When she walked into the Body Art Workshop in Laramie, Wyoming, she found what she was looking for: a culture on the fringe of polite society, complete with outlaw signature. Soon Karol was a full-time tattoo artist, an occasional outlaw, and a tattooed woman looking for love in all the wrong places. By the mid nineties, the West had been invaded by suburban culture; and tattoos had become a mass commodity of coolness, compelling Karol to go even farther to find the authentic outsiders she romanticized. She eventually hooked up with a real old-fashioned Wyoming outlaw, complete with felony convictions and outstanding warrants—which is how Karol wound up looking down the barrel of a gun held by a tattooed caricature of true love.

    Rigorous and thorough searches by some of the best climbers in the history of the range failed to locate him despite a number of promising clues. When all hope seemed gone and the last search party had left the Minarets, mountaineering legend Norman Clyde refused to give up. Climbing alone, he persevered in the face of failure, resolved that he would learn the fate of the lost man. Clyde’s discovery and the events that followed make for compelling reading. Recently reissued with a new afterword, this re-creation of a famous episode in the annals of the Sierra Nevada is mountaineering literature at its best.

    A collection of thoughts on the beauty and lore of Cape Cod, presented with pen-and-ink drawings, reflects upon the people, the weather, and the country.

    He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared.An Indiana Jones with a camera, Curtis spent the next three decades traveling from the Havasupai at the bottom of the Grand Canyon to the Acoma on a high mesa in New Mexico to the Salish in the rugged Northwest rain forest, documenting the stories and rituals of more than eighty tribes. It took tremendous perseverance - ten years alone to persuade the Hopi to allow him into their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Eventually Curtis took more than 40,000 photographs, preserved 10,000 audio recordings, and is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian. His most powerful backer was Theodore Roosevelt, and his patron was J. P. Morgan. Despite the friends in high places, he was always broke and often disparaged as an upstart in pursuit of an impossible dream. He completed his masterwork in 1930, when he published the last of the twenty volumes. A nation in the grips of the Depression ignored it. But today rare Curtis photogravures bring high prices at auction, and he is hailed as a visionary. In the end he fulfilled his promise: He made the Indians live forever.

    Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape.Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations.

    Personal and strong, these stories present an evocative new view of the shaping of California and the lives of Indians during the Mission period in California. The result is a work of literary art that is wise, angry and playful all at once.

    As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

    In the five months that followed, he learned a way of life on the land with which few are familiar, where the daily focus is on the necessities of life, and where both skill and finesse are required for self-sufficiency.In The Shoe Boy, that boy – Duncan McCue – takes us on an evocative journey that explores the hopeful confusion of the teenage years, entwined with the challenges and culture shock of coming from a mixed-race family and moving to the unfamiliar North. As he reflects on his search for his own personal identity, he illustrates he relationship Indigenous peoples have with their lands, and the challenges urban Indigenous people face when they seek to reconnect to traditional lifestyles.The result is a contemplative, honest, and unexpected coming-of-age memoir set in the context of the Cree struggle to protect their way of life, after massive hydro-electric projects forever altered the landscape they know as Eeyou Istchee.

    She is doing it alone, and the only gear she takes to survive the trek in the mountains of California, Oregon, and Washington fits inside her sixty-eight-liter backpack.At the start of her five-month journey, she meets a handsome young man known on the trail as Big Spoon. Their paths keep crossing. The two quickly see a greater reason for their expedition than to explore the rigorous wilderness. They fall madly in love and get married. But their adventure is just beginning.Told with rich vitality, Miller’s quest unfolds in mystical ways through deadly desert storms, 14,000-foot ascents, and decisions that will affect the rest of her life. This bold tale of courage and determination brims with humor and suspense as it reveals life, love, and loss in the rawness of the wild.

    It belongs to award-winner Mark Spragg, and it's as passionate and umcompromising as the wilderness in northwest Wyoming in which he was born: the largest block of unfenced wilderness in the lower forty-eight states. Where Rivers Change Direction is a memoir of childhood spent on the oldest dude ranch in Wyoming—with a family struggling against the elements and against themselves, and with the wry and wise cowboy who taught him life's most important lessons.As the young Spragg undergoes the inexorable rites of passage that forge the heart and soul of man, he channels Peter Matthiessen and the novels of Ernest Hemingway in his truly unforgettable illuminations of the heartfelt yearnings, the unexpected wisdom, and the irrevocable truths that follow in his wake.

    Dr. Spock may tell moms to trust their instincts, but Lynch's Misfit Mommies want to do every last thing but that. They feel like frauds and imposters, and Lynch's real-girl's voice will be instantly recognizable to them. Lynch will walk and talk new moms through it all: from lamenting the hot dogs and second-hand smoke they were raised on (and, of course, "you turned out just fine") to the realization that kids are kind of germy and gross (but feeling that way doesn't make one a bad mother) to keeping it together at work with Cheerios in the old nursing bra.

    These pieces thus explore, with quiet grace, the unexpected pleasures that are gleaned from an appreciation of the ordinary - a sleeping cat, a blooming garden, a well-cooked meal. Such familiar - even ostensibly mundane - details of our lives, Steinbach maintains, play a far more important part in shaping our identities and our sense of our relationship to the world than do the exotic encounters or momentous events to which we attach much significance. Alternately poignant and humorous, sedately contemplative and bristling with emotional energy, Steinbach's various musings on the daily rhythms of her own moods and experiences transform everyday life into a rich and meaningful journey.

    As he wanders the land year upon year, Raymo gathers the revelations embedded in the geological and cultural history of this wild and ancient place. "When I called out for the Absolute, I was answered by the wind," Raymo writes. "If it was God's voice in the wind, then I heard it." In poetic prose grounded in a mind trained to discover fact, Honey from Stone enters the wonder of the material world in search of our deepest nature.

    Sitting at the kitchen tables of twelve women in their eighties who were born in or immigrated to Montana in the late nineteenth or early twentieth century, between 1982 and 1988 oral historian Donna Gray conducted interviews that reveal a rich heritage.  In retelling their life stories, Gray steps aside and allows theses women with supposedly “nothing to tell” to speak for themselves.  Pride, nostalgia, and triumph fill a dozen hearts as they realize how remarkable their lives have been and wonder how they did it all. Some of these women grew up in Montana in one-bedroom houses; others traveled in covered wagons before finding a home and falling in love with Montana.  These raw accounts bring to life the childhood memories and adulthood experiences of ranch wives who were not afraid to milk a cow or bake in a wooden stove.  From raising poultry to raising a family, these women knew the meaning of hard work.  Several faced the hardships of family illness, poverty, and early widowhood.  Through it all, they were known for their good sense of humor and strong sense of self.

    It comes from the Latin radix, radicis, meaning radish, a root vegetable.”—BK LorenWinner of the Colorado Book Award, these meditative essays range in subjects from a transcendental encounter with a pack of coyotes ironically juxtaposed with her neighbor’s claim that nature “has gone out of vogue,” to Loren’s mother’s slow yet all-encompassing deterioration from Parkinson’s, and the unexpected way the Loma Prieta earthquake eroded her depression by offering the author a sense of her small place in a wild and worthwhile world.Loren has an empathetic and gentle approach to the world. In detailing the intricacies of human relationships and consciousness—fear of death and time, cooperation born of clashing viewpoints, tradition’s beauty even when destructive, a love of language, a sense of loss amid the fast-paced materialistic world—she peels back the film of popular thinking in order to expose herself to the secrets so few of us ever see.