He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

    They are travelling at seventy miles per hour.A newborn baby is the sole survivor of a terrifying plane crash.She is raised in wealthy isolation by an overprotective father. She knows nothing of the rumours about a beautiful young woman, hidden from the world.When a suitor visits, he understands far more than he should. Forced to run for his life, he escapes aboard The Porpoise, an assassin on his tail…So begins a wild adventure of a novel, damp with salt spray, blood and tears. A novel that leaps from the modern era to ancient times; a novel that soars, and sails, and burns long and bright; a novel that almost drowns in grief yet swims ashore; in which pirates rampage, a princess wins a wrestler’s hand, and ghost women with lampreys’ teeth drag a man to hell – and in which the members of a shattered family, adrift in a violent world, journey towards a place called home.

    They're best friends, lovers—unshakable. But then their son gets sick and the doctors put the question of his survival into their hands. For the first time, Max and Pip can't agree. They each want a different future for their son. What if they could have both? A gripping and propulsive exploration of love, marriage, parenthood, and the road not taken, After the End brings one unforgettable family from unimaginable loss to a surprising, satisfying, and redemptive ending and the life they are fated to find. With the emotional power of Jodi Picoult's My Sister's Keeper, Mackintosh helps us to see that sometimes the end is just another beginning.

    . . and their perfect lies.A seat at the anchor desk of the most-watched morning show. Recognized by millions across the country, thanks in part to her flawless blond highlights and Botox-smoothed skin. An adoring husband and a Princeton-bound daughter. Peyton is that woman. She has it all.Until . . .Skye, her sister, is a stay-at-home mom living in a glitzy suburb of New York. She has degrees from all the right schools and can helicopter-parent with the best of them. But Skye is different from the rest. She’s looking for something real and dreams of a life beyond the PTA and pickup.Until . . .Max, Peyton’s bright and quirky seventeen-year-old daughter, is poised to kiss her fancy private school goodbye and head off to pursue her dreams in film. She’s waited her entire life for this opportunity.Until . . .One little lie. That’s all it takes. For the illusions to crack. For resentments to surface. Suddenly the grass doesn’t look so green. And they’re left wondering: will they have what it takes to survive the truth?

    She promised she’d take them, but didn’t. He promised before they got married that he’d never want children, but now he’s changed his mind. Their marriage has come to rest on this one question: Can Rose find it in herself to become a mother? Rose is a successful professor and academic. She’s never wanted to have a child. The fight ends, and with it their marriage.But then, Rose has a fight with Luke about the vitamins–again. This time the fight goes slightly differently, and so does Rose’s future as she grapples with whether she can indeed give up the one thing she thought she knew about herself. Can she reimagine her life in a completely new way? That reimagining plays out again and again in each of Rose’s nine lives, just as it does for each of us as we grow into adulthood. What are the consequences of our biggest choices? How would life change if we let go of our preconceived ideas of ourselves and became someone completely new? Rose Napolitano’s experience of choosing and then choosing again shows us in an utterly compelling way what it means, literally, to reinvent a life and, sometimes, become a different kind of woman than we ever imagined.A stunning novel about love, loss, betrayal, divorce, death, a woman’s career and her identity, The Nine Lives of Rose Napolitano is about finding one’s way into a future that wasn’t the future one planned, and the ways that fate intercedes when we least expect it.

    As an estate lawyer, an unfortunate part of her day-to-day is phone calls from the next of kin informing her that one of her clients has died. But nothing could have prepared Ana for the call from Rebecca Taylor, explaining in a strangely calm tone that her husband Connor was killed in an accident. Ana had been having an affair with Connor for three years, keeping their love secret in hotel rooms, weekends away, and swiftly deleted text messages. Though consuming, they hide their love well, and nobody knows of their relationship except Mark, Connor's best friend. Alone and undone, Ana seeks friendship with the person who she once thought of as her adversary and opposite, but who is now the only one who shares her pain -- Rebecca. As Ana becomes closer to her lover's widow, she is forced to reconcile painful truths about the affair, and the fickleness of love and desire. Funny, frank, and strange, Sarah Crossan's moving novel is wholly original and deeply resonant.

    Squeezed into a coat closet with his classmates and teacher, first grader Zach Taylor can hear gunshots ringing through the halls of his school. A gunman has entered the building, taking nineteen lives and irrevocably changing the very fabric of this close-knit community. While Zach's mother pursues a quest for justice against the shooter's parents, holding them responsible for their son's actions, Zach retreats into his super-secret hideout and loses himself in a world of books and art. Armed with his newfound understanding, and with the optimism and stubbornness only a child could have, Zach sets out on a captivating journey towards healing and forgiveness, determined to help the adults in his life rediscover the universal truths of love and compassion needed to pull them through their darkest hours.

    Born on the night of an ill-auguring comet just before Charles II's Restoration, Ursula Flight has a difficult future written in the stars.Against the custom of the age she begins an education with her father, who fosters in her a love of reading, writing and astrology.Following a surprise meeting with an actress, Ursula yearns for the theatre and thus begins her quest to become a playwright despite scoundrels, bounders, bad luck and heartbreak.

    The idea of a curse was divisive, but the assertion that I had, for some time now, been 'laden with something dark' was disconcertingly unanimous.I wondered if this was something you also saw in me, if that was why you left.There is something wrong with Mathilda.She's still reeling from the blow of a gut-punch break up and grieving the death of a loved one.But that's not it.She's cried all her tears, mastered her crow pose and thrown out every last reminder of him.But that's not helping.Concerned that she isn't moving on, Mathilda's friends push her towards a series of increasingly unorthodox remedies.Until the seams of herself begin to come undone.Tender, unflinching and blisteringly funny, What a Shame glitters with rage and heartbreak, and offers up the joy of self-acceptance through an extraordinary rite of passage to overcome the prickly heat of female shame.

    Alyssa has a job she loves, working as Cinderella at her favorite theme park; a fantastic group of friends; and a boyfriend who will no longer be long distance. But as the summer progresses, her prince becomes less charming and more distant, and Alyssa's perfect summer falls apart.Forced to acknowledge that life is not always a fairy tale, Alyssa starts working to pull her herself back together. Fortunately, she doesn't have to do it alone. With her friend Miller's support, she's determined to prove that she's more than just a pretty princess. And with his help, maybe she's finally ready for something better than dreams. Maybe she's ready for something real.

    Handing out clean needles to drug addicts, she falls for a recipient she calls Mr. Disgusting, who proceeds to break her heart in unimaginable ways. In search of healing, Mona decamps to Taos, New Mexico, for a fresh start, where she finds a community of seekers and cast-offs, all of whom have one or two things to teach her—the pajama-wearing, blissed-out New Agers, the slightly creepy client with peculiar tastes in controlled substances, the psychic who might really be psychic. But always lurking just beneath the surface are her memories of growing up in a chaotic, destructive family from which she’s trying to disentangle herself, and the larger legacy of the past she left behind. The story of Mona’s journey to find her place in this working-class American world is at once hilarious and wonderfully strange, true to life and boldly human, and introduces a stunningly one-of-a-kind new voice in American fiction.

    Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life. What's your jumping-off point? MaureenWhy is it the biggest sin of all? All your life you're told that you'll be going to this marvelous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue-jumping. But if someone jumps the queue at the post office, people tut. Or sometimes they say "Excuse me, I was here first." They don't say "You will be consumed by hellfire for all eternity." That would be a bit strong. MartinI'd spent the previous couple of months looking up suicides on the Internet, just out of curiosity. And nearly every single time, the coroner says the same thing: "He took his own life while the balance of his mind was disturbed." And then you read the story about the poor bastard: His wife was sleeping with his best friend, he'd lost his job, his daughter had been killed in a road accident some months before . . . Hello, Mr. Coroner? I'm sorry, but there's no disturbed mental balance here, my friend. I'd say he got it just right. JessI was at a party downstairs. It was a shit party, full of all these ancient crusties sitting on the floor drinking cider and smoking huge spliffs and listening to weirdo space-out reggae. At midnight, one of them clapped sarcastically, and a couple of others laughed, and that was it-Happy New Year to you, too. You could have turned up to that party as the happiest person in London, and you'd still have wanted to jump off the roof by five past twelve. And I wasn't the happiest person in London anyway. Obviously. JJNew Year's Eve was a night for sentimental losers. It was my own stupid fault. Of course there'd be a low-rent crowd up there. I should have picked a classier date-like March 28, when Virginia Woolf took her walk into the river, or November 25 (Nick Drake). If anybody had been on the roof on either of those nights, the chances are they would have been like-minded souls, rather than hopeless f*ck-ups who had somehow persuaded themselves that the end of a calendar year is in any way significant.

    As a member of a secret organization, he travels across the country creating strange works of art that leave communities mystified.He's always been alone; in fact, he prefers it. But when a dying farmer hires him in a last-ditch effort to bring publicity to a small Vermont town, Daniel finds himself at odds with his heart. It isn't long before he gets drawn into a family struggling to stitch itself back together, and the consequences will change his life forever.For readers seeking the warmth of The Readers of Broken Wheel Recommend blended with the creative spark of Rachel Joyce, The Fifteen Wonders of Daniel Green explores the unexplainable bonds of family, the everyday wonder of love, and the strange mysteries life provides that help humanity light up the dark.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    Emerging from London’s psychedelic scene in 1967 and fronted by folk singer Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and drafty ballrooms to Top of the Pops and the cusp of chart success, and on to glory in Amsterdam, prison in Rome, and a fateful American fortnight in the autumn of 1968.David Mitchell’s captivating new novel tells the unexpurgated story of Utopia Avenue; of riots in the streets and revolutions in the head; of drugs, thugs, madness, love, sex, death, art; of the families we choose and the ones we don’t; of fame’s Faustian pact and stardom’s wobbly ladder. Can we change the world in turbulent times, or does the world change us?