Literature and film adaptations studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on several film versions and adaptations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors, critics and others linked with the chosen film and text.

    It is the story of Izzy and Celia, two lonely, wounded, and mismatched strangers, transformed into soul mates by the uncanny powers of a phosphorescent stone. Destiny, as well as some bizarre and near-tragic circumstances, conspire to keep the lovers apart. But the audience and reader are privy to a grand and surprising finale that explains all. Thought-provoking, intriguing, and utterly romantic, Lulu on the Bridge offers a lyrical meditation on what distinguishes chance from fate, reality from illusion, and life from death. Following on the success of the screenplay cornpanion to Smoke and Blue in the Face, this book contains the shooting script; an interview with Paul Auster by Rebecca Prime; interviews with the producer, costume designer, editor, director of photography, and production designer; and stills from the film.

     But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. EX MACHINA is an intense psychological thriller, played out in a love triangle. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.

    At a screening at Cannes in May 1979, Francis Ford Coppola said simply, "There wasn't a truthful thing written about [the film] in four years." That year at Cannes, Apocalypse Now won the Palme d'Or, going on from there to worldwide acclaim and etching itself in the memories of audiences with unforgettable sequences like the dawn helicopter attack scored to Wagner's "Ride of the Valkyries" or Lt. Colonel Kilgore's chilling "I love the smell of napalm in the morning." Here, generously illustrated with evocative stills from the film and revealing photographs from the set, is the story behind the movie where Vietnam met Joseph Conrad's Heart of Darkness. It is the extraordinary saga of Coppola and his crew and actors-who included Marlon Brando, Robert Duvall, Harvey Keitel, Martin Sheen, Dennis Hopper, and Harrison Ford -- battling hurricanes in the jungles of the Philippines, the calamity of a lead actor's heart attack, and crises both psychological and financial . . . in the end giving rise to a modern film classic.

    Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.

    Cold Mountain Penitentiary houses convicted killers awaiting their turn to walk the Green Mile to the electric chair. But there's never been anyone like John Coffey, with the body of a giant and the mind of a child.

    In a passionate and witty behind-the-scenes expose, the author of 'All About All About Eve' takes on the classic 1959 Douglas Sirk film, Born To Be Hurt, starring Lana Turner.

    Marc Norman and renowned dramatist, Tom Stoppard have created the best screenplay of the year according to the Golden Globes and the New York Film Critics Circle.

    Ada, together with her nine-year-old illegitimate daughter Flora, and her piano, leave Scotland to arrive in the remote bush of 19th-century New Zealand for a marriage arranged by her father.

    More familiarly known by his nickname, Feluda, Pradosh Chandra Mitra is a Bengali detective who solves mysteries using his incisive intellect. Feluda is characterized as a tall and athletic man, who is well-versed in martial arts and can handle firearms with ease. But, he seldom uses these skills, preferring to solve crimes with his analytical skills, aided by his keen powers of observation. Feluda is the son of a professor who taught mathematics and Sanskrit. He too starts his career in the teaching profession before he decides to use his skills to solve crimes. His teaching experience leaves its mark on him as he likes to deliver scholarly lectures even at home. Feluda has a faithful sidekick in his young cousin Tapesh Ranjan Mitra, who is commonly referred to as Topshe. Topshe is the perfect foil to Feluda, similar to the character of Watson in the Sherlock Holmes series. He diligently records all Feluda's exploits, just like Watson, . Another interesting character is Lalmohan Ganguli, who is a close friend of Feluda. He writes crime fiction under the pen name of Jatayu. He is the comic figure in the group, providing light relief in the stories. Feluda made his debut in 1965, in the Bengali children's magazine, Sandesh. His first adventure was titled Feluda Goendagiri. Satyajit Ray wrote a total of 35 Feluda stories, the last one was published in 1992. These novels are extremely popular in Bengal and filled with crime and suspense and fast-paced narratives. Many of the Feluda stories have been adapted into movies in Bengal. The two volumes in Feluda Samagra has all the stories arranged in chronological order, and they are written in Bengali. Thus, the reader sees the gradual development of characters, especially that of Feluda.

    Perhaps more than the gorgeously stylized visuals and impeccably re-created history, it's the show's richly drawn characters stumbling through their personal and professional lives that get under our skin and keep us invested.In Mad Men on the Couch, Dr. Stephanie Newman analyzes the show's primary characters through the lens of modern psychology. Lending her trained professional eye, she poses and expertly answers pressing questions such as:Why does Don constantly sabotage himself? Why is Betty such a cold mother and desperately unhappy housewife? (Hint: It's not just because her "people are Nordic.")Why does Pete prevail in adversity when Roger crumbles?Why is Peggy able to rise profesionally in the male jungle of Madison Avenue when Joan can't?Can these characters ever really change?With critical commentary that is both entertaining and insightful, Mad Men on the Couch will provide viewers with a unique persepctive on the show.

    Batman Begins was a successful re-boot of the popular Batman franchise, and The Dark Knight sequel takes the fresh perspective further, developing the highly anticipated, raw cat-and-mouse game between our superhero Batman and his twisted arch-nemesis The Joker. Celebrated stars include Christian Bale, Michael Caine, Morgan Freeman, and Gary Oldman, returning as Batman, Alfred, Lucius Fox, and Lieutenant Gordon, respectively; and new additions Heath Ledger as The Joker, as well as Maggie Gyllenhaal, and Aaron Eckhart. The Art of the Dark Knight is the ultimate companion book to the movie, showcasing production ephemera including storyboard art, character sketches, Nolan’s original shooting script, still photos, and even personal behind-the-scenes material created by the Nolans and Crowley during the movie. The Art of the Dark Knight is certain to appeal to diehard and new fans alike.

    Rich in gossip, it is also an eyewitness report of Hollywood in transition. In the summer of 1924, Valeria Belletti and her friend Irma visited California, but instead of returning home to New York, the twenty-six-year-old Valeria decided to stay in Los Angeles. She moved into the YWCA, landed a job as Samuel Goldwyn's personal and social secretary and proceeded to trip over history in the making. As she recounts in her dozens of letters to Irma, Valeria Belletti encountered every type of Hollywood player in the course of her working day: moguls, directors, stars, writers, and hopeful extras. She shares news about Valentino's affairs, Sam Goldwyn's bootlegger, the development of the “talkies,” her own role in helping to cast Gary Cooper in his first major part and much more—often in hilarious detail. She writes of her living and working conditions, her active social life, and her hopes for the future—all the everyday concerns of a young working woman during the jazz age. Alternating sophistication with naiveté, Valeria’s letters intimately document a personal journey while giving us a unique portrait of a fascinating era.

    A prince of the silver screen. Dashing and debonair, Tony Curtis arrived on the scene in a blaze of bright lights and celluloid. His good looks, smooth charm, and natural talent earned him fame, women, and adulation—Elvis copied his look and the Beatles put him on their Sgt. Pepper album cover. But the Hollywood life of his dreams brought both invincible highs and debilitating lows. Now, in his captivating, no-holds-barred autobiography, Tony Curtis shares the agony and ecstasy of a private life in the public eye.No simple tell-all, American Prince chronicles Hollywood during its heyday. Curtis revisits his immense body of work—including the unforgettable classics Houdini, Spartacus, and Some Like It Hot—and regales readers with stories of his associations with Frank Sinatra, Laurence Olivier, director Billy Wilder, and film industry heavyweight Lew Wasserman, as well as paramours Natalie Wood and Marilyn Monroe, among others. As forthright as he is enthralling, Tony Curtis offers intimate glimpses into his succession of failed marriages (and the one that has endured), his destructive drug addiction, and his passion as a painter. Written with humor and grace, American Prince is a testament to the power of living the life of one’s dreams.

    Hunters have declared all out war on those with magic in their blood and everyone has been caught in the crossfire.But Hunters, it would seem, are far from the world's biggest threat.A dark evil has been unleashed. One driven by wrath and an insatiable hunger for vengeance.And the fate of the world and all those in it rest in a single pair hands.The final spell has begun.The end draws near.And Lilly Hooper's fate has been sealed.Volume three brings the gripping, dark and intense Last Witch trilogy to its climax.Get ready. This is no fairy tale.