reclaim his ancestral home. A born sailor, he misses the sea, but his fiery new mistress has him thinking life ashore might suit him just as well. All that stands between him and contentment is a dour, eccentric widow named Serena Alberenghi, who refuses to vacate his palazzo.They play out their games amidst the sensual, heady swirl of Carnival, they unmask the truth: To earn perfect happiness, each might have to give up what they covet the most."

    Here, acclaimed scholar Stephen Greenblatt explores it with profound appreciation for its cultural and psychological power as literature. From the birth of the Hebrew Bible to the awe-inspiring contributions of Augustine, Dürer, and Milton in bringing Adam and Eve to vivid life, Greenblatt unpacks the story’s many interpretations and consequences over time. Rich allegory, vicious misogyny, deep moral insight, narrow literalism, and some of the greatest triumphs of art and literature: all can be counted as children of our “first” parents.

    The significance of Scripture may not be immediately obvious in our secular world, but its misunderstanding is perhaps the root cause of many of today's controversies.In this timely and important book, one of the most trusted and admired writers on the world of faith examines the meaning of Scripture. The sacred texts have been coopted by fundamentalists, who insist that they must be taken literally, and by others who interpret Scripture to bolster their own prejudices. These texts are seen to prescribe ethical norms and codes of behavior that are divinely ordained: they are believed to contain eternal truths. But as Karen Armstrong shows in this chronicle of the development and significance of major religions, such a narrow, peculiar reading of Scripture is a relatively recent, modern phenomenon. For most of their history, the world's religious traditions have regarded these texts as tools that enable the individual to connect with the divine, to experience a different level of consciousness, and to help them engage with the world in more meaningful and compassionate ways.At a time of intolerance and mutual incomprehension, The Lost Art of Scripture shines fresh light on the world's major religions to help us build bridges between faiths and rediscover a creative and spiritual engagement with holy texts.

    The Arthurian tales of chivalry, romance, and tragedy have left a lasting impact on English literature. This collection contains Sir Gawain and the Green Knight (trans. 1898), The Lady of Shallot (1833), The Founding of the Round Table (trans. 1914), The Passing of Arthur (trans. 1914), The Morte D'arthur (1914), The Lady of the Fountain (trans. 1877), Arthurian Songs: 1. Avalon (1894), and Sir Galahad, a Christmas Mystery (1858).

    Warriors, raiders, and rulers, Ragnar and his sons inspired unknown writers to set down their stories over seven centuries ago. This volume presents new and original translations of the three major Old Norse texts that tell Ragnar's story: the Saga of Ragnar Lodbrok, the Tale of Ragnar's Sons, and the Sogubrot. Ragnar's death song, the Krakumal, and a Latin fragment called the List of Swedish Kings, complete the story. Extensive notes and commentary are provided, helping the reader to enter the world of these timeless stories of Viking adventure.